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As of Nov. 8, Target Circle members can get 15% off Fandango gift cards at the retailer.

15% OFF: As of Nov. 8, Target Circle members can get 15% off Fandango gift cards.

This time of year is all about excellent deals. Target, in particular, is already dropping early Black Friday deals for shoppers to enjoy. If you’re part of their Target Circle program (and if not, it’s free to join), you can score even more discounts. One of our favorites at the moment is this deal on Fandango gift cards, but you’ll want to act fast as it expires after Nov. 8.

Target Circle members can get 15% off Fandango gift cards. This offer applies to the $25 card, $50 card, and $100 card. If you’ve been looking for a good gift idea, you truly can’t go wrong with a Fandango gift card that can set someone up for some fun visits to the movie theater.

These gift cards can be used to purchase tickets online for a wide variety of upcoming movies at numerous movie theaters. Thankfully, their website has a full breakdown of movie theater partners as well so you can find your best local option. And with so many movies coming out this holiday season — from Gladiator II to Wicked to Nosferatu — a gift like this can save someone a lot on multiple trips to the cinema.

Target’s got plenty more deals to check out right now as well, given their early Black Friday sale event is running until this Saturday. A few other retailers are jumping in on the Black Friday action ahead of the actual day as well, like Walmart and Best Buy, so check out our breakdowns of each to learn more about what their plans are.

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As of Nov. 8, The Criterion Collection is 50% off at Barnes and Noble.

50% OFF: As of Nov. 8, The Criterion Collection is 50% off at Barnes and Noble. This sale runs until Dec. 2.

It’s a fantastic time of year to be a movie fan. Not just for the Black Friday shopping event, which usually offers some great 4K and Blu-ray discounts, but also for the big Criterion Collection sale at Barnes and Noble. For those looking to get their hands on some incredible films from their collection, this is an excellent time to stock up.

The Criterion Collection is currently 50% off at Barnes and Noble. This sale features a wide variety of 4Ks, Blu-rays, and DVDs to build out your physical media collection, but also a variety of boxed sets are on sale, including the massive CC40 box set. This sale only runs until Dec. 2, so if you’ve had your eye on some films, now’s a great time to pick them up.

The added bonus of purchasing from The Criterion Collection is that each cover has a unique design that’ll stand out beautifully in your collection. They’re physical editions that are worth every penny, and investing in high-quality 4Ks and Blu-rays is always a good idea. Though streaming is there with a touch of a button, there’s nothing quite like watching a physical copy of your favorite films.

There are plenty more deals on physical media still to come as Black Friday approaches. Some retailers are jumping into the seasonal sale event early this month as well, so it’s worth having a look at our breakdowns of Walmart, Best Buy, and Target’s shopping events to see what they’ve got planned.

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Max will start discouraging password sharing in the following months, followed by a full crackdown.

Sorry, folks: You won’t be able to share your Max login credentials much longer.

The Warner Bros. Discovery-owned streaming service announced it would start cracking down on accounts that are sharing their password back in March, but not much has really happened so far.

In the company’s third quarter 2024 earnings call on Thursday, JB Perrett, CEO and president of global streaming and games for Warner Bros., said Max will start with “very soft messaging” around password sharing later this year.

“As we kick into ’25 and into ’26 you’ll see more and more progress on that, which in effect is a form of a price rise as well, obviously asking members who have not signed up or multi-household members to pay a little bit more,” he said. “And so you’re going to see that as an additional kicker.”

This probably means users can expect emails warning them about password sharing, followed by offers to start paying for extra members.

The company previously said it would fully roll out paid sharing in 2025.

There’s potentially worse news, too. According to Perett, Max might also increase the prices of its streaming service as it deems there is a “fair amount of room” for higher prices due to the service’s “premium nature.”

“We think the premium nature of our product in particular lends us to have a fair amount of room to continue to push price,” he said. “We’ve been judicious about it, but every price rise we’ve done so far the churn has actually been lower than we projected and expected and the retention continues to be strong.”

The company increased the prices for its streaming service twice this year, most recently in June.

Max’s move to curb password sharing is hardly surprising given that Netflix saw a big subscriber increase after it put an end to password sharing on its streaming service.

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Jimmy Kimmel has responded to Elon Musk calling him a “propaganda puppet”.

Jimmy Kimmel has responded to Elon Musk calling him a “propaganda puppet”.

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Hugh Grant stars alongside Chloe East and Sophie Thatcher in A24’s “Heretic,” in theaters November 8.

What would happen if any of Hugh Grant’s famed rom-com characters — think William from Notting Hill or the prime minister from Love Actually — trapped you in a house of horrors? That’s not too far off from what you’ll get in Heretic, the latest horror offering from writer-director duo Scott Beck and Bryan Woods (A Quiet Place, 65).

Yes, Grant has leaned further into villain archetypes in the past few years, from Paddington 2‘s egotistical Phoenix Buchanan to Dungeons & Dragons: Honor Among Thieves‘ roguish Forge. But no film has weaponized his talents to as frightening an extent as Heretic. Here, you’ll witness Grant both as you’ve never seen him before (downright terrifying!) and exactly as you’ve seen him before (charming with a side of self-deprecation). The combination is downright bone-chilling, with Grant’s performance providing nonstop terror even as Heretic‘s theological frights remain fairly surface level.

What’s Heretic about?

Grant plays Mr. Reed, a seemingly friendly man who opens his door to Mormon missionaries Sister Paxton (The Fabelmans‘ Chloe East) and Sister Barnes (Yellowjackets‘ Sophie Thatcher). The pair have already had a rough day of lugging their bikes up and down steep stairs, getting made fun of by local teenage girls, and weathering the beginnings of a gnarly rainstorm. After all that, Mr. Reed’s genuine interest in the Mormon Church is just the pick-me-up they need. And while mission rules forbid them from being alone with him without a woman present, he insists that his shy wife is just in the kitchen whipping up a marvelous blueberry pie. That’s all the confirmation Paxton and Barnes need to enter his home and start teaching him about their faith.

Once inside, though, the red flags start piling up. Turns out Mr. Reed knows quite a bit about Mormonism. Look no further than his heavily marked-up copy of the Book of Mormon. (“More like Mr. Read,” Paxton jokes, desperate to land her first baptism.) Then there are his pointed probes about Mormon founder Joseph Smith and polygamy. At first glance, these could just be mistaken for run-of-the-mill religious skepticism. But when coupled with personal questions about the death of Barnes’ father, it’s clear something more sinister is afoot. From here, all Heretic needs is one push — in this case, the reveal that “Mrs. Reed” is nothing more than a blueberry-scented lie — to send Paxton and Barnes hurtling into hell.

“Hell” of course being the back section of Mr. Reed’s house, which includes a chapel he built himself, as well as two staircases — one marked “belief,” the other “disbelief” — leading down into the darkness. These staircases become the focal point for a religious battle of wits, as Mr. Reed tests the Sisters’ faith to its limit.

Heretic‘s religious horror is not the scariest thing about it.

Most of this battle of wits plays out in conversation, with Heretic quickly cementing itself as the chattiest horror movie of the year. (While introducing Heretic at this year’s Fantastic Fest, Beck and Woods said they created it as the inverse to A Quiet Place, which created scares without any dialogue.) As Mr. Reed lures Paxton and Barnes deeper into his web, each conversational turn and cutting question become cause for more and more dread. Yet that’s less due to the actual content of the conversations, and more about Beck and Woods’ claustrophobic direction of this three-hander. Tight close-ups on Mr. Reed, Paxton, and Barnes’ faces keep us locked into their discussion, while the single-location setting reminds us that there is no escape.

Ostensibly, the theological debate that this trio engages in is meant to be the meat of Heretic‘s horror, as Paxton and Barnes reckon with their relationship to God in a time of crisis. But the film’s religious discourse is mostly skin-deep — albeit fun.

Take, for example, a show-stopping monologue from Grant, delivered like a sermon from his own pulpit, about the iterative connections between everything from religion to Monopoly to Lana Del Rey. (A Jar Jar Binks impression makes its way in there too, and Grant makes a delightful meal of it, as he does with everything else in the film.) The actual messaging about religion being nothing more than an elaborate marketing farce isn’t particularly groundbreaking — you could just as easily find these ideas on any atheist message board. It’s the way Grant delivers it, with all the panache of a smarmy debate bro, that really sets your teeth on edge.

That’s because Heretic mines its greatest scares not from its questions about religion, but from the age-old truth that it’s just really terrifying to be a woman alone with a strange man. Especially when that strange man combines the mannerisms of rom-com Hugh Grant with the trap-loving sensibilities of Saw‘s John Kramer.

Hugh Grant in Heretic is some of the best horror casting in recent memory.

The root of Heretic‘s true horror begins with Grant’s performance. Here, the actor is fully in what’d we consider to be his rom-com mode, employing the tricks he uses in his romantic roles. Mr. Reed is all affable grins and shrugs, politely tripping over his words, then mugging apologetically when he mixes up names or asks an uncomfortable question. He seems almost sorry to be asking Barnes and Paxton to head into his creepy basement, when in reality he’s in total control.

That knowing lack of acknowledgment of his control carries over into Beck and Woods’ script. While some of Heretic‘s religious musings can feel overwritten, Mr. Reed’s social manipulation of the Sisters is spot-on. He claims, time and time again, that he isn’t pressuring them — never mind the fact that he’s locked them in his house. He accuses Barnes and Paxton of getting too worked-up, discounting their very valid fears about him. Who can stay calm when a man is, once again, coercing them into his basement?

East and Thatcher play Paxton and Barnes’ reactions perfectly, with the pair attempting to defuse the situation without upsetting Mr. Reed. Their discomfort comes through at first in small ways. Thatcher’s firmer Barnes refuses a drink from Mr. Reed, while East’s sweet, more unsure Paxton responds to most of his questions through awkward giggles. But as the cracks in Mr. Reed’s façade begin to show, the panic becomes ever clearer on the Sisters’ faces, even as they try to remain polite. Repeated questions to meet Mrs. Reed become shorthand for terror. Paxton and Barnes invent excuses to try to extricate themselves. Later, they dull down their intelligence and beliefs in an attempt to appeal to what they think Mr. Reed wants from them — Paxton even thanks him as she begins her descent downstairs. It’s a stomach-churning, yet all-too relatable moment of panicked nicety in a film full of them. How do you push away a man who won’t allow you to remove yourself from his vicinity? A man who wants to use his religious beliefs to control and mold you to his will — again, sound familiar?

These scenes of Paxton and Barnes diminishing themselves make the moments when they fight back all the sweeter. They choose to meet Mr. Reed on his own intellectual turf, challenging him on his clearly well-rehearsed points. And whether or not you agree with Mr. Reed’s religious beliefs or the Sisters’, each rebuttal of theirs hits hard by virtue of them facing down their captor.

Heretic‘s dialogue — no matter how high school debate-y it threatens to get — is delivered with such malevolent fun by Grant and such ferocity by East and Thatcher that by the time the film falls into more traditional slasher mode, it’s a shame to part with these conversations. Frightening reveals and boatloads of religious and occult iconography (much of it delivered in impressively crafted statues and images throughout Mr. Reed’s house) certainly get the blood pumping. But they’re something you could see in any religious horror movie. What really sets Heretic apart is Grant, the absolute monster of a man he plays, and just how awfully familiar that man is.

Heretic is now in theaters.

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“A Christmas Prince,” “Hot Frosty,” “Jingle Jangle,” “Dolly Parton’s Christmas on the Square,” and more of the best Christmas movies on Netflix. Guide.

Do you need a little Christmas? Right this very minute? Well, then we recommend you head to Netflix, where an array of holiday movies are present and ready to be unwrapped.

This winter, the streaming service has a festive lineup perfect for whiling away the chilly days and nights at home or picking up your mood if it needs a lift! Whether you’re cuing up a special episode of your favorite TV show or just letting that Fireplace for Your Home crackle away in the background, every Netflix holiday title has its time and place in the Christmas streaming-scape.

But, of course, if you’re looking for specific recommendations of excellence, we’ve made a list and checked it twice. Here are some of the best Christmas movies streaming on Netflix this winter season.

20. A Bad Moms Christmas

This oft-maligned Christmas rager from co-writers/co-directors Scott Moore and Jon Lucas doesn’t entirely work as a movie, but it is a delightful companion for multitasking. The 2017 sequel to 2016’s Bad Moms features spectacular performances from stars Mila Kunis, Kristen Bell, and Kathryn Hahn, as well as Christine Baranski, Cheryl Hines, and Susan Sarandon as those bad moms’ bad moms. Come for the promise of Baranski and a gospel choir; stay for Hahn’s killer tank tops. — Alison Foreman, Entertainment Reporter

How to watch: A Bad Moms Christmas is now streaming on Netflix.

19. Dolly Parton’s Christmas on the Square

True Dolly Parton fans understand the country star to be more than the celebrity, hero, legend, and icon popular cultural has whittled her down to be. Dolly, you see, is a lifestyle — a way of being, an all-encompassing perspective on personhood. In Dolly Parton’s Christmas on the Square, that high-level plane of existence gets the sparkly holiday treatment in a musical romp as shining as Dolly herself. Sure, the whole thing is ridiculously old-fashioned and not surprising in any way. But it’s also got exquisite pageantry with Christmas spirit to spare. And of course, the songs are fantastic. — A.F.

How to watch: Dolly Parton’s Christmas on the Square is now streaming on Netflix.

18. The Christmas Chronicles

If you want to see Kurt Russell slap his butt as Santa, then you’ve come to the right place. Writer Matt Lieberman (Free Guy) and director Clay Kaytis reimagine the traditional “Someone’s gotta save Christmas!” narrative in this familiar but still fun holiday outing with Russell as Old Saint Nick. Judah Lewis and Darby Camp star as a brother and sister who, in trying to catch proof of Santa, get more than they bargained for. Should you fall in love with this over-the-top universe, definitely check out The Christmas Chronicles: Part Two, which features Russell’s life partner Goldie Hawn as Mrs. Claus. — A.F.

How to watch: The Christmas Chronicles is now streaming on Netflix.

17. Alien Xmas

Impress and entertain anyone you’re with this holiday season by cuing up Netflix’s hidden gem Alien Xmas. This sci-fi adventure from the team behind Elf‘s iconic stop-motion scenes delivers a charming tale of intergalactic thieves descending upon Earth to steal everything — including Christmas. Part How the Grinch Stole Christmas, part WALL-E, Alien Xmas is an adorable animated adventure that’s great for kids and adults alike, with a timeless message. — A.F.

How to watch: Alien Xmas is now streaming on Netflix.

16. A Christmas Prince

Is A Christmas Prince a movie? Nay, it is a journey. Join our heroine, American journalist Amber Moore (Rose McIver) as she takes on an undercover assignment in the far-off country of Aldovia in this schmaltzy rom-com opposite Ben Lamb as the titular Christmas Prince. This movie is exactly what you think it is, and if that’s what you’re the mood for? Excellent news: Its even more outrageous sequels, A Christmas Prince: The Royal Wedding and A Christmas Prince: The Royal Baby, are streaming now too. God save King Richard Bevan Charlton. Long may he reign. — A.F.

How to watch: A Christmas Prince is now streaming on Netflix.

15. A Very Murray Christmas

Remember simpler times with Netflix’s 2015 Christmas spectacular A Very Murray Christmas. Directed by Sofia Coppola, this magical presentation featuring Bill Murray has a very loose plot that primarily serves as a revolving door for guest appearances and musical numbers. With a runtime of just 56 minutes, the infectious levity of the project and its supporting cast (including Miley Cyrus, Amy Poehler, George Clooney, Chris Rock, and more) is sure to have you smiling fast. — A.F.

How to watch: A Very Murray Christmas is now streaming on Netflix.

14. Let It Snow

Director Luke Snellin’s feature-length debut is without question the right pick for anyone on a YA kick come the holidays. With a stellar cast including Shameik Moore, Kiernan Shipka, Isabela Merced, Joan Cusack, and more, Let It Snow adapts the popular novel of the same name — telling three stories of love, friendship, and magic on Christmas Eve in a single small town. Sure, this movie is another offshoot of Love Actually‘s tremendous influence over the holiday genre catalog. But it’s a good one. — A.F.

How to watch: Let It Snow is now streaming on Netflix.

13. Klaus

Want a different spin on Santa Klaus? Then check out director Sergio Pablos’ utterly enchanting — and sharply funny — Klaus, which was nominated for Best Animated Film at the 2020 Academy Awards. Playing like a festive spin on The Emperor’s New Groove, this inventive animated adventure centers on a self-centered rich boy named Jesper Johansson (voiced by a pitch-perfect Jason Schwartzman), who is pitched out of his life of privilege into a remote village that’s divided by an intense feud. He’s there to deliver the mail, and — in a convoluted but charming way — concocts a plan that involves a reclusive woodworker (J.K. Simmons) with a treasure trove of carved toys and a giddy group of kiddies eager to write letters for gift-getting wishes. How will all of that turn to holiday cheer? Discovering that is just a part of the whimsical magic of Klaus. — Kristy Puchko, Entertainment Editor

How to watch: Klaus is now streaming on Netflix.

12. Jingle Jangle: A Christmas Journey

Jingle Jangle: A Christmas Journey is absurd in all the ways you actually want. As Mashable’s Angie Han wrote in her official review of the steampunk musical extravaganza, “It’s all entirely too much, in a way that feels just right — like a Christmas stocking bursting at the seams with too many goodies.” Surprisingly sweet and an important step for Black representation in Christmas films, Jingle Jangle will make you happy this holiday. Pinky promise. — A.F.

How to watch: Jingle Jangle: A Christmas Journey is now streaming on Netflix.

11. A Boy Called Christmas

Sure, Christmas technically already has an origin story, but some of us are looking for a more epic, secular, fantastical tale to sink our teeth into. Enter: A Boy Called Christmas, adapted from the 2015 Matt Haig novel of the same name.

Featuring Henry Lawfull, Sally Hawkins, Kristen Wiig, Stephen Merchant, Jim Broadbent, Toby Jones, and Dame Maggie Smith, A Boy Called Christmas follows a young boy who embarks on an incredible adventure through the ice and snow to find the land of the elves and bring hope to his people. He’s got a trusty mouse sidekick at his side and a can-do attitude. Hold on to your cocoa, folks; this movie is positively radiating with holiday spirit! — Kristina Grosspietsch, Freelance Contributing Writer

How to watch: A Boy Called Christmas is now streaming on Netflix.

10. Single All the Way

After a bad breakup, Peter (Michael Urie) heads home to New Hampshire for the holidays with his best friend Nick (Philemon Chambers) in tow, hatching a foolproof plan to pretend to date Nick so his family won’t harp on his recent heartbreak. As soon as he arrives, however, Peter’s family sets him up with a hunky local spin instructor. And when things go well, Peter begins to wonder if maybe it’s time to move back to New Hampshire for good. Will Nick agree?

Written by Chad Hodge and directed by Michael Mayer — Broadway veterans, both! — 2021’s Single All the Way is an excellent romantic comedy for the holidays. It’s funny, it’s charming, and it’s got the right amount of true human emotion to make this a new feel-good Christmas classic. Oh, and the absolutely stacked cast (which includes Jennifer Coolidge, Kathy Najimy, and Luke Macfarlane) doesn’t hurt! — K.G.

How to watch: Single All the Way is now streaming on Netflix.

9. Falling for Christmas

What is a “good movie,” really? Does it need a coherent plot, believable stakes, and characters that act like human beings? Sure. So, by that metric, Falling for Christmas is not a good movie. And yet, it is the movie that ushered in the Lindsay Lohan renaissance of the 2020s, and for that, we are extremely grateful! Yes, it’s silly — but it’s the best kind of silly, mindless fluff. 

Lohan is wooden but charming as Sierra Belmont, a wealthy, disconnected heiress about to get engaged to her flighty, absurd influencer BF Tad (George Young). But then she falls off a mountain (seriously) and wakes up in the care of down-to-earth widowed dad Jake (Chord Overstreet), with no memory of what happened! You heard that correctly; this is not a drill! It’s a Christmas-amnesia-rom-com, people!!!! — K.G.

How to watch: Falling for Christmas is now streaming on Netflix.

8. The Princess Switch

In the same fictional Christmas-verse as Netflix’s A Christmas Prince, Stacy (Vanessa Hudgens) is an American chef on her way to the made-up European country of Belgravia for a baking competition. There she runs into Lady Margaret Delacourt (also Hudgens), future wife of Belgravia’s crown prince, who is looking for a break from the country’s rabid media. Her solution? That she and Stacy switch places, of course! What could go wrong? Surely, no one will notice an American nobody pretending to be a duchess! Surely, these two women won’t definitely fall in love with the men in each other’s lives… right? Right?! 

Zany, bubbly, and the opposite of subtle, The Princess Switch — along with sequels The Princess Switch: Switched Again and The Princess Switch 3: Romancing the Star — is a perfect watch for when you’re in the mood for some sugary-sweet nonsense. — K.G.

How to watch: The Princess Switch is now streaming on Netflix.

7. A Castle for Christmas

Brooke Shields is Sophie, an American novelist looking to escape the PR frenzy around her newest book. She absconds to a small town in Scotland where her grandfather once lived, and after feeling a connection to the place, promptly tries to buy the rundown castle. (Sure!) The catch? Current owner Myles (Cary Elwes) refuses to sell unless Sophie can survive both of them living there together for 90 days. It’s like an only-one-bed situation, but with an entire castle. Myles hopes he can scare Sophie off… but as time goes on, does he still want her to go?

So many Christmas romantic comedies feature stiff acting, but Shields and Elwes both abound with energy and charisma. A Castle for Christmas is a no-brainer holiday watch: It’s cheerful, it’s charming, and you’re genuinely rooting for these two to get together! — K.G.

How to watch: A Castle for Christmas is now streaming on Netflix.

6. The Knight Before Christmas

The Knight Before Christmas has all your favorite holiday movie tropes: a precocious little girl, a woman who no longer believes in love, and the man who is going to change her mind. Except the man in question here is Sir Cole (Josh Whitehouse), a medieval knight who has been transported to the present and doesn’t understand a thing about this new world. Good thing the woman, Brooke (Vanessa Hudgens, Netflix Christmas queen!), is there to help him figure it all out. The Knight Before Christmas is just as cheesy as you think it is, but that doesn’t mean it’s not a fun watch! It’s like a Christmas-y Kate & Leopold, but with less gravitas and more hijinks. — K.G.

How to watch: The Knight Before Christmas is now streaming on Netflix.

5. Our Little Secret

Lindsay Lohan is back! The Mean Girls star brings her winsome energy to Our Little Secret, a cute comedy about past loves, big secrets, and the absolute awkwardness of meeting your partner’s family for the first time. Once childhood sweethearts, Avery (Lohan) and Logan (Ian Harding) were everything to each other. After a surprise holiday wedding proposal goes off badly, they lose touch for 10 years, only to turn up at the same family gathering — because they’re dating siblings! With shades of Anyone but You, Our Little Secret has the pair hiding their past relationship to keep things chill and avoid the ire of an intense mother hen (Kristin Chenoweth). Amid holiday hijinks and incredible social pressure, will these old flames re-ignite like a Yule log? — K.P.

How to watch: Our Little Secret begins streaming on Netflix on Nov. 27.

4. The Merry Gentlemen

The Full Monty meets holiday rom-com in The Merry Gentleman. When her big-city dreams take a big hit, professional dancer Ashley (Britt Robertson) finds fresh purpose in her small hometown. There, her parents’ performance venue, The Rhythm Room, is at risk of closing. But perhaps one hit show could save the theater? More specifically, an all-male dance review combining Christmas music and strapping hunks ready to strip down from their gay apparel for a whooping audience. While counting down to a Christmas that’ll make or break her family, Ashley gets her groove back, not only by throwing herself into this creative Christmas production but also by falling for a buff — and a bit gruff — handyman (Chad Michael Murray). Heads up: The Merry Gentleman is nowhere near as flashy or smoking hot as Magic Mike. But if you’re seeking to get a bit heated in these chilly months, it’ll go down like a cup of cocoa. — K.P.

How to watch: The Merry Gentlemen begins streaming on Netflix on Nov. 20.

3. That Christmas

There are plenty of Santa stories to choose from each winter. (Heck, there are several on this list!) But only one has a script co-written by Love, Actually‘s Richard Curtis — and a Father Christmas voiced by Succession‘s Brian Cox! Based on Curtis’ adorable children’s book trilogy, That Christmas is an animated adventure that features a debonair Santa Claus and a wise-cracking reindeer sidekick, as well as a mighty blizzard that pitches parents into peril, leaving their kids to band together to save the holiday. And hey, maybe they’ll get a little help from a certain icon of gift-giving and goodwill. — K.P.

How to watch: That Christmas begins streaming on Netflix on Dec. 4.

2. Hot Frosty

What if Frosty was a hunk? That’s the premise of this cheeky holiday rom-com that’s a mix of festive, funny, and mildly horny. Mean Girls Lacey Chabert and Schitt’s Creek‘s Dustin Milligan star in this tale of Girl Meets Snowman. She’s a small-town diner owner whose heartbreak doesn’t stop her from giving plenty of warmth and joy to others. He is a buff snowman, carved — complete with nipples and rippling abs! — for a winter festival display. But a holiday wish brings him to life, turning him into a flesh-and-blood himbo/Golden Retriever boyfriend… who melts if he gets too hot. (Hm. Well, that’s less than ideal.) Will love find a way? And did screenwriter Russell Hainline mean to reference Terminator with a nude intro that leads into a festive crime spree?

If you’re intrigued, you’ll treasure Hot Frosty. — K.P.

How to watch: Hot Frosty begins streaming on Netflix on Nov. 13.

1. Meet Me Next Christmas

A festive tale of fate, love, and music frolics forth in Meet Me Next Christmas. Christina Milian stars as Layla, a gorgeous and generous “miracle worker” whose not-for-profit work secures scholarships for students to attend HBCUs. She deserves a holiday that’s out of the movies… And it will be.

Screenwriters Molly Haldeman and Camilla Rubis cleverly pluck elements from The Holiday, Serendipity, and Sleepless in Seattle to create an NYC-set fairy tale about taking a chance on a new romance. After a meet-cute with a dashing man (Kofi Siriboe) in an airport lounge, lovelorn Layla becomes convinced that tickets to see Pentatonix at a sold-out Christmas Eve show will be all she needs to make a love connection that will last. To get this hot ticket, she’ll need the help of a committed (and cute) broker (Devale Ellis), who will be her guide through the decadent halls, quirky characters, and oddball antics that is Christmas in New York City. — K.P.

How to watch: Meet Me Next Christmas is now streaming on Netflix.

Honorable Mention: Home for Christmas

Not a movie but a two-season series out of Norway, Home for Christmas is a must-watch for the holiday season. The wildly charming Ida Elise Broch stars as Johanne, a 30-year-old single nurse who is tired of being chucked to the kids’ table for the holidays. So, she tells a little lie, claiming she’ll be bringing a beau to her parents’ Christmas Eve dinner. Now, she just needs to find someone before the holiday is upon her!

With episodes under thirty minutes, Home for Christmas is a short-and-sweet treat that explores love and sex while also confronting the frustrating social standards put on women to mate up. While there are doses of sobering drama as Johanne confronts loneliness, family discord, and loss, the series is overwhelmingly warm and funny. And if you’re not into subtitles, the overdub is perfect for watching while gift-wrapping! — K.P.

How to watch: Home for Christmas Seasons 1 and 2 are now streaming on Netflix.

UPDATE: Nov. 6, 2024, 1:39 p.m. EST This list was originally published on Dec. 21, 2020. It has been updated by Kristy Puchko and Kristina Grosspietsch to reflect current Netflix offerings.

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Connections: Sports Edition is a New York Times word game about finding common sports threads between words. How to solve the puzzle.

Connections: Sports Edition is a new version of the popular New York Times word game that seeks to test the knowledge of sports fans.

Like the original Connections, the game is all about finding the “common threads between words.” And just like Wordle, Connections resets after midnight and each new set of words gets trickier and trickier—so we’ve served up some hints and tips to get you over the hurdle.

If you just want to be told today’s puzzle, you can jump to the end of this article for Nov. 7’s Connections solution. But if you’d rather solve it yourself, keep reading for some clues, tips, and strategies to assist you.

What is Connections Sports Edition?

The NYT‘s latest daily word game has launched in association with The Athletic, the New York Times property that provides the publication’s sports coverage. Connections can be played on both web browsers and mobile devices and require players to group four words that share something in common.

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Each puzzle features 16 words and each grouping of words is split into four categories. These sets could comprise of anything from book titles, software, country names, etc. Even though multiple words will seem like they fit together, there’s only one correct answer.

If a player gets all four words in a set correct, those words are removed from the board. Guess wrong and it counts as a mistake—players get up to four mistakes until the game ends.

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Players can also rearrange and shuffle the board to make spotting connections easier. Additionally, each group is color-coded with yellow being the easiest, followed by green, blue, and purple. Like Wordle, you can share the results with your friends on social media.

Here’s a hint for today’s Connections Sports Edition categories

Want a hint about the categories without being told the categories? Then give these a try:

Yellow: Puck protection

Green: Yellow flag topics

Blue: Hoop dreams

Purple: Different types of this sport

Here are today’s Connections Sports Edition categories

Need a little extra help? Today’s connections fall into the following categories:

Yellow – Hockey equipment

Green – Football penalties

Blue – Basketball movies

Purple – ____ Hockey

Looking for Wordle today? Here’s the answer to today’s Wordle.

Ready for the answers? This is your last chance to turn back and solve today’s puzzle before we reveal the solutions.

Drumroll, please!

The solution to today’s Connections Sports Edition #46 is…

What is the answer to Connections Sports Edition today

Hockey equipment: GLOVE, HELMET, SKATES, STICK

Football penalties: CLIPPING, FACE MASK, HOLDING, OFFSIDE

Basketball movies: HOOSIERS, HUSTLE, SEMI-PRO, SPACE JAM

____ Hockey: AIR, FIELD, FLOOR, ICE

Don’t feel down if you didn’t manage to guess it this time. There will be new Connections for you to stretch your brain with tomorrow, and we’ll be back again to guide you with more helpful hints.

Are you also playing NYT Strands? See hints and answers for today’s Strands.

If you’re looking for more puzzles, Mashable’s got games now! Check out our games hub for Mahjong, Sudoku, free crossword, and more.

Not the day you’re after? Here’s the solution to yesterday’s Connections.

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Answers to each clue for the November 8, 2024 edition of NYT’s The Mini crossword puzzle.

The Mini is a bite-sized version of The New York Times‘ revered daily crossword. While the crossword is a lengthier experience that requires both knowledge and patience to complete, The Mini is an entirely different vibe.

With only a handful of clues to answer, the daily puzzle doubles as a speed-running test for many who play it.

So, when a tricky clue disrupts a player’s flow, it can be frustrating! If you find yourself stumped playing The Mini — much like with Wordle and Connections — we have you covered.

Here are the clues and answers to NYT’s The Mini for Friday, November 8, 2024:

Across

Boringly dull

The answer is Blah.

Take a moment to think

The answer is Pause.

Herb that gives flavor to black jellybeans

The answer is Anise.

Conducted, as a campaign

The answer is Waged.

Narrow shape of a cat’s pupil

The answer is Slit.

Down

Boringly dull

The answer is Banal.

Video game character with an “L” on his hat

The answer is Luigi (without the ‘).

Liability’s opposite on a balance sheet

The answer is Asset.

Obey, as advice

The answer is Heed.

Cat’s feet

The answer is Paws.

If you’re looking for more puzzles, Mashable’s got games now! Check out our games hub for Mahjong, Sudoku, free crossword, and more.

Are you also playing NYT Strands? See hints and answers for today’s Strands.

Not the day you’re after? Here’s the solution to yesterday’s Mini Crossword.

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The NYT Strands hints and answers you need to make the most of your puzzling experience.

If you’re reading this, you’re looking for a little help playing Strands, the New York Times‘ elevated word-search game.

Strands requires the player to perform a twist on the classic word search. Words can be made from linked letters — up, down, left, right, or diagonal, but words can also change direction, resulting in quirky shapes and patterns. Every single letter in the grid will be part of an answer. There’s always a theme linking every solution, along with the “spangram,” a special, word or phrase that sums up that day’s theme, and spans the entire grid horizontally or vertically.

By providing an opaque hint and not providing the word list, Strands creates a brain-teasing game that takes a little longer to play than its other games, like Wordle and Connections.

If you’re feeling stuck or just don’t have 10 or more minutes to figure out today’s puzzle, we’ve got all the NYT Strands hints for today’s puzzle you need to progress at your preferred pace.

NYT Strands hint for today’s theme: 👋👏🤝🤏✌️☝️✊🙏

These words are literal translations.

Today’s NYT Strands theme plainly explained

Words for what these hands are doing.

NYT Strands spangram hint: Is it vertical or horizontal?

Today’s NYT Strands spangram is horizontal.

NYT Strands spangram answer today

Today’s spangram is HandGestures.

NYT Strands word list for November 8

Pinch

Wave

Fist

Shake

Pray

Peace

Point

Clap

HandGestures

Looking for other daily online games? Mashable’s Games page has more hints, and if you’re looking for more puzzles, Mashable’s got games now!

Check out our games hub for Mahjong, Sudoku, free crossword, and more.

Not the day you’re after? Here’s the solution to yesterday’s Strands.

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Alfonso Cuarón’s ‘Disclaimer’ finale reveals Catherine’s (Cate Blanchett) devastating side of the story. Let’s break it down.

Right from its first episode, Alfonso Cuarón’s Disclaimer warned us to “beware of narrative and form.” After all, the person telling a story and the way in which they choose to tell it can be just as manipulative or misleading as an outright lie. Now, in Disclaimer‘s finale, that driving question of narrative manipulation finally comes to a head.

Throughout Disclaimer‘s first six episodes, we’ve only heard one side of the story of Jonathan Brigstocke’s (Louis Partridge) death, as laid out in a book by his mother Nancy (Lesley Manville). As Nancy writes in The Perfect Stranger, documentarian Catherine Ravenscroft (played in the present by Cate Blanchett, and in the past by Leila George) seduced Jonathan while on vacation in Italy with her young son, Nicholas (Kodi Smit-McPhee). Nancy’s evidence? Photos of Catherine in lingerie, then in the nude, that she found while developing film from Jonathan’s camera.

According to The Perfect Stranger, Catherine convinced Jonathan to stay with her an extra day to extend their beachside affair. However, as the two rushed off to have sex, Nicholas went out into the sea on a small boat, unsupervised. Upon returning to the beach, Jonathan saved him, only to drown as lifeguards focused solely on saving Nicholas.

Nancy believes that Catherine made the monstrous choice not to call attention to Jonathan’s struggles out at sea because he’d wanted to return to London with her, which would complicate matters with her husband, Robert (Sacha Baron Cohen). She channeled that hatred of Catherine into writing The Perfect Stranger. Upon Nancy’s death, her husband, Stephen (Kevin Kline), used that manuscript to steadily tear Catherine’s life apart, all without having ever met her.

The two finally come face to face in Disclaimer‘s finale, and Catherine gets to share her side of the story. While she admits Nancy got some elements of the story right — details of the location, for example, and the fact that Catherine chose to stay silent about Jonathan’s drowning — her telling is far from the lusty sexual escapades detailed in The Perfect Stranger. Instead, it’s a graphic, devastating account of sexual assault, one that throws all of Disclaimer into a harsh new light. Let’s break it down.

What really happened between Catherine and Jonathan in Disclaimer?

As Catherine tells Stephen in Disclaimer‘s finale, Jonathan broke into her hotel room and forced her at knifepoint to undress. Hoping to protect herself and Nicholas, she complied. He then made her pose for him as he took photos, and raped her throughout the night. Disclaimer shows the traumatic scene in detail, but without any diegetic sound. Instead, all we hear is Catherine’s narration, retelling a story she’s never told anyone else.

Her narration continues into the next day, when, hoping to maintain an air of normalcy for Nicholas, she took him to the beach. Exhausted and in pain from Jonathan’s assault, she falls asleep, at which point Nicholas drifts off to sea. From here, the story plays out similarly to Nancy’s conception of it: Jonathan rushes out to save Nicholas; lifeguards bring the boy safely back to shore; and Catherine says nothing about Jonathan. However, Catherine’s motivation here is more complicated, as the young man who saved her son’s life is her rapist.

With Jonathan dead, and with everyone believing him to be a hero, Catherine chose to get rid of any evidence she’d collected of the assault, including photos she took of her injuries. “I thought, ‘Thank God he’s dead. I don’t have to prove myself innocent to anyone. I don’t have to talk about it if I don’t want to. I don’t have to relive it if I don’t want to,'” she tells Stephen.

Catherine also reveals she learned she was pregnant after the trip and, not knowing whether the father was Robert or Jonathan, terminated the pregnancy. With all physical traces of the assault gone, she hoped to continue her life as if nothing ever happened. But the arrival of The Perfect Stranger re-ignited that trauma, painting her as the villain when she was in fact a victim.

Disclaimer has been building to this reveal for a while.

I’m always conflicted when film and TV use sexual assault as a plot device. Too often, it can feel like hollow shock factor, brutalization for brutalization’s sake. That Disclaimer positions Catherine’s rape as a twist, especially after six episodes of what feels more like a pulpy thriller, threatens to push the show into shock-factor territory.

However, Disclaimer has been building to Catherine’s story for its entire run, planting seeds of doubt in the viewers’ minds even as Stephen, Robert, and Nicholas blindly believe the fantasy Nancy has presented. For example, we learn that the suggestive photos Jonathan took of Catherine on the beach were nonconsensual images of her brushing sand from her thighs and chest well before they met. We also learn that the small knife wound Nancy saw on Jonathan’s arm at the morgue was self-inflicted as part of his attempts to scare Catherine. And we get a better understanding of why Jonathan’s girlfriend, Sasha (Liv Hill), left him in Italy in the first place. It wasn’t because her aunt died, as Nancy wrote in The Perfect Stranger. Instead, it’s because of a fight the two had that led to her mother making what Nancy called some “extreme” accusations. While we never learn exactly what those are, there’s a clear undertone of sexual violence to their parting — one that Stephen and especially Nancy conveniently ignore.

Then, of course, there’s the fact that The Perfect Stranger is solely a product of Nancy’s speculation, and we know that she has a very rosy outlook on who Jonathan was. (It’s an outlook that Cuarón renders literal with the warm, summery glow of any scene lifted from The Perfect Stranger.) Her version of Jonathan is such a perfect, innocent angel that it’s impossible to think of him as a real person — he’s literally too good to be true.

Nancy’s overprotectiveness of Jonathan’s character in death means she offloads flaw after flaw onto her fictionalized version of Catherine, someone she’s only seen in suggestive photos. Because of this, she leans hard into the misogynistic trope of the predatory older woman, painting Catherine as a demonic temptress. (Only one of these women has written Kylie Minogue-centric erotica about her son, though.)

Cuarón combats Nancy’s characterization of Catherine as a temptress through elements beyond the narrative content of Catherine’s encounter with Jonathan. For instance, the paintings on Catherine’s hotel room ceiling shift depending on the account. In Nancy’s imaginings of Catherine and Jonathan’s passionate love affair, the ceiling depicts lovers entwined in a passionate embrace. When Catherine recalls her assault, she remembers the ceiling bearing the image of an ailing woman held up by angels, while the painting above her bed is a woman in a frightened state of undress.

Elsewhere, Catherine wears a red swimsuit the day of Jonathan’s death in The Perfect Stranger — the same color she wore when they met. But in Catherine’s memory, the swimsuit is black, reminiscent of mourning and the pain she suffered the night before. Of course, the small details in Catherine’s telling may not all be objectively “true,” as they are a memory. But they inform the tone of her recollection of a great trauma, and because of that, there’s far more truth to them than Nancy’s fiction — especially since Nancy’s only “proof” was a set of photographs. And as Catherine tells Stephen, “photographs are not reality…They are a fragment of reality.”

In the end, that’s what Disclaimer comes down to: Do you choose to believe shocking fragments of a tale presented out of context? Or do you question them and seek the truth?

Stephen and Robert choose the former, with Stephen using the photos as part of his quest for vengeance, and Robert using them to further fuel his conception of himself as a victim at Catherine’s hands. Neither stop to consider what Catherine might say, leading each to ask themselves the same thing about The Perfect Stranger in the finale: “Why did you not question it?” The simplest answer might just be that they never even considered the alternative, so caught up are they in the beleaguered heroism of their own stories.

And that brings us back to Catherine, whose own perspective throughout Disclaimer has been carefully guarded, characterized only by a scolding narrator (voiced by Indira Varma) who picks at her shame. Based on that narration, it could be easy to assume Catherine is guilty of everything Nancy accuses her of. Yet her abject horror at The Perfect Stranger, as well as the many holes in Nancy’s story, are more than enough reason to start doubting the story we’ve been presented about Jonathan. With Catherine’s revelation in Disclaimer‘s finale, the series confirms all these doubts. All along, we haven’t been watching a woman hide from a heinous past crime. Instead, we’ve been watching Catherine as she’s forced to re-live her trauma, something she never thought she’d have to do. It’s nothing short of gutting, and less of a twist than a vital narrative re-contextualization.

Disclaimer is now streaming on AppleTV+.

If you have experienced sexual abuse, call the free, confidential National Sexual Assault hotline at 1-800-656-HOPE (4673), or access the 24-7 help online by visiting online.rainn.org.

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