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Connections is a New York Times word game that’s all about finding the “common threads between words.” How to solve the puzzle.

Connections is the latest New York Times word game that’s captured the public’s attention. The game is all about finding the “common threads between words.” And just like Wordle, Connections resets after midnight and each new set of words gets trickier and trickier—so we’ve served up some hints and tips to get you over the hurdle.

If you just want to be told today’s puzzle, you can jump to the end of this article for September 10’s Connections solution. But if you’d rather solve it yourself, keep reading for some clues, tips, and strategies to assist you.

What is Connections?

The NYT‘s latest daily word game has become a social media hit. The Times credits associate puzzle editor Wyna Liu with helping to create the new word game and bringing it to the publications’ Games section. Connections can be played on both web browsers and mobile devices and require players to group four words that share something in common.

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Each puzzle features 16 words and each grouping of words is split into four categories. These sets could comprise of anything from book titles, software, country names, etc. Even though multiple words will seem like they fit together, there’s only one correct answer. If a player gets all four words in a set correct, those words are removed from the board. Guess wrong and it counts as a mistake—players get up to four mistakes until the game ends.

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Players can also rearrange and shuffle the board to make spotting connections easier. Additionally, each group is color-coded with yellow being the easiest, followed by green, blue, and purple. Like Wordle, you can share the results with your friends on social media.

Here’s a hint for today’s Connections categories

Want a hit about the categories without being told the categories? Then give these a try:

Yellow: Having variety

Green: Give to someone

Blue: Grading scale

Purple: Things and leagues with imperialist characters

Here are today’s Connections categories

Need a little extra help? Today’s connections fall into the following categories:

Yellow: Varieties

Green: Transfer

Blue: Ratings Systems

Purple: Things with Kings

Looking for Wordle today? Here’s the answer to today’s Wordle.

Ready for the answers? This is your last chance to turn back and solve today’s puzzle before we reveal the solutions.

Drumroll, please!

The solution to today’s Connections #457 is…

What is the answer to Connections today

Varieties: KINDS, SORTS, STRIPES, TYPES

Transfer: DELIVER, GIVE, HAND, PASS

Ratings Systems: A-F, PERCENTAGE, STARS, THUMBS

Things with Kings: CHECKERS, DECK OF CARDS, MONARCHY, NHL

Don’t feel down if you didn’t manage to guess it this time. There will be new Connections for you to stretch your brain with tomorrow, and we’ll be back again to guide you with more helpful hints.

Are you also playing NYT Strands? See hints and answers for today’s Strands.

If you’re looking for more puzzles, Mashable’s got games now! Check out our games hub for Mahjong, Sudoku, free crossword, and more.

Not the day you’re after? Here’s the solution to yesterday’s Connections.

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Here’s the answer for “Wordle” #1179 on September 10, as well as a few hints, tips, and clues to help you solve it yourself.

Oh hey there! If you’re here, it must be time for Wordle. As always, we’re serving up our daily hints and tips to help you figure out today’s answer.

If you just want to be told today’s word, you can jump to the bottom of this article for September 10’s Wordle solution revealed. But if you’d rather solve it yourself, keep reading for some clues, tips, and strategies to assist you.

Where did Wordle come from?

Originally created by engineer Josh Wardle as a gift for his partner, Wordle rapidly spread to become an international phenomenon, with thousands of people around the globe playing every day. Alternate Wordle versions created by fans also sprang up, including battle royale Squabble, music identification game Heardle, and variations like Dordle and Quordle that make you guess multiple words at once. 

Wordle eventually became so popular that it was purchased by the New York Times, and TikTok creators even livestream themselves playing.

What’s the best Wordle starting word?

The best Wordle starting word is the one that speaks to you. But if you prefer to be strategic in your approach, we have a few ideas to help you pick a word that might help you find the solution faster. One tip is to select a word that includes at least two different vowels, plus some common consonants like S, T, R, or N.

What happened to the Wordle archive?

The entire archive of past Wordle puzzles used to be available for anyone to enjoy whenever they felt like it. Unfortunately, it has since been taken down, with the website’s creator stating it was done at the request of the New York Times.

Is Wordle getting harder?

It might feel like Wordle is getting harder, but it actually isn’t any more difficult than when it first began. You can turn on Wordle‘s Hard Mode if you’re after more of a challenge, though.

Here’s a subtle hint for today’s Wordle answer:

Synyomn of revolt.

Does today’s Wordle answer have a double letter?

The letter E appears twice.

Today’s Wordle is a 5-letter word that starts with…

Today’s Wordle starts with the letter E.

The Wordle answer today is…

Get your last guesses in now, because it’s your final chance to solve today’s Wordle before we reveal the solution.

Drumroll please!

The solution to today’s Wordle is…

REBEL.

Don’t feel down if you didn’t manage to guess it this time. There will be a new Wordle for you to stretch your brain with tomorrow, and we’ll be back again to guide you with more helpful hints.

Are you also playing NYT Strands? See hints and answers for today’s Strands.

Reporting by Chance Townsend, Caitlin Welsh, Sam Haysom, Amanda Yeo, Shannon Connellan, Cecily Mauran, Mike Pearl, and Adam Rosenberg contributed to this article.

If you’re looking for more puzzles, Mashable’s got games now! Check out our games hub for Mahjong, Sudoku, free crossword, and more.

Not the day you’re after? Here’s the solution to yesterday’s Wordle.

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‘Sketch’ review: Tony Hale and D’Arcy Carden dazzle in a kid-friendly adventure that’s fun and heartwarming.

Of late, the inner turmoil of little girls has birthed a string of movies about big emotions and monsters. Inside Out 2 introduced Anxiety to the feelings crew, pitching its heroine into adolescent social panic. Imaginary spun a horror story of a forgotten imaginary friend gone vengeful, while Netflix’s animated adventure The Imaginary focused on the personal growth of an imaginary friend dreamed up by a grieving little girl. Then the woefully overstuffed and underwhelming If, from John Krasinski, had another grieving young heroine coping with her emotions through rescuing abandoned imaginary friends (or IFs). 

All this means Sketch comes into a crowded field. And yet this inventive indie with a similar setup spins a wondrous and wacky story all its own. 

The feature directorial debut of Seth Worley, Sketch centers on the Wyatts, who are struggling to process their pain in the wake of their mother’s death. Widowed dad Taylor (The Decameron‘s Tony Hale) strives to be upbeat, tucking away mementos of the kids’ mum as if that’ll hide away the agony. Eldest child Jack (Kue Lawrence) follows his father’s lead, determined that a good attitude can fix any problem. Meanwhile, 11-year-old Amber (Bianca Belle) is filled with rage, which spills out in a sketchbook where she scribbles vicious monsters in violent scenarios. But when a bit of magic brings these creations to life, the family must face their hurt head-on and team up to save the day from these creative manifestations of mourning.

Bringing together a strong, kid-friendly premise and a deeply crafty sensibility, Worley builds a visual world of imagination and emotion that’s a twisted pleasure to visit. 

Sketch dazzles with its distinctive design. 

Forget glorious hand-drawn animation or a cavalcade of balloon-like CGI cartoons. Worley, who has a background as a visual effects artist, uses computer graphics to create a sublimely hand-drawn feel by building Amber’s beasts as they are drawn. Think creatures fully fleshed-out but made of scribbles, their limbs wiry and a little bit wrong, their mouths spewing glitter, their tracks leaving splotches of color behind. With textures of waxy crayon, slippery marker streaks, and stippled chalk, these are monsters unlike any we’ve seen in movies before. They are monsters you’d see in a kid’s doodles, complete with googly eyes, glitter flourishes, crooked fangs, and a thirst for blood. 

Unbridled joy bursts forth from even Sketch‘s most suspenseful action scenes, because of the delightful absurdity of these designs. They’re creepy but not outright scary, making this a sensational movie for kids who are beginning to get into horror but aren’t ready to go to sleep with goosebumps. Actually Sketch has a very Goosebumps vibe, from its playful score to its colorfully creepy world and child heroes, who are sharply drawn. 

Behind his can-do attitude, Jack carries a heavy self-imposed burden that makes him fiercely protective of his sister. He’s not afraid to call a kid a “b-hole” if he has it coming! Amber wears a furrowed brow, but her eyes glow bright when she’s talking about her drawings — even the grisliest ones. The siblings’ reluctant sidekick in this spirited adventure is classmate Bowman (Kalon Cox), a big mouth who is 95 percent bad impulses and 5 percent goofball. Clamoring for creative solutions to the very creative problem of rampaging drawings, they’ll grab water guns and other improvisational weapons. But their greatest tool is their chaotic chemistry. When they collide, sparks fly — as well as juvenile insults — and it’s Goonies-style drama, alive with silliness. 

Tony Hale and D’Arcy Carden lend stellar support. 

Hale has been a supreme supporting player on everything from Arrested Development to VEEP, The Decameron, Inside Out 2, Toy Story 4, and Hocus Pocus 2. But here, he’s far less of a buffoon. Worley, who also scripted Sketch, which Hale produced, gives the celebrated “that guy” a role that’s a bit more grounded. With a warm but not comically broad smile, Hale swiftly establishes Taylor as a devoted dad. There’ll be moments of frustration and even moments when he’s not mad — say it with me — he’s just disappointed. And these hit home because Hale’s performance walks the line between family-friendly broad comedy and tender family drama. When an eager Amber shows off her drawings of vicious birds atop a pile of bodies, Hale’s expression is a look of mingled pride and revulsion that deftly establishes this strong but straining father-daughter bond. He marvels at her, even as he’s a bit freaked out by her potential. 

Playing Taylor’s sister Liz, D’Arcy Carden, the Emmy-winning Janet of The Good Place, gives off major “cool aunt vibes” from the moment she swaggers onto scene, ready to throw her skills as a real estate agent toward helping this family move on (or at least move out of the family home). Alternatively dishing out tough love to her brother (wanted or not) and marveling over her niece’s dangerous creativity (“I love her brain!”), Liz provides a path forward for a family so lost in grief they’ve forgotten how to talk to each other. But as emotional as this movie can be — with maybe one too many stops in the action to discuss feelings —  it is above all things funny and joyful. 

Yes, there’s talk of death, and grief, and deadly monsters, and multiple scenes where children are fleeing for their lives. But laced throughout is a vibrant thread of humor that celebrates the messiness of family, being young, and being hurt, and it exists without mocking its characters. These wonderfully entertaining bits make up for a third act that gets a bit clunky. Comedy comes from the understandably exasperated look of a dad whose last nerve is fraying, from the little girl whose defiant backtalk is vexingly silly, from the squabbling of kids that is as frenzied as it can be outrageous. 

Worley doesn’t just keep things light to keep Sketch as appropriate for kids as it is for parents (something Krasinski did not manage). This tone, mixing horrific elements with delightful ones, underscores the very message of the movie: that life is both, and ignoring one won’t make it go away — quite the opposite, actually! 

In the end, Sketch is a fantastically fun and heartwarming movie with a slathering of weird that makes it a real treat.  

Sketch was reviewed out of its World Premiere at the 2024 Toronto International Film Festival.

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John Oliver has spent more time proving that JD Vance is, indeed, weird, despite what Trump recently said.

John Oliver has spent more time proving that JD Vance is, indeed, weird, despite what Trump recently said.

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In Mike Leigh’s “Hard Truths,” Marianne Jean-Baptiste delivers a knockout performance as a woman on the verge of oblivion. TIFF Review.

Several times throughout Hard Truths, an unassuming English suburb becomes the site of a simmering domestic civil war, when the middle-aged Pansy (Marianne Jean-Baptiste) is awoken from her nap and goes on a wordy, hilariously nasty rant about her neighbors. Her demanding husband Curtley (David Webber) is never surprised, and quietly accepts his wife’s latest venomous tirade, knowing full well that he could be its next target.

Kitchen-sink realist Mike Leigh, now in his eighties, may have come to the bitter realization that at a certain point, some things (and people) may never change. However, with his latest social drama, he paints an acerbic and empathetic portrait of what hitting your limit looks like. The film, and Jean-Baptiste’s rankled performance as a wife and mother who just can’t catch a break, seem to exist just beyond an invisible point of no return — a line that Hard Truths walks with stunning precision.

What is Hard Truths about?

While her husband is away at his plumbing job, and while her unemployed 22-year-old son Moses (Tuwaine Barrett) is locked away in his bedroom, the dispirited fifty-something Pansy likes to clean — perhaps a little too much — if only to create a temporary sanctuary for herself, where she can nap without having to worry about the outside world.

This paradise never lasts. The real world always comes knocking sooner or later, whether in the form of a stray fox in her yard or the men in her life asking for their next meal. The next inconvenience to her, and her next vicious speech about the state of the world and its selfish people, are always just moments away, and she wants it all to stop. 

There’s a quote from the TV series Justified that has since become a common truism: “If you run into an asshole in the morning, you ran into an asshole. If you run into assholes all day, you’re the asshole.” It is, on the surface, applicable to Pansy and how she navigates the world — her sharp barbs at innocent strangers in public, while funny, are a sudden and irreverent release valve — leaving people to walk on eggshells when she’s around. But it isn’t quite so simple and binary; in reality, everyone is an asshole to some degree. Pansy is ready to snap at a moment’s notice, but she wasn’t born this way. Something or someone (perhaps multiple somethings and someones) molded her over time, an idea that Leigh slowly unveils and explores over the course of 97 minutes.

But before there’s ever a hint of Pansy’s real psychology, the film also presents an upbeat contrast across several scenes, in the form of her hairdresser sister Chantal (Michele Austin) and the parallel life she lives. Chantal, a single mother, lives with her two adult daughters, young professionals Kayla (Ani Nelson) and Aleisha (Sophia Brown), in a cramped apartment filled with love and cheer. Through scenes that follow both sisters across daily interactions, Hard Truths details how people on the same journey can end up in remarkably different destinations, living lives in which they put out into the world that which they receive — or perceive, or think they deserve.

As Mother’s Day approaches, both women’s lives as homemakers shift slowly into focus, but they also plan to visit their mother’s grave, a scenario that proves surprisingly emotionally charged. Whatever Pansy’s problem with the idea, she first and foremost makes excuses. “I’m a sick woman!” she yells at Chantal, before darting off into an unrelated rant about how she doesn’t plan things in advance.

As the holiday nears, isolated scenes focused on all the aforementioned characters — Pansy, Curtley, Moses, Chantal, Kayla and Aleisha — paint a multifaceted family portrait that, eventually, helps unearth the deep anguish that lies beneath Pansy’s risible demeanor.

Hard Truths is about the ins and outs of Black women’s lives.

What makes Leigh’s film such a joyful watch is its vignette-like approach to both families, though it eventually sharpens its focus when digging into difficult emotional territory. Several of these scenes are set at Chantal’s hair salon, following daily gossip that sketches out the details of her life, and those of her clients, all of them middle-aged Black women dealing with the daily drudgery of life. However, their sense of community keeps them afloat.

Leigh, on numerous occasions, cuts from the noisy hustle and bustle of the salon to the eerie silence of Pansy’s home, a contrast that lures the viewer into her orbit before she launches into her next series of condemnations — even against dogs, babies, and so on. She’s pissed off with the world at large, doesn’t have the tools to deal with it, and ignores any kind of support she’s offered.

The characters’ communal instincts are also accompanied by specific cultural details, which speak to the movie’s granular nature. These are women who all appear to belong to England’s Caribbean diaspora; they might speak with English accents, but on occasion, they code-switch to the occasional Patois or West Indian intonation, which tells its own story too. For Chantal, her clients, and her daughters, this switch usually occurs during laughter, or during the lively recounting of stories. But in Pansy’s case, code-switching is a means of tapping into more creative insults, and into furious, lock-jawed responses to the mundane, as the film seats its jet-black humor right next to its notions of people’s deep and complicated personal history.

There also exists a sense of pride in achievement for these characters, and of pushing one’s children to be their best selves. Chantal has ostensibly succeeded at this with her well-adjusted daughters, who enjoy varying levels of success (though they still hide their failures from their mum, and from one another). Moses, on the other hand, represents the flip side to this story. He seems aimless, and spends all his time eating, making a mess, playing video games, and reading books about airplanes. Apart from his occasional strolls, he barely leaves the house, and lacks professional prospects. All Pansy does is yell at him in the hopes of motivating him, but deep down, she thinks he may be a lost cause.

Pansy even describes his behavior to Chantal in dismissive terms — his fixations, his social awkwardness, and his inability to maintain eye contact in particular — that hint towards Moses being on the autism spectrum, or having some kind of cognitive disability that his parents cannot or do not recognize. But even Pansy’s love as a mother can (and will) only go so far, given the harshness of her own upbringing by a disciplinarian single mother.

Hard Truths centers on a tremendous lead performance.

Teaming with Leigh for the first time since 1996’s Secrets & Lies — a role that won her a Best Supporting Actress nomination at the Oscars, BAFTAs, and Golden Globes — Jean-Baptiste delivers career-best work in what may be one of the most challenging performances this year. The biggest challenge for both actress and director is maintaining a familiar sense of humanity during even verbose, borderline Shakespearean outbursts about how much Pansy loathes the world — and by implication, what it has done to her.

Each and every actor delivers fine-tuned work, as characters swallowed up by Pansy’s orbit (and in the case of Curtley and Moses, characters who have contributed to the black hole at her center). But Jean-Baptiste is a magnet for the camera, luring it in with her eyes, and making it watch — unblinking, unbroken — as she puts on a clinic of self-loathing turned outward.

A volatile undercurrent runs just beneath Jean-Baptiste’s physical being, leaving Pansy on the verge of either explosion or implosion. Sometimes, she reaches both these difficult places at once, as the camera interrogates her, practically forcing confessions from her about what made her this way. The more Leigh lingers, holding back on any sort of formalist flourish, the more he allows his performances to take charge. The result is mesmerizing to watch, and sure to remind you of the worst flashes you might have seen of friends and loved ones.

In the process, Hard Truths becomes a complex showreel for humanity at its most bitter and pained, with characters forced to turn inward and at least recognize (if not introspect and improve upon) the worst corners of themselves. Through long, unbroken close-ups and scenes of familial interaction in which tensions subtly build, Leigh’s stark naturalism is brought slowly and fiercely to the fore by an accomplished actress at the height of her power, and at the height of her vulnerability. Scene by scene, she slowly chips away at Pansy’s armor until all that’s left is sinew, blood, and bone, leaving her exposed to the world in all its cruelty and kindness and indifference. It’s harrowing to watch, but Jean-Baptiste makes it impossible to look away. 

Hard Truths was reviewed out of its world premiere at the 2024 Toronto International Film Festival. 

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David Gordon Green’s “Nutcrackers” stars Ben Stiller as a curmudgeonly uncle won over by four recently orphaned brothers. TIFF review.

When a filmmaker begins their curtain speech with how their movie is a rejection of cynicism, as David Gordon Green did before the Toronto Film Festival premiere of his new film Nutcrackers, it sets off certain alarm bells in critics. It seems like a clumsy attempt at critic-proofing a film by implying that if you don’t like it, you are the problem. You are insufficient in humanity! (These same sentiments were said by a producer in the curtain speech before the premiere of Chris Pine’s Poolman, which turned out to be one of the worst movies to debut at TIFF in 2023.) So, when Green announced he made Nutcrackers in the tradition of such crass yet charming comedies as The Bad News Bears and Uncle Buck, his public denouncement of cynicism and viciousness was already a red flag that he’d fallen short. 

Nutcrackers has superficial similarities to its inspiration points. This comedy is about a child-free middle-aged man coming to appreciate caring for children. But it fails to get as gruffly funny — or funny at all — as those films. As Green aims to remind critics and audiences that he is capable of more than his deeply grim horror reboots (like the Halloween trilogy and The Exorcism: Believer) or chaotic stoner comedies, he’s offered a silly and sentimental muddle of a movie that’s neither satisfying nor fun. 

Nutcrackers was inspired by four real brothers. 

Nutcrackers centers on Michael, a self-centered Chicago real estate developer (Ben Stiller) who is pressured to play guardian to his four rowdy nephews after their parents’ unexpected deaths. Pulling up to their family farm in a bright yellow sports car, Uncle Mike immediately establishes himself as a fish out of water. He’s wearing a fresh-pressed suit where others are in plaid and dungarees. He grumbles at the pigs bumbling about in the house. He yelps as the spirited boys chuck cheese puffs, baseballs, and other improvised missiles at his head. He is utterly mystified by their homeschooling curriculum, and overwhelmed by the abrupt role of parenthood he is expected to play until a proper foster family can be found. But of course, the framework of this story is so familiar you know right away where it will end up. Getting there, however, is a slog. 

While Stiller is the star of the movie, the four boys are the film’s inspiration. Atlas, Arlo, Ulysses, and Homer Janson are actual brothers, sons of a longtime friend of Green’s. As Time reports, it was a visit to the family farm, where the boys roughhoused and performed ballet with equal enthusiasm, that inspired Green to make this movie. It was written for them, their ages ranging from 8 to 13, aiming to capture the feral perfection of their radiant boyhood and the quirkiness of their creativity. 

While Leland Douglas is credited as the screenwriter, Green claims that the boys helped shape the story, including writing an alternate version of The Nutcracker ballet involving samurais and Rambo. I realize all of this sounds charming; the concept certainly is. But both Douglas’ script and Green’s execution coast on charisma, that of Stiller and the boys. While some moments shine — like the eldest brother’s first kiss with his crush — much of it feels exhaustingly aimless. 

Green initially sets up a ticking-clock deadline of when Uncle Mike must be back in the city, so his quest to find the boys a new home should have a sense of suspense. But time in the movie is so unclear, as one silly segment clunks into another, that both the stakes and the could-be tension fall flat. Instead, it’s a barrage of scenes of bonding and bickering and hijinks with little momentum. 

Ben Stiller feels like an odd choice for this premise. 

When David Gordon Green cited his inspirations for the film ahead of its premiere at the Toronto International Film Festival’s opening night, he subtly drew a direct line from the comedy stylings of Walter Matthau and John Candy to that of Ben Stiller. But Stiller’s character is nothing like the grumbling drunken baseball coach or the lovable slob uncle either of those actors portrayed — blue collar screw-ups, essentially. His Mike is more like Emilio Estevez in The Mighty Ducks, the sleek businessman whose priorities are woefully focused on his professional ambitions. Of course, Stiller adds a dash of his signature frantic neuroticism to the mix. 

Stiller is out of place here, as he plays broad comedy against the boys’ more naturalistic tone and dialogue. He’s game to be playfully pelted by the boys, perform pratfalls, and play the fool. Linda Cardellini, playing a cheery social worker with endless patience and a very clumsily wedged-in tragic backstory, attempts to bridge these approaches in scenes with the uncle and his nephews. But her role is so thin it can’t support this disconnect. 

Also thinly realized are the boys themselves. The eldest gets the most screen time and character development, striving to be the grown-up in the room when Uncle Mike is flailing, but also still yearning to be a boy who can cradle the thrill of a first crush. The second oldest is chiefly chatty comic relief, while the twins are barely given names, much less an arc. 

Each boy is given at least a brief moment in the spotlight. What’s clear is Green’s affection for these boys, their farm, where the movie was shot, and a general way of life that embraces everything from animals in the house to ballet performed on the fields and streets. But the plotting is too clumsy and not balanced by standout bits. 

Ultimately, Nutcrackers is a collection of scenes and ideas and feelings, but not a cohesive movie. Sure, the Janson boys are winsome, but there are only so many times the same poop joke works. Perhaps Green didn’t allow himself the distance to find the path in this terrain that fascinated him, leaving his audience lost in the ideas or intentions that go nowhere. 

In the end, Nutcrackers aims for feel-good comedy but lands more in feel-meh. 

Nutcrackers was reviewed out of its world premiere at the 2024 Toronto International Film Festival. 

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Live stream Jets vs. 49ers in the NFL for free from anywhere in the world.

TL;DR: Live stream New York Jets vs. San Francisco 49ers for free on My5. Access this free streaming platform from anywhere in the world with ExpressVPN.

It might seem like a crazy idea with no real substance, but you can actually follow the NFL without spending anything. You might not believe it, but it’s the truth. Sure, you need to jump through some hoops, but it’s totally worth the wait.

With a simple hack, you can live stream select NFL fixtures for free from anywhere in the world. If you’re interested in watching New York Jets vs. San Francisco 49ers for free, we have all the information you need.

When is Jets vs. 49ers?

New York Jets vs. San Francisco 49ers takes place at 8:15 p.m. ET on Sep 9. This fixture will be played at Levi’s Stadium.

How to watch Jets vs. 49ers for free

New York Jets vs. San Francisco 49ers is available to live stream for free on My5.

My5 is geo-restricted to the UK, but anyone from around the world can access this free streaming platform with a VPN. These tools can hide your real IP address (digital location) and connect you to secure servers in other countries, meaning you can bypass geo-restrictions to access free streaming services.

Access free live streams of the NFL by following these simple steps:

Subscribe to a streaming-friendly VPN (like ExpressVPN)

Download the app to your device of choice (the best VPNs have apps for Windows, Mac, iOS, Android, Linux, and more)

Open up the app and connect to a server in the UK

Visit My5

Live stream Jets vs. 49ers for free from anywhere in the world

The best VPNs for streaming are not free, but top VPNs do tend to offer free-trial periods or money-back guarantees. By leveraging these deals, you can access free live streams of the NFL without actually spending anything. It’s a short-term solution, but this gives you enough time to watch select NFL fixtures before recovering your investment.

What is the best VPN for the NFL?

ExpressVPN is the best service for bypassing geo-restrictions to stream the NFL, for a number of reasons:

Servers in 105 countries

Easy-to-use app available on all major devices including iPhone, Android, Windows, Mac, and more

Strict no-logging policy so your data is always secure

Fast connection speeds

Up to eight simultaneous connections

30-day money-back guarantee

A one-year subscription to ExpressVPN is currently available for $99.95. Within this limited time deal you’ll get an extra three months at no additional cost, a whole year of unlimited cloud backup for free, and a 30-day money-back guarantee.

Live stream Jets vs. 49ers for free from anywhere in the world with ExpressVPN.

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Answers to each clue for the September 9, 2024 edition of NYT’s The Mini crossword puzzle.

The Mini is a bite-sized version of The New York Times‘ revered daily crossword. While the crossword is a lengthier experience that requires both knowledge and patience to complete, The Mini is an entirely different vibe.

With only a handful of clues to answer, the daily puzzle doubles as a speed-running test for many who play it.

So, when a tricky clue disrupts a player’s flow, it can be frustrating! If you find yourself stumped playing The Mini — much like with Wordle and Connections — we have you covered.

Here are the clues and answers to NYT’s The Mini for Monday, September 9, 2024:

Across

Alternatives to Macs

The answer is PCs.

Mountains on the Swiss Miss logo

The answer is Alps.

They hit the books

The answer is nerds.

They bit the hooks

The answer is fish.

“Don’t be that ___!”

The answer is guy.

Down

Pot’s flatter counterpart

The answer is pan.

Symbol on a music staff

The answer is clef.

Thyme piece

The answer is sprig.

Sch. two hours south of U.C.L.A.

The answer is SDSU.

Unlikely to approach a stranger at a party

The answer is shy.

If you’re looking for more puzzles, Mashable’s got games now! Check out our games hub for Mahjong, Sudoku, free crossword, and more.

Are you also playing NYT Strands? See hints and answers for today’s Strands.

Not the day you’re after? Here’s the solution to yesterday’s Mini Crossword.

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The NYT Strands hints and answers you need to make the most of your puzzling experience.

If you’re reading this, you’re looking for a little help playing Strands, the New York Times‘ elevated word-search game.

Strands requires the player to perform a twist on the classic word search. Words can be made from linked letters — up, down, left, right, or diagonal, but words can also change direction, resulting in quirky shapes and patterns. Every single letter in the grid will be part of an answer. There’s always a theme linking every solution, along with the “spangram,” a special, word or phrase that sums up that day’s theme, and spans the entire grid horizontally or vertically.

By providing an opaque hint and not providing the word list, Strands creates a brain-teasing game that takes a little longer to play than its other games, like Wordle and Connections.

If you’re feeling stuck or just don’t have 10 or more minutes to figure out today’s puzzle, we’ve got all the NYT Strands hints for today’s puzzle you need to progress at your preferred pace.

NYT Strands hint for today’s theme: Go play outside!

These words are a great fun if you have the space.

Today’s NYT Strands theme plainly explained

The answers all relate to games you can play outside.

NYT Strands spangram hint: Is it vertical or horizontal?

Today’s NYT Strands spangram is vertical.

NYT Strands spangram answer today

Today’s spangram is LawnGames.

NYT Strands word list for September 9

Bocce

Croquet

LawnGames

Horseshoes

Badminton

Cornhole

Looking for other daily online games? Mashable’s Games page has more hints, and if you’re looking for more puzzles, Mashable’s got games now!

Check out our games hub for Mahjong, Sudoku, free crossword, and more.

Not the day you’re after? Here’s the solution to yesterday’s Strands.

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Live stream France vs. Belgium in the UEFA Nations League for free from anywhere in the world.

TL;DR: Live stream France vs. Belgium in the UEFA Nations League for free on TF1+. Access this free streaming site from anywhere in the world with ExpressVPN.

The UEFA Nations League might not be every fan’s favorite tournament, but you can’t say it doesn’t match up some of the best international sides in the world. The next fixture is France vs. Belgium, a heated rivarly between two neighboring countries.

France and Belgium last played each other in the first knockout round of Euro 2024, with France progressing after a 1-0 win. How will things play out this time around? There’s only one way to find out.

If you want to watch France vs. Belgium in the UEFA Nations League for free from anywhere in the world, we have all the information you need.

When is France vs. Belgium?

France vs. Belgium in the UEFA Nations League kicks off at 7:45 p.m. BST on Sept. 9. This fixture takes place at the Parc Olympique Lyonnais.

How to watch France vs. Belgium for free

France vs. Belgium in the UEFA Nations League is available to live stream for free on TF1+.

TF1+ is geo-restricted to France, but anyone can access this free streaming platform with a VPN. These tools can hide your real IP address (digital location) and connect you to a secure server in France, meaning you can access free live streams on TF1+ from anywhere in the world.

Access a free live stream of France vs. Belgium by following these simple steps:

Subscribe to a streaming-friendly VPN (like ExpressVPN)

Download the app to your device of choice (the best VPNs have apps for Windows, Mac, iOS, Android, Linux, and more)

Open up the app and connect to a server in France

Visit TF1+

Live stream France vs. Belgium for free from anywhere in the world

The best VPNs for streaming are not free, but most do offer free-trials or money-back guarantees. By leveraging these offers, you can watch France vs. Belgium in the UEFA Nations League without actually spending anything. This clearly isn’t a long-term solution, but it does give you enough time to stream select UEFA Nations League fixtures before recovering your investment.

What is the best VPN for TF1?

ExpressVPN is the best choice for bypassing geo-restrictions to stream live sport on TF1+, for a number of reasons:

Servers in 105 countries including France

Easy-to-use app available on all major devices including iPhone, Android, Windows, Mac, and more

Strict no-logging policy so your data is secure

Fast connection speeds free from throttling

Up to eight simultaneous connections

30-day money-back guarantee

A one-year subscription to ExpressVPN is on sale for $99.95 and includes an extra three months for free — 49% off for a limited time. This plan also includes a year of free unlimited cloud backup and a generous 30-day money-back guarantee.

Stream France vs. Belgium in the UEFA Nations League for free with ExpressVPN.

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