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Hints and answers to today’s Hurdle all in one place.

If you like playing daily word games like Wordle, then Hurdle is a great game to add to your routine.

There are five rounds to the game. The first round sees you trying to guess the word, with correct, misplaced, and incorrect letters shown in each guess. If you guess the correct answer, it’ll take you to the next hurdle, providing the answer to the last hurdle as your first guess. This can give you several clues or none, depending on the words. For the final hurdle, every correct answer from previous hurdles is shown, with correct and misplaced letters clearly shown.

An important note is that the number of times a letter is highlighted from previous guesses does necessarily indicate the number of times that letter appears in the final hurdle.

If you find yourself stuck at any step of today’s Hurdle, don’t worry! We have you covered.

Hurdle Word 1 hint

Another way to describe cash.

Hurdle Word 1 answer

MONEY

Hurdle Word 2 hint

A way of describing someone as unreliable.

Hurdle Word 2 Answer

FLAKE

Hurdle Word 3 hint

A sweetener.

Hurdle Word 3 answer

SUGAR

Hurdle Word 4 hint

An alcohol frequently mixed with cranberry.

Hurdle Word 4 answer

VODKA

Final Hurdle hint

A space object with a tail.

Hurdle Word 5 answer

COMET

If you’re looking for more puzzles, Mashable’s got games now! Check out our games hub for Mahjong, Sudoku, free crossword, and more.

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An interview with “Missing” directors Nick Johnson and Will Merrick on the dangers of true crime. Starring Storm Reid and Nia Long.

The standalone sequel to Searching is here, and like its predecessor, Missing weighs in on some hefty topics using social media and technology. Starring Nia Long and Storm Reid as mother-daughter duo Grace and June Allen, Missing follows the twists and turns of Grace’s mysterious disappearance as June pieces it all together at home using her laptop and some social media hacking. But while the film will lure you in as a suspenseful thriller with astounding editing and novel visual storytelling, its real appeal stands on the thematic undertones grounding its whirlwind plot. 

At a first glance, Missing may seem to be a crime story about the internet’s many rabbit holes that undermine our privacy. But the film is actually more concerned with the public’s obsession with finding the perfect victim and villain for a news story. It’s a fixation that’s created and nourished by a seemingly endless wave of true-crime content that sensationalizes real-life tragedies, frequently at the expense of people of color. Missing‘s real story is about how quick people (and the internet) are to villainize and neglect people of color if it means they get another TikTok hit or Netflix true-crime special. 

What happens in Missing?

“A lot of this film is playing with your biases, and the ways you might misinterpret something.”

When Grace Allen fails to return from her vacation with her new boyfriend Kevin (Ken Leung) in Colombia, time is of the essence. As the feds drag their heels on investigating her disappearance, June takes things into her own social media-savvy hands to find out what actually happened to her mom. While Missing strings you along for many plot twists, spoiler alert — its big reveal is that Grace never actually left for Colombia; she was kidnapped on her way to the airport by June’s father, James (Tim Griffin). 

James was dangerously abusive to Grace when June was young. So, Grace fled with June to California years before, changing their names and leaving young June to believe her father was dead. As it turned out, James met Kevin while they were both in prison. It was Kevin who helped him orchestrate this entire heist by hiring actors to play out their Colombia vacation gone wrong. While all eyes and fingers were pointing to Kevin in Colombia, Grace was trapped in a shack in James’ ranch the entire time. After a series of trials and tribulations, June manages to save the day and get her mom back home. 

What does Missing‘s ending actually mean?

Mashable hopped on a quick Zoom with the co-directors of Missing, Nick Johnson and Will Merrick, to discuss the subtext of their movie.

“There was one [high-profile] case in particular where it felt like people on TikTok were profiting off of the commentary and theories of this case, that we didn’t really love,” shared Johnson. “And so we injected that into the movie itself because we saw that happening [in real life].”

When Grace’s disappearance makes it to the news, everything about her case quickly becomes internet clickbait, with TikTokkers and Gen Z true-crime aficionados digging into Grace’s past and finding out that she has something to hide. The viewer knows Grace changed her name to escape her abuser, but the internet doesn’t and is adamant about making her a villain. 

The wave of true-crime TikToks pouring in and pointing to Grace as the true puppet master behind everything illuminates how quick society is to point fingers at single Black women (or men) instead of looking at the bigger picture. “We definitely thought about the missing white girl syndrome while making this” added Merrick. “A lot of this film is playing with your biases and the ways you might misinterpret something, even you as the audience and not the true-crime people we’re criticizing.”

In Missing, true-crime content creators don’t operate with empathy, never stopping to wonder what might have compelled Grace to change her name in the first place. Instead, they hop on a dangerous media bandwagon for the rush of it all, leaping to scandalizing conclusions. It’s a phenomenon Cat Cardenas at Slate Magazine refers to as “true-crime brain,” and we can see it every day, onscreen and off.

While Missing is a wild roller coaster with a series of events that may seem out of the ordinary, a lot of the film is grounded in real-life inspirations that guide its characters’ actions. The real joy of the film is watching your TikTok FYP page being fed to you on the big screen — a dish out on all things true crime and what it can create. 

Missing is now streaming on Hulu.

UPDATE: Nov. 18, 2024, 4:48 p.m. EST This article was originally published on Jan. 22, 2023. It has been updated to include the latest viewing options.

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A review of Sony Picture’s latest film “Missing,” starring Storm Reid, Nia Long, Ken Leung, and Tim Griffin.

While Missing may be a mystery, it’s more importantly a masterclass in innovative, visual storytelling. The film is a standalone sequel to 2018’s Searching, and like its predecessor, Missing’s plot is entirely mediated through technology.

We see our protagonist June Allen, wonderfully played by Storm Reid, navigate her mother’s disappearance by watching her laptop screen for the majority of the film’s unfoldings. Every Google search, text message notification, or notes app to-do list is how Missing tells its story. It’s a wildly intimate visual rollercoaster.

What is Missing about? 

June Allen is your typical Gen Z teen, ready to party it up all week while her mother, Grace (Nia Long), goes on a vacation to Colombia with her new boyfriend, Kevin (Ken Leung). But things quickly turn dark when Grace doesn’t return from her vacation, leaving June in the epicenter of a dangerous disappearance where she assumes the role of detective, using her laptop and overall tech-savvy skills to hack into emails, security camera footage, and even TaskRabbit to piece together her mother’s whereabouts.

While the film is riddled with one too many plot twists, its big reveal speaks to a more pressing aspect of our news cycle and its vilification of people of color. This makes Missing an important watch beyond the simple merit of a fun, action flick.

The charm of Missing is initially in its editing, but the plot twists become tedious. 

Missing’s editing and choice in telling its story through June’s MacBook is the real fun of the film. It allows the audience to get to know her in a really intimate and innovative way. Yes, we learn about June through her dialogue with other characters throughout Missing, but we also get extremely detailed tidbits on her laptop — like a to-do list that solely consists of “do financial aid thingy” — that are sweet but subtle nods to what a Gen Z teen is actually like. You can tell a lot about a person by how many Google tabs they have open or how messy their desktop is, and Missing acknowledges that fact and invites you into June’s world. 

The editing also leaves room for some incredible montages. In the film’s first act, June throws a massive house party that’s mediated through smooth transitions from Snapchat filters to Instagram stories to fire emojis morphing into her home’s fireplace. And when the film’s mystery kick-starts, the editing and sound design catapults its suspense to a whole new level as we see (and hear) June frantically typing and clicking different links to get a single clue as to where her mom is. It all perfectly situates you in her position and realistically follows what anyone one of us would do in the face of dangerous uncertainty: Google what the hell you’re supposed to do. 

But Missing slows down in its second act. The ceaseless plot twists, coupled with the lack of seeing June actually move around, kills the suspense. There are only so many FaceTimes you can watch before wanting to actually see your protagonist in action — a feeling that’s most potent in the final act, when we’re exclusively watching almost everything through a security camera as opposed to getting up close to June in her final fight.

Missing acknowledges where we’re at with true crime and why it’s a problem.  

Missing‘s incredible editing also comes through in its concluding moments, when we see June’s final fight transition to a true crime Netflix special made about her story. June questions why anyone would want to see this “garbage.” The sensationalization of her story was an incredibly smart take from Missing’s creators; it speaks to a moment in entertainment where true crime remains an audience hot topic with no clear ethical boundaries. We’ve seen it play out with Netflix’s Dahmer — Monster: The Jeffrey Dahmer Story, where the real-life families involved with the case spoke against the show for rehashing old wounds. Missing’s focus on the internet driving a true crime thirst that overshadows what’s actually at play saves its lackluster final act. 

Throughout the film, we also see June’s close friend Veena (Megan Suri) regularly reference different true crime shows in an attempt to help June figure out what to do next — it’s an extra dimension to the film’s reflection of Gen Z culture, while simultaneously addressing the same audience hunger that drives true crime entertainment in the first place. Couple that with the flood of viral TikToks in the film about Grace’s disappearance, and Missing is, at its core, commentary on how true crime can eclipse real-life scenarios and bolster an environment where nothing is really at stake if it reads like a fun, true crime doc.

Missing may drag on, but its decision to speak on cultural issues, including true crime, racism, and the internet, gives its twisty plot real substance. If you power through its hefty second act, there’s great reward in its finale and some fun along the way. 

Missing is now streaming on Hulu.

UPDATE: Nov. 18, 2024, 4:27 p.m. EST This article was originally published on Jan. 13, 2023, and has been updated to include the latest viewing options.

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The final act of “Arcane” is upon us. Watch the trailer for the final episodes of the “League of Legends”-based Netflix series.

The final act of “Arcane” is upon us. Watch the trailer for the final episodes of the “League of Legends”-based Netflix series.

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Connections: Sports Edition is a New York Times word game about finding common sports threads between words. How to solve the puzzle.

Connections: Sports Edition is a new version of the popular New York Times word game that seeks to test the knowledge of sports fans.

Like the original Connections, the game is all about finding the “common threads between words.” And just like Wordle, Connections resets after midnight and each new set of words gets trickier and trickier—so we’ve served up some hints and tips to get you over the hurdle.

If you just want to be told today’s puzzle, you can jump to the end of this article for the latest Connections solution. But if you’d rather solve it yourself, keep reading for some clues, tips, and strategies to assist you.

What is Connections Sports Edition?

The NYT‘s latest daily word game has launched in association with The Athletic, the New York Times property that provides the publication’s sports coverage. Connections can be played on both web browsers and mobile devices and require players to group four words that share something in common.

Tweet may have been deleted

Each puzzle features 16 words and each grouping of words is split into four categories. These sets could comprise of anything from book titles, software, country names, etc. Even though multiple words will seem like they fit together, there’s only one correct answer.

If a player gets all four words in a set correct, those words are removed from the board. Guess wrong and it counts as a mistake—players get up to four mistakes until the game ends.

Tweet may have been deleted

Players can also rearrange and shuffle the board to make spotting connections easier. Additionally, each group is color-coded with yellow being the easiest, followed by green, blue, and purple. Like Wordle, you can share the results with your friends on social media.

Here’s a hint for today’s Connections Sports Edition categories

Want a hint about the categories without being told the categories? Then give these a try:

Yellow – Over the net

Green – NFL group

Blue – College group

Purple – Schools with the same second name

Here are today’s Connections Sports Edition categories

Need a little extra help? Today’s connections fall into the following categories:

Yellow – Volleyball terms

Green – AFC South teams

Blue – Big East schools

Purple – ____ Tech

Looking for Wordle today? Here’s the answer to today’s Wordle.

Ready for the answers? This is your last chance to turn back and solve today’s puzzle before we reveal the solutions.

Drumroll, please!

The solution to today’s Connections Sports Edition #58 is…

What is the answer to Connections Sports Edition today

Volleyball terms: DIG, SERVE, SET, SPIKE

AFC South teams: HOUSTON, INDIANAPOLIS, JACKSONVILLE, TENNESSEE

Big East schools: BUTLER, CREIGHTON, MARQUETTE, XAVIER

____ Tech: GEORGIA, LOUISIANA, TEXAS, VIRGINIA

Don’t feel down if you didn’t manage to guess it this time. There will be new Connections for you to stretch your brain with tomorrow, and we’ll be back again to guide you with more helpful hints.

Are you also playing NYT Strands? See hints and answers for today’s Strands.

If you’re looking for more puzzles, Mashable’s got games now! Check out our games hub for Mahjong, Sudoku, free crossword, and more.

Not the day you’re after? Here’s the solution to yesterday’s Connections.

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Answers to each clue for the November 20, 2024 edition of NYT’s The Mini crossword puzzle.

The Mini is a bite-sized version of The New York Times‘ revered daily crossword. While the crossword is a lengthier experience that requires both knowledge and patience to complete, The Mini is an entirely different vibe.

With only a handful of clues to answer, the daily puzzle doubles as a speed-running test for many who play it.

So, when a tricky clue disrupts a player’s flow, it can be frustrating! If you find yourself stumped playing The Mini — much like with Wordle and Connections — we have you covered.

Here are the clues and answers to NYT’s The Mini for Wednesday, November 20, 2024:

Across

With 8-Across, knock-knock joke response before the punchline “Don’t cry!”

The answer is Boo.

Group of musical notes

The answer is Chord.

Washing machine cycle before “spin”

The answer is Rinse.

Popular frozen waffles

The answer is Eggos.

See 1-Across

The answer is Who.

Down

Open-bottomed hand drum

The answer is Bongo.

Words of approximation

The answer is Orso.

Poems written in tribute

The answer is Odes.

Specification for T-shirt necklines or socks

The answer is Crew.

Stoned

The answer is High.

If you’re looking for more puzzles, Mashable’s got games now! Check out our games hub for Mahjong, Sudoku, free crossword, and more.

Are you also playing NYT Strands? See hints and answers for today’s Strands.

Not the day you’re after? Here’s the solution to yesterday’s Mini Crossword.

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The NYT Strands hints and answers you need to make the most of your puzzling experience.

If you’re reading this, you’re looking for a little help playing Strands, the New York Times‘ elevated word-search game.

Strands requires the player to perform a twist on the classic word search. Words can be made from linked letters — up, down, left, right, or diagonal, but words can also change direction, resulting in quirky shapes and patterns. Every single letter in the grid will be part of an answer. There’s always a theme linking every solution, along with the “spangram,” a special, word or phrase that sums up that day’s theme, and spans the entire grid horizontally or vertically.

By providing an opaque hint and not providing the word list, Strands creates a brain-teasing game that takes a little longer to play than its other games, like Wordle and Connections.

If you’re feeling stuck or just don’t have 10 or more minutes to figure out today’s puzzle, we’ve got all the NYT Strands hints for today’s puzzle you need to progress at your preferred pace.

NYT Strands hint for today’s theme: For our furry friends

These words are for a dog or cat.

Today’s NYT Strands theme plainly explained

Words are things you’d buy for a pet.

NYT Strands spangram hint: Is it vertical or horizontal?

Today’s NYT Strands spangram is horizontal.

NYT Strands spangram answer today

Today’s spangram is PetSupplies.

NYT Strands word list for November 20

Ball

Bone

Collar

Kibble

Catnip

Litter

Laser

PetSupplies

Looking for other daily online games? Mashable’s Games page has more hints, and if you’re looking for more puzzles, Mashable’s got games now!

Check out our games hub for Mahjong, Sudoku, free crossword, and more.

Not the day you’re after? Here’s the solution to yesterday’s Strands.

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Here’s the answer for “Wordle” #1250 on November 20, as well as a few hints, tips, and clues to help you solve it yourself.

Oh hey there! If you’re here, it must be time for Wordle. As always, we’re serving up our daily hints and tips to help you figure out today’s answer.

If you just want to be told today’s word, you can jump to the bottom of this article for November 20’s Wordle solution revealed. But if you’d rather solve it yourself, keep reading for some clues, tips, and strategies to assist you.

Where did Wordle come from?

Originally created by engineer Josh Wardle as a gift for his partner, Wordle rapidly spread to become an international phenomenon, with thousands of people around the globe playing every day. Alternate Wordle versions created by fans also sprang up, including battle royale Squabble, music identification game Heardle, and variations like Dordle and Quordle that make you guess multiple words at once. 

Wordle eventually became so popular that it was purchased by the New York Times, and TikTok creators even livestream themselves playing.

What’s the best Wordle starting word?

The best Wordle starting word is the one that speaks to you. But if you prefer to be strategic in your approach, we have a few ideas to help you pick a word that might help you find the solution faster. One tip is to select a word that includes at least two different vowels, plus some common consonants like S, T, R, or N.

What happened to the Wordle archive?

The entire archive of past Wordle puzzles was originally available for anyone to enjoy whenever they felt like it, but it was later taken down, with the website’s creator stating it was done at the request of the New York Times. However, the New York Times then rolled out its own Wordle Archive, available only to NYT Games subscribers.

Is Wordle getting harder?

It might feel like Wordle is getting harder, but it actually isn’t any more difficult than when it first began. You can turn on Wordle‘s Hard Mode if you’re after more of a challenge, though.

Here’s a subtle hint for today’s Wordle answer:

A specialized corner where one truly belongs.

Does today’s Wordle answer have a double letter?

There are no reoccurring letters.

Today’s Wordle is a 5-letter word that starts with…

Today’s Wordle starts with the letter N.

The Wordle answer today is…

Get your last guesses in now, because it’s your final chance to solve today’s Wordle before we reveal the solution.

Drumroll please!

The solution to today’s Wordle is…

NICHE.

Don’t feel down if you didn’t manage to guess it this time. There will be a new Wordle for you to stretch your brain with tomorrow, and we’ll be back again to guide you with more helpful hints.

Are you also playing NYT Strands? See hints and answers for today’s Strands.

Reporting by Chance Townsend, Caitlin Welsh, Sam Haysom, Amanda Yeo, Shannon Connellan, Cecily Mauran, Mike Pearl, and Adam Rosenberg contributed to this article.

If you’re looking for more puzzles, Mashable’s got games now! Check out our games hub for Mahjong, Sudoku, free crossword, and more.

Not the day you’re after? Here’s the solution to yesterday’s Wordle.

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Connections is a New York Times word game that’s all about finding the “common threads between words.” How to solve the puzzle.

Connections is the latest New York Times word game that’s captured the public’s attention. The game is all about finding the “common threads between words.” And just like Wordle, Connections resets after midnight and each new set of words gets trickier and trickier—so we’ve served up some hints and tips to get you over the hurdle.

If you just want to be told today’s puzzle, you can jump to the end of this article for November 20’s Connections solution. But if you’d rather solve it yourself, keep reading for some clues, tips, and strategies to assist you.

What is Connections?

The NYT‘s latest daily word game has become a social media hit. The Times credits associate puzzle editor Wyna Liu with helping to create the new word game and bringing it to the publications’ Games section. Connections can be played on both web browsers and mobile devices and require players to group four words that share something in common.

Tweet may have been deleted

Each puzzle features 16 words and each grouping of words is split into four categories. These sets could comprise of anything from book titles, software, country names, etc. Even though multiple words will seem like they fit together, there’s only one correct answer.

If a player gets all four words in a set correct, those words are removed from the board. Guess wrong and it counts as a mistake—players get up to four mistakes until the game ends.

Tweet may have been deleted

Players can also rearrange and shuffle the board to make spotting connections easier. Additionally, each group is color-coded with yellow being the easiest, followed by green, blue, and purple. Like Wordle, you can share the results with your friends on social media.

Here’s a hint for today’s Connections categories

Want a hit about the categories without being told the categories? Then give these a try:

Yellow: Dog noises

Green: Ways to view an event

Blue: Mixology terms

Purple: Corporate organization

Here are today’s Connections categories

Need a little extra help? Today’s connections fall into the following categories:

Yellow: Sound Like A Dog

Green: Broadcast, As Online Media

Blue: Cocktail-Making Verbs

Purple: Organizational Structures, Metaphorically

Looking for Wordle today? Here’s the answer to today’s Wordle.

Ready for the answers? This is your last chance to turn back and solve today’s puzzle before we reveal the solutions.

Drumroll, please!

The solution to today’s Connections #528 is…

What is the answer to Connections today

Sound Like A Dog: BARK, BAY, HOWL, SNARL

Broadcast, As Online Media: AIR, PLAY, RUN, STREAM

Cocktail-Making Verbs: GARNISH, MUDDLE, STIR, STRAIN

Organizational Structures, Metaphorically: CHAIN, LADDER, PYRAMID, TREE

Don’t feel down if you didn’t manage to guess it this time. There will be new Connections for you to stretch your brain with tomorrow, and we’ll be back again to guide you with more helpful hints.

Are you also playing NYT Strands? See hints and answers for today’s Strands.

If you’re looking for more puzzles, Mashable’s got games now! Check out our games hub for Mahjong, Sudoku, free crossword, and more.

Not the day you’re after? Here’s the solution to yesterday’s Connections.

Read More 

Jon M. Chu directs Ariana Grande, Cynthia Erivo, Jonathan Bailey, Jeff Goldblum, and Michelle Yeoh in “Wicked: Part 1.” Review.

Wicked is easily one of the most anticipated films of 2024, as it’s bringing to the big screen a three-time Tony Award–winning musical that defined a generation of theater kids, with a Hollywood-scale spectacle of song, dance, and star power. As the Wicked Witch’s origin story told from a place of empathy, it’s a movie meant to make us believe in magic again. But even with a cast that boasts two-time Academy Award nominee Cynthia Erivo, pop star Ariana Grande, Bridgerton dreamboat Jonathan Bailey, Academy Award–winner Michelle Yeoh, and the one and only Jeff Goldblum, can director Jon M. Chu (Crazy Rich Asians, In the Heights) meet the high, high bar fans will have in mind for such a sweeping adaptation? Especially when he’s only tackling half of it in Wicked: Part 1?

Despite enthusiasm from fans of the theatrical production, online criticism has plagued the film from the first images and footage that Universal Pictures released. Complaints were made that Chu’s vision of Oz was washed out, with colors far duller than we’ve come to expect from past media inspired by L. Frank Baum’s The Wonderful Wizard of Oz, including 1939’s Wizard of Oz, 1978’s The Wiz, and the vibrant Broadway production based on Gregory Maguire’s contrarian perspective, Wicked: The Life and Times of the Wicked Witch of the West. Then, when the first teaser hit, offering a hint as to what kind of performance Erivo would give as the eponymous witch Elphaba, social media was rife with worries over how she hit one particular note. With the bold choice to split the musical into two films, Chu drew more eyebrows into a knit. So, how does all this pan out? Were the fans right to worry? Frankly, yes. 

While the performances in the film are sensational overall, Chu makes a series of downright confounding choices that undercut the rapturous flow of the Broadway production and even the perspective of the story he aims to exalt. 

Where does Wicked: Part 1 end? 

As the trailers suggest, this first Wicked movie ends with “Defying Gravity,” a rousing anthem that plays as a dynamic climax to the first act of the theatrical production. This means much of Wicked: Part 1 takes place in Shiz University, where the future wicked witch Elphaba (Erivo) and good witch Glinda (Grande) first meet. However, the screenplay from Dana Fox and Wicked‘s book writer Winnie Holzman holds true to its stage source, kicking off the film with news that the Wicked Witch is dead. After the munchkins revel with a song of schadenfreude (“No One Mourns The Wicked”), Glinda reflects on the childhood of her friend, Elphaba, transporting the film to a flashback of a torrid one-night stand and the green child who was the much-bullied result of it. From there, their time at Shiz becomes the focus.

There’s a kinetic energy in all this, reflecting Grande’s boundless energy throughout the film. But here’s where Chu’s choices begin to get bizarre. While this is a story about Elphaba, it’s told from the perspective of her deeply girly, proudly ridiculous, and very vibrant best friend. Glinda’s view on the world is clear through her costumes, which are pronounced pink, ultra-femme, flouncy, and always on the boundary of too much. Yet Chu coats her pinks and Elphaba’s greens in a yellowy-gray cast. Perhaps this is meant to telegraph how Glinda’s perspective on Oz will become sullied over the course of this story, but it also makes the movie astonishingly dull in comparison to all of the other movies set in Oz. 

This grayness intrudes most intensely on the incredible sets built for Shiz. Designed like a cross between Hogwarts and BarbieLand, Shiz University should be a majestic, magical place, where possibilities feel boundless. And yet, despite its thoughtful and gorgeous set design, a pale palette and cinematography that feels almost claustrophobic turns it into a stifling location. This conflicts with the perspective of Glinda, who swans into the role of Queen Bee with ease, and even with Elphaba, who swiftly embraces this space as a path to finally finding her place (“The Wizard and I”).

This grim overcast likewise saps verve from what would otherwise be astounding musical numbers, deadening the dazzle through its drudgery. In “Dancing Through Life,” a dashing prince Fiyero (a pitch-perfect Bailey) sings of his devil-may-care philosophy in a library filled with parkouring students on human-sized hamster wheels of bookshelves. And that is undoubtedly fun, yet this visual pall scoffs at his pronouncements, undermining their whimsy even as we enjoy them. 

Ariana Grande and Cynthia Erivo are unevenly matched. 

It’s no easy task to step into the role of these two iconic characters, as each actress might be compared to every Elphaba and Glinda who’ve come before, reaching all the way back to The Wizard of Oz‘s Margaret “and your little dog too!” Hamilton and Billie Burke, not to mention Wicked‘s defining stars Idina Menzel and Kristin Chenoweth. Arguably, the bar is even higher for Grande, who is better known for her catchy pop songs than her acting chops or her Broadway stint in 13 at age 15. And yet, she is a fantastic force to be reckoned with in Wicked. 

As she teased during her Saturday Night Live gig last month, she is absolutely hilarious as the self-obsessed girly pop Glinda. There are echoes of Chenoweth’s Glinda in Grande’s broad comedic approach. But this pop star’s Glinda is more poised, making the outrageous moments — like her splendidly silly hair toss — all the more comically sharp. Grande has embraced a portrayal of this mean girl/good witch that edges into drag queen theatricality, supported by her smizing sidekicks in snark, hysterically portrayed by Bowen Yang and Bronwyn James. Glinda’s reads are delivered by Grande with a radiant smile that makes them all the more cutting. Her dancing is deranged while determined. Her “Popular” — one of the show’s most beloved numbers — is charismatically chaotic and finally, finally as brightly realized as Wicked demands. 

Erivo, on the other hand, approaches Wicked as if it were a prestige drama. Traditionally, Wicked‘s Elphaba was written with a bit of teen-misfit snark, and masterfully so, as Holzman’s prior claim to fame creating the exceptional teen drama series My So-Called Life. While the dialogue is often the same in this adaptation, Erivo pulls her punchlines. Where previous stage versions of Elphaba might have used a slightly self-righteous sense of wit as armor against her bullies, this Elphaba is much more nakedly vulnerable, speaking in a dejected near-whisper or a strained shout.

It’s a daring choice, but one that throws off Glinda and Elphaba’s dynamic. Like Daria and Quinn Morgendorffer or Wednesday Addams and Enid Sinclair, they are foils, gloom and sunshine, anti-social asides and “dumb blonde” bounciness — but this Elphaba has been defanged. A sullen expression of a slight frown and downcast eyes makes up much of Elphaba’s non-singing screentime for Act 1, which might not have been a problem if Chu had included Act II in Wicked. But as it is, Erivo’s Elphaba doesn’t come fully alive until she and Glinda reach the Emerald City (“One Short Day”). This means pivotal moments like the scene in the Ozdust Ballroom, where Elphaba and Glinda finally bond, feel achingly inert and long. 

Wicked: Part 1 is wonky, but at times wonderful. 

Chu’s decision to turn Act 1 into a teen musical is marred by his dingy color palette, the crowded cinematography of Shiz (thankfully, things open up in the Emerald City), and directing his leading lady to play the titular witch as chiefly woeful. A show heralded for its high-energy song numbers, stage spectacle, and smirking sense of humor, Wicked is malformed by these choices. Yet, some sections are sure to have audiences cheering. 

Beyond Erivo’s riveting performance of the final number and Grande giddily making a meal out of every moment on-screen, Bailey — who had Bridgerton fans swooning as Anthony in Season 2 — has a jolly time parodying a decadently flirtatious playboy in Part 1. His spotlight is “Dancing Through Life,” but even his meaningful glances to his crush and flirty banter with any Shiz student who crosses his pansexual path are enchanting. As Madame Morrible, Yeoh is given little do but look majestic, but she does that with aplomb. Marissa Bode and Ethan Slater — as Elphaba’s sister Nessarose and her boyfriend Boq — solidly match the screen presence of the famous names around them. Goldblum clearly relishes playing the wizard, and does so with a smarmy charm that’s dizzyingly unnerving and alluring. James and Yang are superbly cast as Glinda’s social-climbing toadies, who love gossip as much as they do improvising wild one-liners. They’re so funny, you’ll catch yourself scanning the crowd for them, hungry for more.

The musical numbers are hit-and-miss. “Popular” and “Defying Gravity” are rightful standouts for enthralling vocals and staging that embraces the cinematic form, employing cheeky close-ups, playful cutaways, or high-flying stunts as suits. But others feel oddly out of place, like “The Wizard and I” shot amid a CG setting that feels achingly empty and fake, undercutting the optimism of the song. Overall, Wicked is an overlong journey, dragged down by Chu’s more confounding choices. Upon reflection, a movie that could have been defined by its sense of hope, following a powerful and accomplished woman of color as she defies a tyrannical con man, feels instead tainted by gray disillusionment, telegraphing the film’s climactic reveals. So, it’s hard to watch Wicked play out and not wish for something more dynamic that allows us a safe space to dream for something better.

Still, even the lowest lows can’t make the film’s highest highs less dazzling. Indulgent and unwieldy as it is, Wicked is a thrill, at times wildly funny, heart-soaring, and ultimately inspirational in spite of itself.

Wicked opens in theaters Nov. 22.

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