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Indiana Jones and the Great Circle is coming to Xbox Series X/S and PC on December 9. It’ll be available on Game Pass Ultimate day-one. Indiana Jones and the Great Circle is also coming to PlayStation 5, but it’s taking the scenic route to Sony’s console: It’ll hit PS5 in spring 2025.
It’s been rumored for a while that The Great Circle — a game developed by Xbox subsidiary MachineGames and published by Xbox — would also come to PS5. Just in February, Microsoft Gaming CEO Phil Spencer said The Great Circle was not heading to PS5 or Switch, though a handful of other Xbox properties were making the cross-console leap. That hasn’t stopped the rumor mill from spinning, of course.
MachineGames was swept up in Microsoft’s acquisition of ZeniMax in 2021, alongside id Software, Arkane and Bethesda Game Studios. In June 2023, Bethesda VP Pete Hines testified in court proceedings that Disney and ZeniMax originally planned to release The Great Circle on multiple platforms, and it only became exclusive to Xbox after Microsoft’s purchase of ZeniMax was approved.
Xbox is not required to release The Great Circle on PS5 or any other platform. This whole situation is separate from Microsoft’s controversial acquisition of Activision Blizzard, wherein Xbox is legally mandated to release new games like this fall’s Call of Duty: Black Ops 6 on competing consoles.
We recently saw a 30-minute hands-off preview of Indiana Jones and the Great Circle and found it to be charming as hell. It’s filled with plenty of Nazi punching — and slapping, which is a nice surprise. Read the full preview for more insight.This article originally appeared on Engadget at https://www.engadget.com/gaming/indiana-jones-and-the-great-circle-hits-xbox-and-pc-on-december-9-and-ps5-in-spring-2025-195751940.html?src=rss

Indiana Jones and the Great Circle is coming to Xbox Series X/S and PC on December 9. It’ll be available on Game Pass Ultimate day-one. Indiana Jones and the Great Circle is also coming to PlayStation 5, but it’s taking the scenic route to Sony’s console: It’ll hit PS5 in spring 2025.

It’s been rumored for a while that The Great Circle — a game developed by Xbox subsidiary MachineGames and published by Xbox — would also come to PS5. Just in February, Microsoft Gaming CEO Phil Spencer said The Great Circle was not heading to PS5 or Switch, though a handful of other Xbox properties were making the cross-console leap. That hasn’t stopped the rumor mill from spinning, of course.

MachineGames was swept up in Microsoft’s acquisition of ZeniMax in 2021, alongside id Software, Arkane and Bethesda Game Studios. In June 2023, Bethesda VP Pete Hines testified in court proceedings that Disney and ZeniMax originally planned to release The Great Circle on multiple platforms, and it only became exclusive to Xbox after Microsoft’s purchase of ZeniMax was approved.

Xbox is not required to release The Great Circle on PS5 or any other platform. This whole situation is separate from Microsoft’s controversial acquisition of Activision Blizzard, wherein Xbox is legally mandated to release new games like this fall’s Call of Duty: Black Ops 6 on competing consoles.

We recently saw a 30-minute hands-off preview of Indiana Jones and the Great Circle and found it to be charming as hell. It’s filled with plenty of Nazi punching — and slapping, which is a nice surprise. Read the full preview for more insight.

This article originally appeared on Engadget at https://www.engadget.com/gaming/indiana-jones-and-the-great-circle-hits-xbox-and-pc-on-december-9-and-ps5-in-spring-2025-195751940.html?src=rss

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We’ve got our first big announcement of Gamescom: Borderlands is back. Borderlands 4 is the next entry in the franchise from Gearbox Software and 2K Games. It’s due to arrive in 2025.
There’s no gameplay in the announcement video released today. While that’s a touch disappointing, it isn’t much of a surprise for a teaser trailer or for a release that is still likely at least a year away. (And that’s assuming no delays.) But the Borderlands games are known for their polished first-person shooter experience, particularly in co-op, and for their sharp sense of humor. Hopefully both of those traits will be returning in full force with the new game.
What doesn’t seem to be returning is the cartoony art style that was a hallmark of the previous three titles. The teaser looks more like it’s advertising a prestige television science fiction series rather than the zany Borderlands world. But it’s early days yet and the studio will surely be sharing more updates as the game progresses through development.
Gearbox was likely hoping to springboard this announcement off a wave of renewed interest in the series after the blockbuster movie adaptation this summer. But since that project was a disastrous disappointment, hopefully a new game will give fans of the series something fresh to be excited about.This article originally appeared on Engadget at https://www.engadget.com/gaming/borderlands-4-is-coming-in-2025-194227938.html?src=rss

We’ve got our first big announcement of Gamescom: Borderlands is back. Borderlands 4 is the next entry in the franchise from Gearbox Software and 2K Games. It’s due to arrive in 2025.

There’s no gameplay in the announcement video released today. While that’s a touch disappointing, it isn’t much of a surprise for a teaser trailer or for a release that is still likely at least a year away. (And that’s assuming no delays.) But the Borderlands games are known for their polished first-person shooter experience, particularly in co-op, and for their sharp sense of humor. Hopefully both of those traits will be returning in full force with the new game.

What doesn’t seem to be returning is the cartoony art style that was a hallmark of the previous three titles. The teaser looks more like it’s advertising a prestige television science fiction series rather than the zany Borderlands world. But it’s early days yet and the studio will surely be sharing more updates as the game progresses through development.

Gearbox was likely hoping to springboard this announcement off a wave of renewed interest in the series after the blockbuster movie adaptation this summer. But since that project was a disastrous disappointment, hopefully a new game will give fans of the series something fresh to be excited about.

This article originally appeared on Engadget at https://www.engadget.com/gaming/borderlands-4-is-coming-in-2025-194227938.html?src=rss

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Condé Nast, the media conglomerate that owns publications like The New Yorker, Vogue and Wired, has announced a multi-year partnership OpenAI to display content from Condé Nast titles in ChatGPT as well as SearchGPT, the company’s prototype AI-powered search engine. The partnership comes amid growing concerns over the unauthorized use of publishers’ content by AI companies. Last month, Condé Nast sent a cease-and-desist letter to AI search startup Perplexity, accusing it of plagiarism for using its content to generate answers.
“Over the last decade, news and digital media have faced steep challenges as many technology companies eroded publishers’ ability to monetize content, most recently with traditional search,” Condé Nast CEO Roger Lynch wrote to employees in a memo that was first reported by Semafor’s Max Tani. “Our partnership with OpenAI begins to make up for some of that revenue, allowing us to continue to protect and invest in our journalism and creative endeavors.” It’s not clear how much money OpenAI will pay Condé Nast for the partnership. 
The move makes Condé Nast the latest in a growing line of publishers who have struck deals with OpenAI. These include News Corp, Vox, The Atlantic, TIME and Axel Springer among others. But not everyone is on board with the idea. Last year, the New York Times filed a lawsuit against OpenAI for using information from the publisher’s articles in ChatGPT’s responses.
Lynch has been vocal about these concerns. In January, he warned that “many” media companies could face financial ruin by the time it would take for litigations against AI companies to conclude and called upon Congress to take “immediate action” to take “immediate action” and clarify that publishers must be compensated by AI companies for both training and output if they use their content. Earlier this month, three senators introduced the COPIED ACT, a bill that aims to protect journalists and artists from having their content scraped by AI companies without their permission.
Perplexity, which was recently accused by Forbes and Wired of stealing content, now plans to share a portion of potential advertising revenues with publishers who sign up for a newly-launched Publishers’ Program.This article originally appeared on Engadget at https://www.engadget.com/ai/openai-will-now-use-content-from-wired-vogue-and-the-new-yorker-in-chatgpts-responses-193057432.html?src=rss

Condé Nast, the media conglomerate that owns publications like The New Yorker, Vogue and Wired, has announced a multi-year partnership OpenAI to display content from Condé Nast titles in ChatGPT as well as SearchGPT, the company’s prototype AI-powered search engine. The partnership comes amid growing concerns over the unauthorized use of publishers’ content by AI companies. Last month, Condé Nast sent a cease-and-desist letter to AI search startup Perplexity, accusing it of plagiarism for using its content to generate answers.

“Over the last decade, news and digital media have faced steep challenges as many technology companies eroded publishers’ ability to monetize content, most recently with traditional search,” Condé Nast CEO Roger Lynch wrote to employees in a memo that was first reported by Semafor’s Max Tani. “Our partnership with OpenAI begins to make up for some of that revenue, allowing us to continue to protect and invest in our journalism and creative endeavors.” It’s not clear how much money OpenAI will pay Condé Nast for the partnership. 

The move makes Condé Nast the latest in a growing line of publishers who have struck deals with OpenAI. These include News Corp, Vox, The Atlantic, TIME and Axel Springer among others. But not everyone is on board with the idea. Last year, the New York Times filed a lawsuit against OpenAI for using information from the publisher’s articles in ChatGPT’s responses.

Lynch has been vocal about these concerns. In January, he warned that “many” media companies could face financial ruin by the time it would take for litigations against AI companies to conclude and called upon Congress to take “immediate action” to take “immediate action” and clarify that publishers must be compensated by AI companies for both training and output if they use their content. Earlier this month, three senators introduced the COPIED ACT, a bill that aims to protect journalists and artists from having their content scraped by AI companies without their permission.

Perplexity, which was recently accused by Forbes and Wired of stealing content, now plans to share a portion of potential advertising revenues with publishers who sign up for a newly-launched Publishers’ Program.

This article originally appeared on Engadget at https://www.engadget.com/ai/openai-will-now-use-content-from-wired-vogue-and-the-new-yorker-in-chatgpts-responses-193057432.html?src=rss

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The biggest day of the tech world’s fall calendar is nearly here: Apple’s iPhone 16 event will take place sometime in September. The company typically does it on a Tuesday during the first half of the month, so September 10 is a safe bet. No matter when it happens, we’ll be live-blogging the news, and you can watch it live via the company’s website or on YouTube. The biggest news from the event will almost definitely involve the forthcoming lineup of iPhone 16 handsets. Past as prologue, we’ll also get a new Apple Watch or two.
Beyond that, rumors have been swirling about a refresh of the standard AirPod earbuds. Until Tim Cook takes the (virtual) stage, however, everything is pure speculation. With that said, let’s get into the most likely leaks and rumors ahead of the event.
iPhone 16 and iPhone 16 Pro
No matter what else happens, these new handsets will take center stage during the Apple iPhone 16 event. That’s good news for people ready for an upgrade. The bad (ish) news? The vast majority of leaks and rumors indicate that this will be another year of iterative improvements, so don’t expect a game-changing new hardware feature.
Cherlynn Low / Engadget
There’s likely to be four new models announced at the event, which is similar to what Apple did last year. The new phones will allegedly be called the iPhone 16, 16 Plus, 16 Pro and 16 Pro Max, according to industry analyst Mark Gurman. This is the exact same naming convention as last year’s iPhone 15 reveal, so the rumors of Apple adopting an “iPhone Ultra” moniker seem to have been greatly exaggerated.
Even if Apple doesn’t use the Ultra naming, the Pro models might be getting slightly larger screens, which is always nice (if you like big phones, that is). The regular Pro is likely to move to 6.3 inches from 6.1 inches, while the Pro Max should hit 6.9 inches, an increase from 6.7 inches. Finally, there will likely be a new color or two, as always. Bloomberg’s Gurman suggests that Apple is ready to ditch the blue model in favor of the return of rose gold.
On the hardware side of things, look for a new chipset that takes advantage of the company’s recent push toward AI, also known as Apple Intelligence. Beyond that, the upgraded A18 chip will be an iterative improvement, specs-wise. As is typical, the Pro and Pro Max will likely get a more powerful chip than the standard models. It looks like the base amount of RAM here will be 8GB, so as to handle those aforementioned AI tasks.
It’s also been rumored that the standard iPhone 16 and iPhone 16 Plus will get the Action Button, a feature introduced last year for the iPhone 15 Pro and Pro Max. This multi-purpose button is a direct replacement for the mute switch, by default, but can be adjusted to control a bunch of different things. The Action Button can be used to to change ringer settings, turn on the flashlight, launch the camera and more.
Cherlynn Low/Engadget
There’s also talk of another new button, this one on the right side of the phone. This will control camera features, operating like a button on a DSLR. Reporting indicates that a soft press will trigger autofocus and a harder press will take a photo. Consumers may also be able to swipe along the button to zoom in and out while shooting photos or taking videos. It’s been reported that this camera button will only come with the Pro and Pro Max, which makes sense since the high-end models typically offer a more robust camera experience.
To that end, new iPhones always get a camera spec bump, but we don’t know exactly what that will look like this time. It’s been reported, however, that the iPhone 16’s camera module could be getting a design refresh. Apple might be ditching the square and going with a vertical orientation. This might only apply to the base iPhone 16 and maybe the Plus, as the Pro and Pro Max phones tend to place a much higher emphasis on photos and videos.
Apple
We already know what’s coming on the software side of things, thanks to the recent WWDC event. Based on previous years, iOS 18 should be available within the week following the event. The software update features a more customizable Control Center and Home Screen. It’ll also finally bring RCS support to iPhones.
As for Apple Intelligence, you’ll have to wait a bit. It was announced as part of iOS 18, but it’s been delayed until iOS 18.1. This isn’t a huge deal, as that OS refresh is expected in October, but does mean that early adopters of the iPhone 16 won’t be able to fool around with AI right away.
Apple Watch Series 10 and Apple Watch Ultra 3
Ever since 2016, iPhone events have also included a deep dive on the latest Apple Watch. This year looks to be no different. As a matter of fact, this is a big year for the Apple Watch. We are coming up on the gadget’s tenth birthday, so there are conflicting rumors as to whether the next entry will be called the Apple Watch Series 10 or the Series X.
No matter what it ends up being called, Apple’s next standard smartwatch is reported to have a bigger screen that’s more in line with the Ultra. It’s expected that the company will ditch the 41mm form factor and introduce a 49mm design.
Rumors have also suggested that Apple has completely redesigned the band system and added new connectors. This will likely make these straps easier to adjust, but there’s a downside. This move could make it so all of those old bands no longer work.
Cherlynn Low / Engadget
Of course, there’s going to be a new chip to power these watches, but we don’t have any specifics. It’s been suggested that these chips have been designed to accommodate Apple’s recent foray into AI, but that integration is likely to happen later on. For now, Apple Intelligence will be tethered to iPhone, iPad and Mac.
There are likely to be two watches revealed at the event, which are codenamed N217 and N218. It’s possible one of these will be the Apple Watch Ultra 3, though Mark Gurman at Bloomberg says the high-end smartwatch won’t get a major redesign this time out. It’ll likely be an iterative refresh.
On the software front, it looks like Apple has run into some snags while developing long-anticipated health tracking tools. Health monitoring is one of the key features of the Apple Watch, so the company has been working on new sensors to detect high blood pressure and sleep apnea. However, the tech will likely not be ready for this year’s smartwatch. Apple’s also been developing a glucose sensor for almost a decade so, who knows, maybe it’ll finally show up with the Series X.
Finally, it’s highly possible that Apple announces a new version of the budget-friendly Watch SE. This was last updated in 2022, so a refresh is overdue. There has been some reporting that Apple will be swapping out the aluminum exterior with a rigid plastic shell. This should help get costs down even further. As it stands, the Apple Watch SE is $250, but Samsung’s cheapest wearable is the $200 Galaxy Watch FE. Apple may want to compete closer to that price range. 
AirPods 4
Billy Steele/Engadget
It’s been reported that Apple’s prepping two new variants of its standard earbuds. The AirPods 4 could feature both an entry-level model and a mid-tier version, which would effectively replace AirPods 2 and AirPods 3.
The big news here is that both AirPods 4 versions are likely to transition to a USB-C case to keep pace with the iPhone and the second-gen AirPods Pro. It’s been suggested that the cheaper of the two forthcoming models would lack wireless charging, but that the mid-tier version would support this technology. This is the same strategy Apple followed with previous generations, so it makes sense.
Both versions should feature similar designs, though the mid-tier variant is likely to support active noise cancellation like the Pro model. Speaking of, there will likely be no refresh of Apple’s high-end Pro earbuds at this event. There’s also some mystery surrounding the company’s over-ear headphones, AirPods Max. It’s been four whole years since these premium cans hit store shelves (and they’re still stuck using a Lightning port for charging), so a refresh is long overdue.
Surprises and software 
The iPhone event doesn’t typically have a “one last thing” moment, but there’s one piece of hardware that could get a surprise shout out. It’s been rumored that Apple is preparing a massive redesign of the Mac mini. Analysts have suggested that this will be the company’s smallest ever desktop computer and could be around the same size of an Apple TV streaming box.
There will reportedly be two versions of the upcoming Mac Mini, one with the standard M4 chip and another with the more powerful M4 Pro chip. The base model is rumored to start shipping from suppliers this month, so it’s possible Apple will spend a few minutes on the computer at the iPhone event. However, don’t count on it. This is an event for iPhones and smartwatches and a miniaturized desktop could feel out of place. And, just like it did last fall, Apple could easily hold a Mac-specific event later this year.

Beyond that, a whole bunch of software updates are about to drop. There’s iOS 18, which we’ve written about extensively, and iPadOS 18. As for smartwatches, watchOS 11 is also coming out sometime this fall. Apple already detailed all three operating systems at WWDC, but the upcoming iPhone event would be a good time to announce official release dates.This article originally appeared on Engadget at https://www.engadget.com/mobile/smartphones/apple-event-rumor-roundup-what-to-expect-at-the-iphone-16-keynote-192347591.html?src=rss

The biggest day of the tech world’s fall calendar is nearly here: Apple’s iPhone 16 event will take place sometime in September. The company typically does it on a Tuesday during the first half of the month, so September 10 is a safe bet. No matter when it happens, we’ll be live-blogging the news, and you can watch it live via the company’s website or on YouTube. The biggest news from the event will almost definitely involve the forthcoming lineup of iPhone 16 handsets. Past as prologue, we’ll also get a new Apple Watch or two.

Beyond that, rumors have been swirling about a refresh of the standard AirPod earbuds. Until Tim Cook takes the (virtual) stage, however, everything is pure speculation. With that said, let’s get into the most likely leaks and rumors ahead of the event.

iPhone 16 and iPhone 16 Pro

No matter what else happens, these new handsets will take center stage during the Apple iPhone 16 event. That’s good news for people ready for an upgrade. The bad (ish) news? The vast majority of leaks and rumors indicate that this will be another year of iterative improvements, so don’t expect a game-changing new hardware feature.

There’s likely to be four new models announced at the event, which is similar to what Apple did last year. The new phones will allegedly be called the iPhone 16, 16 Plus, 16 Pro and 16 Pro Max, according to industry analyst Mark Gurman. This is the exact same naming convention as last year’s iPhone 15 reveal, so the rumors of Apple adopting an “iPhone Ultra” moniker seem to have been greatly exaggerated.

Even if Apple doesn’t use the Ultra naming, the Pro models might be getting slightly larger screens, which is always nice (if you like big phones, that is). The regular Pro is likely to move to 6.3 inches from 6.1 inches, while the Pro Max should hit 6.9 inches, an increase from 6.7 inches. Finally, there will likely be a new color or two, as always. Bloomberg’s Gurman suggests that Apple is ready to ditch the blue model in favor of the return of rose gold.

On the hardware side of things, look for a new chipset that takes advantage of the company’s recent push toward AI, also known as Apple Intelligence. Beyond that, the upgraded A18 chip will be an iterative improvement, specs-wise. As is typical, the Pro and Pro Max will likely get a more powerful chip than the standard models. It looks like the base amount of RAM here will be 8GB, so as to handle those aforementioned AI tasks.

It’s also been rumored that the standard iPhone 16 and iPhone 16 Plus will get the Action Button, a feature introduced last year for the iPhone 15 Pro and Pro Max. This multi-purpose button is a direct replacement for the mute switch, by default, but can be adjusted to control a bunch of different things. The Action Button can be used to to change ringer settings, turn on the flashlight, launch the camera and more.

There’s also talk of another new button, this one on the right side of the phone. This will control camera features, operating like a button on a DSLR. Reporting indicates that a soft press will trigger autofocus and a harder press will take a photo. Consumers may also be able to swipe along the button to zoom in and out while shooting photos or taking videos. It’s been reported that this camera button will only come with the Pro and Pro Max, which makes sense since the high-end models typically offer a more robust camera experience.

To that end, new iPhones always get a camera spec bump, but we don’t know exactly what that will look like this time. It’s been reported, however, that the iPhone 16’s camera module could be getting a design refresh. Apple might be ditching the square and going with a vertical orientation. This might only apply to the base iPhone 16 and maybe the Plus, as the Pro and Pro Max phones tend to place a much higher emphasis on photos and videos.

We already know what’s coming on the software side of things, thanks to the recent WWDC event. Based on previous years, iOS 18 should be available within the week following the event. The software update features a more customizable Control Center and Home Screen. It’ll also finally bring RCS support to iPhones.

As for Apple Intelligence, you’ll have to wait a bit. It was announced as part of iOS 18, but it’s been delayed until iOS 18.1. This isn’t a huge deal, as that OS refresh is expected in October, but does mean that early adopters of the iPhone 16 won’t be able to fool around with AI right away.

Apple Watch Series 10 and Apple Watch Ultra 3

Ever since 2016, iPhone events have also included a deep dive on the latest Apple Watch. This year looks to be no different. As a matter of fact, this is a big year for the Apple Watch. We are coming up on the gadget’s tenth birthday, so there are conflicting rumors as to whether the next entry will be called the Apple Watch Series 10 or the Series X.

No matter what it ends up being called, Apple’s next standard smartwatch is reported to have a bigger screen that’s more in line with the Ultra. It’s expected that the company will ditch the 41mm form factor and introduce a 49mm design.

Rumors have also suggested that Apple has completely redesigned the band system and added new connectors. This will likely make these straps easier to adjust, but there’s a downside. This move could make it so all of those old bands no longer work.

Of course, there’s going to be a new chip to power these watches, but we don’t have any specifics. It’s been suggested that these chips have been designed to accommodate Apple’s recent foray into AI, but that integration is likely to happen later on. For now, Apple Intelligence will be tethered to iPhone, iPad and Mac.

There are likely to be two watches revealed at the event, which are codenamed N217 and N218. It’s possible one of these will be the Apple Watch Ultra 3, though Mark Gurman at Bloomberg says the high-end smartwatch won’t get a major redesign this time out. It’ll likely be an iterative refresh.

On the software front, it looks like Apple has run into some snags while developing long-anticipated health tracking tools. Health monitoring is one of the key features of the Apple Watch, so the company has been working on new sensors to detect high blood pressure and sleep apnea. However, the tech will likely not be ready for this year’s smartwatch. Apple’s also been developing a glucose sensor for almost a decade so, who knows, maybe it’ll finally show up with the Series X.

Finally, it’s highly possible that Apple announces a new version of the budget-friendly Watch SE. This was last updated in 2022, so a refresh is overdue. There has been some reporting that Apple will be swapping out the aluminum exterior with a rigid plastic shell. This should help get costs down even further. As it stands, the Apple Watch SE is $250, but Samsung’s cheapest wearable is the $200 Galaxy Watch FE. Apple may want to compete closer to that price range. 

AirPods 4

It’s been reported that Apple’s prepping two new variants of its standard earbuds. The AirPods 4 could feature both an entry-level model and a mid-tier version, which would effectively replace AirPods 2 and AirPods 3.

The big news here is that both AirPods 4 versions are likely to transition to a USB-C case to keep pace with the iPhone and the second-gen AirPods Pro. It’s been suggested that the cheaper of the two forthcoming models would lack wireless charging, but that the mid-tier version would support this technology. This is the same strategy Apple followed with previous generations, so it makes sense.

Both versions should feature similar designs, though the mid-tier variant is likely to support active noise cancellation like the Pro model. Speaking of, there will likely be no refresh of Apple’s high-end Pro earbuds at this event. There’s also some mystery surrounding the company’s over-ear headphones, AirPods Max. It’s been four whole years since these premium cans hit store shelves (and they’re still stuck using a Lightning port for charging), so a refresh is long overdue.

Surprises and software 

The iPhone event doesn’t typically have a “one last thing” moment, but there’s one piece of hardware that could get a surprise shout out. It’s been rumored that Apple is preparing a massive redesign of the Mac mini. Analysts have suggested that this will be the company’s smallest ever desktop computer and could be around the same size of an Apple TV streaming box.

There will reportedly be two versions of the upcoming Mac Mini, one with the standard M4 chip and another with the more powerful M4 Pro chip. The base model is rumored to start shipping from suppliers this month, so it’s possible Apple will spend a few minutes on the computer at the iPhone event. However, don’t count on it. This is an event for iPhones and smartwatches and a miniaturized desktop could feel out of place. And, just like it did last fall, Apple could easily hold a Mac-specific event later this year.

Beyond that, a whole bunch of software updates are about to drop. There’s iOS 18, which we’ve written about extensively, and iPadOS 18. As for smartwatches, watchOS 11 is also coming out sometime this fall. Apple already detailed all three operating systems at WWDC, but the upcoming iPhone event would be a good time to announce official release dates.

This article originally appeared on Engadget at https://www.engadget.com/mobile/smartphones/apple-event-rumor-roundup-what-to-expect-at-the-iphone-16-keynote-192347591.html?src=rss

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Streaming posted another banner month in July, reaching multiple new milestones in the latest issue of The Gauge report from Nielsen. The big headline is that streaming was responsible for 41.4 percent of all TV viewing during the month. That’s the highest share in the report’s brief history for any viewing category, meaning streaming topped past performances for both broadcast and cable TV. The result follows on the heels of the previous record set by streaming in June.
The other big success story in the July report is for YouTube. The popular video platform hosted 10 percent of monthly TV usage, marking the first time a single streaming service has reached a double-digit share. Multiple other streaming sites hit their own personal bests for viewing share in July: Disney+ jumped up to a 2.1 percent viewing share and The Roku Channel hit 1.6 percent.
There are a couple takeaways from the range of record-setting performances in July. For starters, The Gauge only tracks viewing that happens on a TV screen, meaning no mobile or laptop viewing is included. Last month’s results show how much streaming video’s presence has expanded beyond just smartphones and tablets to challenge and surpass the options of traditional broadcast and cable TV.
Another notable factoid from Nielsen is that 10 different titles on streaming platforms surpassed 1 billion minutes of viewing in the first full week of July — another record. Seven different streaming companies had programs on that list, and they cover a broad spectrum of genres and audiences. The lineup was led by Netflix’s action flick Beverly Hills Cop: Axel F, which secured 2.05 billion minutes of viewership between July 1 and July 7. TV series Suits (available on Peacock and Netflix) came second with just shy of 1.5 billion minutes viewed. House of the Dragon on Max, Your Honor on Netflix/Paramount+ and The Bear on Hulu rounded out the top five, each with more than 1.2 billion minutes viewed during that week. In other words, the next breakout hit for streaming could happen on any platform.This article originally appeared on Engadget at https://www.engadget.com/entertainment/streaming/streaming-hit-multiple-new-viewership-records-in-july-nielsen-reports-191529705.html?src=rss

Streaming posted another banner month in July, reaching multiple new milestones in the latest issue of The Gauge report from Nielsen. The big headline is that streaming was responsible for 41.4 percent of all TV viewing during the month. That’s the highest share in the report’s brief history for any viewing category, meaning streaming topped past performances for both broadcast and cable TV. The result follows on the heels of the previous record set by streaming in June.

The other big success story in the July report is for YouTube. The popular video platform hosted 10 percent of monthly TV usage, marking the first time a single streaming service has reached a double-digit share. Multiple other streaming sites hit their own personal bests for viewing share in July: Disney+ jumped up to a 2.1 percent viewing share and The Roku Channel hit 1.6 percent.

There are a couple takeaways from the range of record-setting performances in July. For starters, The Gauge only tracks viewing that happens on a TV screen, meaning no mobile or laptop viewing is included. Last month’s results show how much streaming video’s presence has expanded beyond just smartphones and tablets to challenge and surpass the options of traditional broadcast and cable TV.

Another notable factoid from Nielsen is that 10 different titles on streaming platforms surpassed 1 billion minutes of viewing in the first full week of July — another record. Seven different streaming companies had programs on that list, and they cover a broad spectrum of genres and audiences. The lineup was led by Netflix’s action flick Beverly Hills Cop: Axel F, which secured 2.05 billion minutes of viewership between July 1 and July 7. TV series Suits (available on Peacock and Netflix) came second with just shy of 1.5 billion minutes viewed. House of the Dragon on Max, Your Honor on Netflix/Paramount+ and The Bear on Hulu rounded out the top five, each with more than 1.2 billion minutes viewed during that week. In other words, the next breakout hit for streaming could happen on any platform.

This article originally appeared on Engadget at https://www.engadget.com/entertainment/streaming/streaming-hit-multiple-new-viewership-records-in-july-nielsen-reports-191529705.html?src=rss

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Streaming prices love to go up, but here’s a rare instance in which one is going down. Paramount+ is lowering prices on its two annual plans for a limited time. The cheapest option is just $30 per year, and this gets you the Essentials plan. This is the basic subscription that allows access to Paramount+ programming with ads.

It doesn’t, however, offer access to Showtime. For that, the cost doubles to $60 per year. In addition to the secondary streaming service, this plan offers live CBS streaming and the ability to download shows to a mobile device. This is also an ad-free plan, though live TV still has ads (for obvious reasons.)
For the uninitiated, Paramount+ is home to most, but not all, new Star Trek shows. It also hosts the dad-friendly Tulsa King and the Jeremy Renner vehicle Mayor of Kingstown. As for genre fare, there’s the Sonic the Hedgehog spinoff Knuckles, the recently-canceled Halo show and a remake of Stephen King’s The Stand.
Showtime, on the other hand, is a long-standing cable institution that’s seen as “HBO’s younger sibling.” The platform offers access to hit shows like Yellowjackets, Billions and The Chi. The network also has a stable of older properties, including Dexter, Ray Donovan, Shameless and many more. Finally, it’s the best way to watch Twin Peaks: The Return, which is so dang good.
These deals only last until September 6, at which point the discounts disappear into a puff of smoke. The usual prices for these annual plans are $60 for Essential and $120 for the Showtime bundle. As for monthly subscription costs, they keep going up and up.
Follow @EngadgetDeals on Twitter and subscribe to the Engadget Deals newsletter for the latest tech deals and buying advice.This article originally appeared on Engadget at https://www.engadget.com/deals/paramount-annual-subscriptions-are-half-off-right-now-190017186.html?src=rss

Streaming prices love to go up, but here’s a rare instance in which one is going down. Paramount+ is lowering prices on its two annual plans for a limited time. The cheapest option is just $30 per year, and this gets you the Essentials plan. This is the basic subscription that allows access to Paramount+ programming with ads.

It doesn’t, however, offer access to Showtime. For that, the cost doubles to $60 per year. In addition to the secondary streaming service, this plan offers live CBS streaming and the ability to download shows to a mobile device. This is also an ad-free plan, though live TV still has ads (for obvious reasons.)

For the uninitiated, Paramount+ is home to most, but not all, new Star Trek shows. It also hosts the dad-friendly Tulsa King and the Jeremy Renner vehicle Mayor of Kingstown. As for genre fare, there’s the Sonic the Hedgehog spinoff Knuckles, the recently-canceled Halo show and a remake of Stephen King’s The Stand.

Showtime, on the other hand, is a long-standing cable institution that’s seen as “HBO’s younger sibling.” The platform offers access to hit shows like Yellowjackets, Billions and The Chi. The network also has a stable of older properties, including Dexter, Ray Donovan, Shameless and many more. Finally, it’s the best way to watch Twin Peaks: The Return, which is so dang good.

These deals only last until September 6, at which point the discounts disappear into a puff of smoke. The usual prices for these annual plans are $60 for Essential and $120 for the Showtime bundle. As for monthly subscription costs, they keep going up and up.

Follow @EngadgetDeals on Twitter and subscribe to the Engadget Deals newsletter for the latest tech deals and buying advice.

This article originally appeared on Engadget at https://www.engadget.com/deals/paramount-annual-subscriptions-are-half-off-right-now-190017186.html?src=rss

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Black Myth: Wukong, considered China’s first true AAA game, has broken Steam’s concurrent players record for a single-player title, passing Cyberpunk 2077 for the single-player record. In addition, it’s now the game with the second-most all-time concurrent players to date (including multiplayer), moving past Palworld. Based on the 16th-century novel Journey to the West, the souls-like action-adventure epic peaked at 2,223,179 players.
Industry analyst Simon Carless of GameDiscoverCo posted on X (Twitter) early on Tuesday an estimate that Black Myth: Wukong’s regional breakdown heavily favored its home country. The agency’s pie graph showed China claiming 88 percent of the game’s players. (In second place was the US at a mere three percent.) Although some interpreted that as potentially showing inflated numbers, the game launched in the middle of the night in the western hemisphere, and Carless’ stats were posted around 5AM ET.
The title’s records come against a backdrop of misogyny and censorship accusations aimed at developer Game Science. Streamers who were granted early access keys were given a (non-legally-binding) document that raised some eyebrows.
Game Science / Sony
The document included a list of banned topics the streamers were to avoid discussing while broadcasting gameplay. The New York Times reported that the off-limits subjects included politics, “feminist propaganda,” COVID-19, China’s gaming industry, and anything else that “instigates negative discourse.” (While streamers were given the list, reviewers weren’t.)
Of course, the COVID mention is easily tied to the nation’s “zero-COVID” restrictions.
As for the “feminist propaganda” restriction for Black Myth: Wukong’s streamers, you can easily draw a straight line from widespread accusations of misogyny from developer Game Science and individuals working there, including some of its cofounders. Among the many instances (summarized in a 2023 IGN story) were Game Science recruitment posters from 2015, one of which implied friends with benefits were an office perk and another featuring a dumbbell with the text (translated) “fatties should fuck off.” (Yikes.) The accusations go on from there.
Game Science / Valve
Game Science has ties to the Chinese government, which is no stranger to accusations of misogyny and censorship. To cite only a few examples, the #MeToo hashtag was censored or blocked on Chinese social platforms during the height of the movement, posts from feminist and LGBTQ+ groups and voices are routinely blocked or deleted on the country’s social media, feminist perspectives are frequently restricted or censored in China’s academic institutions and activists are no strangers to harassment, surveillance or arrests.
Tencent Holdings, a five-percent stakeholder according to The NY Times, has direct ties to Xi’s government. Meanwhile, the game’s publisher, Zhejiang Publishing & Media, is majority-owned by the Zhejiang provincial government. Finally, Hero Games, the company that sent out the streamer keys on Game Science’s behalf, has financial ties to “several state-owned enterprises,” according to The NYT. Hero Games owns around 20 percent of Game Science.
Some streamers supplied with keys (and the attached red tape) decided not to cover the game. “I have never seen anything that shameful in my 15 years doing this job. This is very clearly a document which explains that we must censor ourselves,” the prominent French streamer Benoit Reinier said (translated) in a YouTube video.
In Engadget’s preview of Black Myth: Wukong from earlier this summer (which didn’t include provisions about censored topics like streamers received), Mat Smith found the game visually stunning. We found the demo “elevated by how good the environment looks, the bizarre monster design and the quiet, unsettling soundtrack.” The game is available now on PC and PS5.This article originally appeared on Engadget at https://www.engadget.com/gaming/black-myth-wukong-breaks-steams-concurrent-single-player-record-within-hours-of-launch-184559634.html?src=rss

Black Myth: Wukong, considered China’s first true AAA game, has broken Steam’s concurrent players record for a single-player title, passing Cyberpunk 2077 for the single-player record. In addition, it’s now the game with the second-most all-time concurrent players to date (including multiplayer), moving past Palworld. Based on the 16th-century novel Journey to the West, the souls-like action-adventure epic peaked at 2,223,179 players.

Industry analyst Simon Carless of GameDiscoverCo posted on X (Twitter) early on Tuesday an estimate that Black Myth: Wukong’s regional breakdown heavily favored its home country. The agency’s pie graph showed China claiming 88 percent of the game’s players. (In second place was the US at a mere three percent.) Although some interpreted that as potentially showing inflated numbers, the game launched in the middle of the night in the western hemisphere, and Carless’ stats were posted around 5AM ET.

The title’s records come against a backdrop of misogyny and censorship accusations aimed at developer Game Science. Streamers who were granted early access keys were given a (non-legally-binding) document that raised some eyebrows.

The document included a list of banned topics the streamers were to avoid discussing while broadcasting gameplay. The New York Times reported that the off-limits subjects included politics, “feminist propaganda,” COVID-19, China’s gaming industry, and anything else that “instigates negative discourse.” (While streamers were given the list, reviewers weren’t.)

Of course, the COVID mention is easily tied to the nation’s “zero-COVID” restrictions.

As for the “feminist propaganda” restriction for Black Myth: Wukong’s streamers, you can easily draw a straight line from widespread accusations of misogyny from developer Game Science and individuals working there, including some of its cofounders. Among the many instances (summarized in a 2023 IGN story) were Game Science recruitment posters from 2015, one of which implied friends with benefits were an office perk and another featuring a dumbbell with the text (translated) “fatties should fuck off.” (Yikes.) The accusations go on from there.

Game Science has ties to the Chinese government, which is no stranger to accusations of misogyny and censorship. To cite only a few examples, the #MeToo hashtag was censored or blocked on Chinese social platforms during the height of the movement, posts from feminist and LGBTQ+ groups and voices are routinely blocked or deleted on the country’s social media, feminist perspectives are frequently restricted or censored in China’s academic institutions and activists are no strangers to harassment, surveillance or arrests.

Tencent Holdings, a five-percent stakeholder according to The NY Times, has direct ties to Xi’s government. Meanwhile, the game’s publisher, Zhejiang Publishing & Media, is majority-owned by the Zhejiang provincial government. Finally, Hero Games, the company that sent out the streamer keys on Game Science’s behalf, has financial ties to “several state-owned enterprises,” according to The NYT. Hero Games owns around 20 percent of Game Science.

Some streamers supplied with keys (and the attached red tape) decided not to cover the game. “I have never seen anything that shameful in my 15 years doing this job. This is very clearly a document which explains that we must censor ourselves,” the prominent French streamer Benoit Reinier said (translated) in a YouTube video.

In Engadget’s preview of Black Myth: Wukong from earlier this summer (which didn’t include provisions about censored topics like streamers received), Mat Smith found the game visually stunning. We found the demo “elevated by how good the environment looks, the bizarre monster design and the quiet, unsettling soundtrack.” The game is available now on PC and PS5.

This article originally appeared on Engadget at https://www.engadget.com/gaming/black-myth-wukong-breaks-steams-concurrent-single-player-record-within-hours-of-launch-184559634.html?src=rss

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What do you get when you make a game influenced by movies like The Running Man and Labyrinth, toss in a bit of flair from professional wrestling (the kind with squared rings, not circular mats) and then throw all that on top of a co-op 3D platformer with user-generated dungeon building? To be honest, I’m not quite sure, but that’s sort of what Amazon Games and developer Glowmade are going for with its next title: King of Meat.
Trying to balance elements from that many properties seems like an impossible task. But after I got a chance to play an early build prior to Gamescom, King of Meat’s world and presentation might be the best thing about it. The game is centered around the Komstruck Koliseum, which is a Battle Royale-esque arena that also serves as the stage for an in-world TV show. Your job is to fight through various stages while helping out your friends and keeping the audience entertained.
Amazon/Glowmade
This is where the WWE inspiration factors in because the audience isn’t simply there for the ambiance, it’s an actual game mechanic. Grabbing gems and beating up foes increases your multiplier, allowing you to earn more points and get higher ranks (like bronze, silver and gold). The better you do and the more bounties you complete (like killing a certain number of specific enemies), the more currency you get, which you can then spend on new weapons, costumes and special attacks called Glory Moves. There’s even an in-game announcer to help keep the hype up.
Stylistically, King of Meat feels like a mix between Fortnite and Castle Crashers (another inspiration for the title), but with a more outlandish and sinister bent. Weapon skins include Cthulhu-like tentacle swords or jagged 8-bit facsimiles while Glory Moves range from silly to shocking, like calling down a giant hoof from the sky or birthing a massive belch to blow enemies away. And behind this over-the-top, energy-drink-fueled facade, there’s a bit of evil lurking in the corners, hinting that the fictional megacorps such as KOMSTRUCT may not be what they seem.
Amazon/Glowmade
As for the gameplay itself, it’s a pretty typical hack-and-slash platformer. You have basic melee attacks using weapons like swords and hammers, a heavier charge-up move, specials and a handy long-ranged sidearm (I used a crossbow, but there’s much more to choose from). You also get a double jump and while there’s some light comboing between moves, from what I saw the game stops short of letting you do more complex things like air juggles. Sadly, this is one of my concerns with the game, because while I only had a chance to play a handful of early levels, it feels like the game’s combat and pacing underdelivers, at least when compared to its over-the-top presentation and visual design.
When playing co-op with four people, there were several times when I just had to stand around while waiting for more enemies to arrive. Jumping across platforms also didn’t feel as tight or responsive compared to a lot of other 3D platformers. And even in the heat of battle, I didn’t get the sense that switching between attacks was much more effective than simply mashing buttons. I also ran into a few bugs where I got stuck in a wall or an enemy disappeared, which prevented our squad from moving on to the next section. That said, this was far from a final build, so hopefully Glowmade can polish things up before release.
Amazon/Glowmade
Unfortunately, I didn’t get a chance to try out any dungeon building, which was a bummer since that’s meant to be a huge draw of the game. Out of the box, there will be a number of pre-made stages and a story campaign. But, similar to titles like Super Mario Maker, Glowmade is counting on users to create even more levels, with some of the lead developers saying “We want to reward players for being interesting.” Glowmade says first-party dungeons are built using the same tools players will get access to. This sort of reminds me of the Trackmania community, where even if you’re not the best racer, you can still make major contributions by creating fun courses, or in this case, dungeons. Cross-platform gameplay and dungeon building will also be supported, so you’ll have plenty of options for co-op.
Amazon/Glowmade
I still haven’t fully decided how I feel about King of Meat. It’s got an interesting premise and during my preview session, there were certainly moments where it felt like it was delivering on the spectacle while also scratching the grab-and-smash itch you tend to search for in hack-and-slash platformers. But at the same time, I wasn’t totally hooked either, possibly due to not being able to experience dungeon-building myself or not having a bigger arsenal of weapons and attacks to play around with. That said, since Glowmade’s founders previously worked at studios including Lionhead and Media Molecule and franchises like Fable and Little Big Planet, it feels like they should have the pedigree needed to properly bring King of Meat into the spotlight.
King of Meat will be available on PC, PS5, Xbox X/S and the Nintendo Switch, though Amazon and Glowmade have yet to set an official release date.This article originally appeared on Engadget at https://www.engadget.com/gaming/king-of-meat-preview-a-monstrous-mash-up-of-a-co-op-platformer-183015893.html?src=rss

What do you get when you make a game influenced by movies like The Running Man and Labyrinth, toss in a bit of flair from professional wrestling (the kind with squared rings, not circular mats) and then throw all that on top of a co-op 3D platformer with user-generated dungeon building? To be honest, I’m not quite sure, but that’s sort of what Amazon Games and developer Glowmade are going for with its next title: King of Meat.

Trying to balance elements from that many properties seems like an impossible task. But after I got a chance to play an early build prior to Gamescom, King of Meat’s world and presentation might be the best thing about it. The game is centered around the Komstruck Koliseum, which is a Battle Royale-esque arena that also serves as the stage for an in-world TV show. Your job is to fight through various stages while helping out your friends and keeping the audience entertained.

This is where the WWE inspiration factors in because the audience isn’t simply there for the ambiance, it’s an actual game mechanic. Grabbing gems and beating up foes increases your multiplier, allowing you to earn more points and get higher ranks (like bronze, silver and gold). The better you do and the more bounties you complete (like killing a certain number of specific enemies), the more currency you get, which you can then spend on new weapons, costumes and special attacks called Glory Moves. There’s even an in-game announcer to help keep the hype up.

Stylistically, King of Meat feels like a mix between Fortnite and Castle Crashers (another inspiration for the title), but with a more outlandish and sinister bent. Weapon skins include Cthulhu-like tentacle swords or jagged 8-bit facsimiles while Glory Moves range from silly to shocking, like calling down a giant hoof from the sky or birthing a massive belch to blow enemies away. And behind this over-the-top, energy-drink-fueled facade, there’s a bit of evil lurking in the corners, hinting that the fictional megacorps such as KOMSTRUCT may not be what they seem.

As for the gameplay itself, it’s a pretty typical hack-and-slash platformer. You have basic melee attacks using weapons like swords and hammers, a heavier charge-up move, specials and a handy long-ranged sidearm (I used a crossbow, but there’s much more to choose from). You also get a double jump and while there’s some light comboing between moves, from what I saw the game stops short of letting you do more complex things like air juggles. Sadly, this is one of my concerns with the game, because while I only had a chance to play a handful of early levels, it feels like the game’s combat and pacing underdelivers, at least when compared to its over-the-top presentation and visual design.

When playing co-op with four people, there were several times when I just had to stand around while waiting for more enemies to arrive. Jumping across platforms also didn’t feel as tight or responsive compared to a lot of other 3D platformers. And even in the heat of battle, I didn’t get the sense that switching between attacks was much more effective than simply mashing buttons. I also ran into a few bugs where I got stuck in a wall or an enemy disappeared, which prevented our squad from moving on to the next section. That said, this was far from a final build, so hopefully Glowmade can polish things up before release.

Unfortunately, I didn’t get a chance to try out any dungeon building, which was a bummer since that’s meant to be a huge draw of the game. Out of the box, there will be a number of pre-made stages and a story campaign. But, similar to titles like Super Mario Maker, Glowmade is counting on users to create even more levels, with some of the lead developers saying “We want to reward players for being interesting.” Glowmade says first-party dungeons are built using the same tools players will get access to. This sort of reminds me of the Trackmania community, where even if you’re not the best racer, you can still make major contributions by creating fun courses, or in this case, dungeons. Cross-platform gameplay and dungeon building will also be supported, so you’ll have plenty of options for co-op.

I still haven’t fully decided how I feel about King of Meat. It’s got an interesting premise and during my preview session, there were certainly moments where it felt like it was delivering on the spectacle while also scratching the grab-and-smash itch you tend to search for in hack-and-slash platformers. But at the same time, I wasn’t totally hooked either, possibly due to not being able to experience dungeon-building myself or not having a bigger arsenal of weapons and attacks to play around with. That said, since Glowmade’s founders previously worked at studios including Lionhead and Media Molecule and franchises like Fable and Little Big Planet, it feels like they should have the pedigree needed to properly bring King of Meat into the spotlight.

King of Meat will be available on PC, PS5, Xbox X/S and the Nintendo Switch, though Amazon and Glowmade have yet to set an official release date.

This article originally appeared on Engadget at https://www.engadget.com/gaming/king-of-meat-preview-a-monstrous-mash-up-of-a-co-op-platformer-183015893.html?src=rss

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One of the main reasons to have a smart speaker is to help you control various smart home devices. Light bulbs are among the most common products used for that purpose, so it only makes sense to bundle one of those with a smart speaker. As part of a back to school sale on Amazon devices and bundles, a combo of the Echo Pop and a Sengled smart bulb is available for just $23. That’s 61 percent or $37 off the regular price, and only $3 more than it was selling for during Prime Day last month.
Amazon introduced the Echo Pop last year as an entry-level Alexa-powered speaker. The semi-spherical device can handle some machine learning tasks locally and it can work with Eero mesh routers to extend the range of a home network.

Meanwhile, Sengled makes solid smart light bulbs that are a more budget-friendly alternative to name brand models like Philips Hue. The main drawbacks are that the colors aren’t as nuanced as pricier options, while the mobile app isn’t totally refined (though that’s maybe less of a concern if you’re using your voice to control the bulb anyway).
Amazon is also offering the bulb as part of other discounted bundles. You can snag an Echo Show 5 and Sengled smart light bulb for $60, down from $110. If an Echo Spot is of more interest, you can pick up one of those and a bulb for $55. The bundle usually costs $100.
Follow @EngadgetDeals on Twitter and subscribe to the Engadget Deals newsletter for the latest tech deals and buying advice.This article originally appeared on Engadget at https://www.engadget.com/deals/an-amazon-echo-pop-and-smart-light-bulb-bundle-is-just-23-170035540.html?src=rss

One of the main reasons to have a smart speaker is to help you control various smart home devices. Light bulbs are among the most common products used for that purpose, so it only makes sense to bundle one of those with a smart speaker. As part of a back to school sale on Amazon devices and bundles, a combo of the Echo Pop and a Sengled smart bulb is available for just $23. That’s 61 percent or $37 off the regular price, and only $3 more than it was selling for during Prime Day last month.

Amazon introduced the Echo Pop last year as an entry-level Alexa-powered speaker. The semi-spherical device can handle some machine learning tasks locally and it can work with Eero mesh routers to extend the range of a home network.

Meanwhile, Sengled makes solid smart light bulbs that are a more budget-friendly alternative to name brand models like Philips Hue. The main drawbacks are that the colors aren’t as nuanced as pricier options, while the mobile app isn’t totally refined (though that’s maybe less of a concern if you’re using your voice to control the bulb anyway).

Amazon is also offering the bulb as part of other discounted bundles. You can snag an Echo Show 5 and Sengled smart light bulb for $60, down from $110. If an Echo Spot is of more interest, you can pick up one of those and a bulb for $55. The bundle usually costs $100.

Follow @EngadgetDeals on Twitter and subscribe to the Engadget Deals newsletter for the latest tech deals and buying advice.

This article originally appeared on Engadget at https://www.engadget.com/deals/an-amazon-echo-pop-and-smart-light-bulb-bundle-is-just-23-170035540.html?src=rss

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Once upon a time in the tail-end of the last century, there was something called the Y2K bug. This bit of computer code was supposed to herald a global robot apocalypse at the stroke of midnight when 1999 became the year 2000 because of, uh, clock dates or something. Anyways, nothing happened. Or did it?
That’s the premise behind A24’s new horror comedy, the appropriately-named Y2K. The film imagines a New Year’s Eve of 1999 in which the computers really did turn on humanity. It’s written and directed by SNL alum Kyle Mooney, who made the fantastic and underrated Brigsby Bear.

As you can see from the trailer, it’s a 1990s teen party comedy, like Can’t Hardly Wait, but also an apocalyptic horror film. This particular hodgepodge brings to mind This is the End, in which Seth Rogen and other celebrities fight off a demonic horde.
However, instead of a demonic horde, these teens will be fighting for their lives against VCRs, old-school computers and, of course, murderous Tamagotchis. Also, Limp Bizkit’s Fred Durst is somehow involved. The cast is composed primarily of unknown teenagers, but the adults are played by Tim Heidecker, Alicia Silverstone and Mooney himself. The movie hits theaters on December 6.This article originally appeared on Engadget at https://www.engadget.com/entertainment/tv-movies/a24s-y2k-has-teens-battling-old-school-computers-and-bloodthirsty-tamagotchis-164537560.html?src=rss

Once upon a time in the tail-end of the last century, there was something called the Y2K bug. This bit of computer code was supposed to herald a global robot apocalypse at the stroke of midnight when 1999 became the year 2000 because of, uh, clock dates or something. Anyways, nothing happened. Or did it?

That’s the premise behind A24’s new horror comedy, the appropriately-named Y2K. The film imagines a New Year’s Eve of 1999 in which the computers really did turn on humanity. It’s written and directed by SNL alum Kyle Mooney, who made the fantastic and underrated Brigsby Bear.

As you can see from the trailer, it’s a 1990s teen party comedy, like Can’t Hardly Wait, but also an apocalyptic horror film. This particular hodgepodge brings to mind This is the End, in which Seth Rogen and other celebrities fight off a demonic horde.

However, instead of a demonic horde, these teens will be fighting for their lives against VCRs, old-school computers and, of course, murderous Tamagotchis. Also, Limp Bizkit’s Fred Durst is somehow involved. The cast is composed primarily of unknown teenagers, but the adults are played by Tim Heidecker, Alicia Silverstone and Mooney himself. The movie hits theaters on December 6.

This article originally appeared on Engadget at https://www.engadget.com/entertainment/tv-movies/a24s-y2k-has-teens-battling-old-school-computers-and-bloodthirsty-tamagotchis-164537560.html?src=rss

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