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The stench of Cambridge Analytica is still hovering over Facebook, as parent Meta just agreed to pay 311,000 Australian users AUD $50 million ($31.7 million) over the scandal. The settlement with the Office of the Australian Information Commissioner (OAIC) comes after a four-year dispute with Meta and follows a $725 million award in the US, along with payouts in the UK and elsewhere. 
“It represents a substantive resolution of privacy concerns raised by the Cambridge Analytica matter; gives potentially affected Australians an opportunity to seek redress through Meta’s payment program; and brings to an end a lengthy court process,” said Australian information commissioner, Elizabeth Tydd. 
Cambridge Analytica, now defunct, accessed the personal data Australian users by an app (This is Your Digital Life) and used the information gathered to target individuals with personally tailored messages. The scandal was exposed by The New York Times and The Guardian in 2018, thanks in large part to whistleblower Christopher Wylie. Though the app was only downloaded by a small number of users, it also accessed the data of their friends, affecting 311,127 people overall. 
Meta will be required to set up a payment system run by a third-party administrator starting in early 2025. Lesser payments will be issued to people who’ve experienced “generalized concern or embarrassment,” with higher sums meted out to those who can demonstrate that they suffered loss or damage. Anyone affected should be able to apply in Q2 2025. 
In a statement, Meta displayed no contrition and said the settlement was more or less a business decision. “We settled as it is in the best interest of our community and shareholders that we close this chapter on allegations that relate to past practices no longer relevant to how Meta’s products or systems work today,” a spokesperson told The Guardian. The case took four years to resolve largely because Meta claimed it wasn’t technically doing business in Australia, but that argument was finally slapped aside by the nation’s highest court. 
This article originally appeared on Engadget at https://www.engadget.com/social-media/cambridge-analytica-scandal-still-lingering-on-as-meta-settles-with-australian-users-130016215.html?src=rss

The stench of Cambridge Analytica is still hovering over Facebook, as parent Meta just agreed to pay 311,000 Australian users AUD $50 million ($31.7 million) over the scandal. The settlement with the Office of the Australian Information Commissioner (OAIC) comes after a four-year dispute with Meta and follows a $725 million award in the US, along with payouts in the UK and elsewhere. 

“It represents a substantive resolution of privacy concerns raised by the Cambridge Analytica matter; gives potentially affected Australians an opportunity to seek redress through Meta’s payment program; and brings to an end a lengthy court process,” said Australian information commissioner, Elizabeth Tydd. 

Cambridge Analytica, now defunct, accessed the personal data Australian users by an app (This is Your Digital Life) and used the information gathered to target individuals with personally tailored messages. The scandal was exposed by The New York Times and The Guardian in 2018, thanks in large part to whistleblower Christopher Wylie. Though the app was only downloaded by a small number of users, it also accessed the data of their friends, affecting 311,127 people overall. 

Meta will be required to set up a payment system run by a third-party administrator starting in early 2025. Lesser payments will be issued to people who’ve experienced “generalized concern or embarrassment,” with higher sums meted out to those who can demonstrate that they suffered loss or damage. Anyone affected should be able to apply in Q2 2025. 

In a statement, Meta displayed no contrition and said the settlement was more or less a business decision. “We settled as it is in the best interest of our community and shareholders that we close this chapter on allegations that relate to past practices no longer relevant to how Meta’s products or systems work today,” a spokesperson told The Guardian. The case took four years to resolve largely because Meta claimed it wasn’t technically doing business in Australia, but that argument was finally slapped aside by the nation’s highest court. 

This article originally appeared on Engadget at https://www.engadget.com/social-media/cambridge-analytica-scandal-still-lingering-on-as-meta-settles-with-australian-users-130016215.html?src=rss

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The holidays haven’t even kicked off, but we’re already looking to next year when, almost immediately, some of the Engadget team will head to Las Vegas for tech’s biggest annual conference. The pitches from companies, both legit and unhinged, are already filling our inboxes and spam tabs, so what are we excited about?
Getty Images
Excited might not be the word, but we expect AI to become even more pervasive in good and overhyped ways. There will also be the usual slew of new processors and subsequent laptops. We expect NVIDIA to debut its long-awaited RTX 5000 video cards at CES, while AMD CEO Lisa Su has confirmed we’ll see next-generation RDNA 4 GPUs early next year. While 2024 was a year of endless AI PC hype, 2025 might be a year of reckoning. Microsoft’s long-delayed Recall feature is slowly trickling out to more users, for example, but is still facing struggles. PC makers in 2025 will have to actually prove their new AI-laced devices can live up to their claims.
There are also audio products, EVs, flying EVs (!) and more. Check out the full CES 2024 preview.
— Mat Smith
The biggest tech stories you missed

Google’s new AI tool Whisk uses images as prompts
Anker’s Prime Power Bank with charging base is back at a record-low price
Meta is rolling out live AI and Shazam integration to its smart glasses

Get this delivered daily direct to your inbox. Subscribe right here!

Meta’s Threads has grown to 300 million users
More than 100 million people use the site every day.

Cementing its status as the fastest growing social network ever (with a heavy nepo-baby lift from Instagram), Threads has hit 300 million users, with over 100 million people using the site every day. We could see some big changes for Threads as Meta capitalizes on that growth. The company reportedly has plans to experiment with the first ads for threads in early 2025, according to a recent report in The Information.
While it’s still a ways off, Zuckerberg has repeatedly speculated that Threads has a “good chance” of becoming the company’s next billion-user app.
Continue reading. 

TikTok asks the Supreme Court to delay upcoming ban
The social media app is just a few weeks away from a potential ban.

It’s a tale of two social media networks today. After a federal court last week denied TikTok’s request to delay a law that could ban the app in the United States, the company is now turning to the Supreme Court to buy time. The social media company has asked the court to temporarily block the law. The company, which argues the law is unconstitutional, lost its initial legal challenge earlier this month. The company then requested a delay of the law’s implementation, saying President-elect Donald Trump had said he would “save” TikTok. That request was denied on Friday. TikTok is now hoping the Supreme Court will intervene to suspend the law, otherwise, app stores and internet service providers will begin blocking TikTok next month.
Continue reading.This article originally appeared on Engadget at https://www.engadget.com/general/the-morning-after-engadget-newsletter-121528225.html?src=rss

The holidays haven’t even kicked off, but we’re already looking to next year when, almost immediately, some of the Engadget team will head to Las Vegas for tech’s biggest annual conference. The pitches from companies, both legit and unhinged, are already filling our inboxes and spam tabs, so what are we excited about?

Excited might not be the word, but we expect AI to become even more pervasive in good and overhyped ways. There will also be the usual slew of new processors and subsequent laptops. We expect NVIDIA to debut its long-awaited RTX 5000 video cards at CES, while AMD CEO Lisa Su has confirmed we’ll see next-generation RDNA 4 GPUs early next year. While 2024 was a year of endless AI PC hype, 2025 might be a year of reckoning. Microsoft’s long-delayed Recall feature is slowly trickling out to more users, for example, but is still facing struggles. PC makers in 2025 will have to actually prove their new AI-laced devices can live up to their claims.

There are also audio products, EVs, flying EVs (!) and more. Check out the full CES 2024 preview.

— Mat Smith

The biggest tech stories you missed

Google’s new AI tool Whisk uses images as prompts

Anker’s Prime Power Bank with charging base is back at a record-low price

Meta is rolling out live AI and Shazam integration to its smart glasses

Get this delivered daily direct to your inbox. Subscribe right here!

Meta’s Threads has grown to 300 million users

More than 100 million people use the site every day.

Cementing its status as the fastest growing social network ever (with a heavy nepo-baby lift from Instagram), Threads has hit 300 million users, with over 100 million people using the site every day. We could see some big changes for Threads as Meta capitalizes on that growth. The company reportedly has plans to experiment with the first ads for threads in early 2025, according to a recent report in The Information.

While it’s still a ways off, Zuckerberg has repeatedly speculated that Threads has a “good chance” of becoming the company’s next billion-user app.

Continue reading. 

TikTok asks the Supreme Court to delay upcoming ban

The social media app is just a few weeks away from a potential ban.

It’s a tale of two social media networks today. After a federal court last week denied TikTok’s request to delay a law that could ban the app in the United States, the company is now turning to the Supreme Court to buy time. The social media company has asked the court to temporarily block the law. The company, which argues the law is unconstitutional, lost its initial legal challenge earlier this month. The company then requested a delay of the law’s implementation, saying President-elect Donald Trump had said he would “save” TikTok. That request was denied on Friday. TikTok is now hoping the Supreme Court will intervene to suspend the law, otherwise, app stores and internet service providers will begin blocking TikTok next month.

Continue reading.

This article originally appeared on Engadget at https://www.engadget.com/general/the-morning-after-engadget-newsletter-121528225.html?src=rss

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Waymo will deploy its driverless cars in Japan and will test its technology in another country for the first time. According to CNBC, the company will begin testing its Jaguar I-PACE vehicles in Tokyo in early 2025 and expects to remain in the country for an “extended period.” During the vehicles’ experimental phase, which will last for several quarters, human drivers from the Japanese taxi company Nihon Kotsu will operate Waymo’s cars so that its technology can map the city. Particularly, they’re driving Waymo’s Jaguar I-PACEs through the streets of Shinjuku, Shibuya and Tokyo’s other key areas.
The data gathered from those tests will then be used to train the company’s self-driving system. Waymo will also be recreating Tokyo’s driving conditions in a closed course in the US, where it will put more of its robotaxis to the test, and will be using data collected from that effort for training. The company has yet to announce when it will open rides to the public, but it has already formed a partnership with Japan’s “GO” taxi app, which will presumably offer driverless rides to users in the future. As CNBC notes, Japan is keen to introduce driverless rides as a transportation option despite its efficient train system due to its aging population. Last year, it amended its laws to allow level 4 autonomous driving on its roads. 
In the US, Waymo operates its driverless cars in Phoenix, San Francisco and Los Angeles. It announced several plans to introduce its vehicles to more locations over the past months, however, and raised $5.6 billion to fund its expansion to Austin and Atlanta next year. Waymo will also be deploying its Jaguar I-PACE vehicles in Miami in early 2025 and will offer rides to the public in the city sometime in 2026. This article originally appeared on Engadget at https://www.engadget.com/transportation/waymo-will-start-testing-its-driverless-cars-in-tokyo-next-year-051729407.html?src=rss

Waymo will deploy its driverless cars in Japan and will test its technology in another country for the first time. According to CNBC, the company will begin testing its Jaguar I-PACE vehicles in Tokyo in early 2025 and expects to remain in the country for an “extended period.” During the vehicles’ experimental phase, which will last for several quarters, human drivers from the Japanese taxi company Nihon Kotsu will operate Waymo’s cars so that its technology can map the city. Particularly, they’re driving Waymo’s Jaguar I-PACEs through the streets of Shinjuku, Shibuya and Tokyo’s other key areas.

The data gathered from those tests will then be used to train the company’s self-driving system. Waymo will also be recreating Tokyo’s driving conditions in a closed course in the US, where it will put more of its robotaxis to the test, and will be using data collected from that effort for training. The company has yet to announce when it will open rides to the public, but it has already formed a partnership with Japan’s “GO” taxi app, which will presumably offer driverless rides to users in the future. As CNBC notes, Japan is keen to introduce driverless rides as a transportation option despite its efficient train system due to its aging population. Last year, it amended its laws to allow level 4 autonomous driving on its roads. 

In the US, Waymo operates its driverless cars in Phoenix, San Francisco and Los Angeles. It announced several plans to introduce its vehicles to more locations over the past months, however, and raised $5.6 billion to fund its expansion to Austin and Atlanta next year. Waymo will also be deploying its Jaguar I-PACE vehicles in Miami in early 2025 and will offer rides to the public in the city sometime in 2026. 

This article originally appeared on Engadget at https://www.engadget.com/transportation/waymo-will-start-testing-its-driverless-cars-in-tokyo-next-year-051729407.html?src=rss

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Watching videos on the Apple Vision Pro is one of the few use-cases early adopters have found for the VR headset, but Apple’s produced only a handful of immersive videos to watch on it. Blackmagic’s new camera could change that. The Blackmagic URSA Cine Immersive is the first camera that can shoot in Apple’s Immersive Video format, and it’s available to pre-order now for $29,995 and shipping in “late Q1 2025.”
Blackmagic first announced it was working on hardware and software for producing content for the Vision Pro at WWDC 2024. As promised then, the camera is capable of capturing 3D footage at 90 fps, with a resolution of 8160 x 7200 per eye. Blackmagic says the URSA Cine Immersive uses custom lenses that are “designed for URSA Cine’s large format image sensor with extremely accurate positional data.” It also has 8TB of network storage built-in, which the company says “records directly to the included Blackmagic Media Module” and can be synced live to a DaVinci Resolve media bin for editors to access footage remotely.

Blackmagic Design
Along with the URSA Cine Immersive, Blackmagic is also updating DaVinci Resolve Studio to work with Apple’s Immersive Video format, and including new tools so editors can pan, tilt, and roll footage while they edit on a 2D monitor or in a Vision Pro.
The whole package sounds expensive at nearly $30,000, but you’re getting a lot more out of the box than you normally would with one of Blackmagic’s cameras. A normal 12K URSA Cine camera costs around $15,000, but doesn’t include lenses or built-in storage. Those come standard on the URSA Cine Immersive.
Apple filmed several short documentaries, sports clips, and at least one short film in its Immersive Video format, but hasn’t released a camera of its own for third-party production companies to produce content. And while any iPhone 15 Pro or iPhone 16 can capture 3D spatial videos, they can’t produce Immersive Video, which has a 180-degree field of view. Blackmagic’s camera should make it possible for a lot more immersive content to be created for the Vision Pro and other VR headsets. Now Apple just needs to make a Vision product more people are willing to pay for.This article originally appeared on Engadget at https://www.engadget.com/cameras/blackmagics-vision-pro-camera-is-available-for-pre-order-and-costs-30000-000053495.html?src=rss

Watching videos on the Apple Vision Pro is one of the few use-cases early adopters have found for the VR headset, but Apple’s produced only a handful of immersive videos to watch on it. Blackmagic’s new camera could change that. The Blackmagic URSA Cine Immersive is the first camera that can shoot in Apple’s Immersive Video format, and it’s available to pre-order now for $29,995 and shipping in “late Q1 2025.”

Blackmagic first announced it was working on hardware and software for producing content for the Vision Pro at WWDC 2024. As promised then, the camera is capable of capturing 3D footage at 90 fps, with a resolution of 8160 x 7200 per eye. Blackmagic says the URSA Cine Immersive uses custom lenses that are “designed for URSA Cine’s large format image sensor with extremely accurate positional data.” It also has 8TB of network storage built-in, which the company says “records directly to the included Blackmagic Media Module” and can be synced live to a DaVinci Resolve media bin for editors to access footage remotely.

Along with the URSA Cine Immersive, Blackmagic is also updating DaVinci Resolve Studio to work with Apple’s Immersive Video format, and including new tools so editors can pan, tilt, and roll footage while they edit on a 2D monitor or in a Vision Pro.

The whole package sounds expensive at nearly $30,000, but you’re getting a lot more out of the box than you normally would with one of Blackmagic’s cameras. A normal 12K URSA Cine camera costs around $15,000, but doesn’t include lenses or built-in storage. Those come standard on the URSA Cine Immersive.

Apple filmed several short documentaries, sports clips, and at least one short film in its Immersive Video format, but hasn’t released a camera of its own for third-party production companies to produce content. And while any iPhone 15 Pro or iPhone 16 can capture 3D spatial videos, they can’t produce Immersive Video, which has a 180-degree field of view. Blackmagic’s camera should make it possible for a lot more immersive content to be created for the Vision Pro and other VR headsets. Now Apple just needs to make a Vision product more people are willing to pay for.

This article originally appeared on Engadget at https://www.engadget.com/cameras/blackmagics-vision-pro-camera-is-available-for-pre-order-and-costs-30000-000053495.html?src=rss

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Meta’s Threads app has now grown to 300 million users, with more than 100 million people using the service each day. Mark Zuckerberg announced the new milestone in a post on Threads, saying “Threads strong momentum continues.”
Zuckerberg has repeatedly speculated that Threads has a “good chance” of becoming the company’s next billion-user app. Though it’s still pretty far off of that goal, its growth seems to be accelerating. The app hit 100 million users last fall, and reached 275 million in early November. Elsewhere, Apple revealed that Threads was the second-most downloaded app in 2024, behind shopping app Temu, which took the top spot in Apple’s rankings.
The coming weeks could see some major changes for Threads as Meta looks to capitalize on that growth. The company reportedly has plans to begin experimenting with the first ads for threads in early 2025, according to a recent report in The Information.
Threads isn’t the only app trying to reclaim the “public square” as some longtime users depart the platform now known as X. Bluesky has also seen significant growth of late. The decentralized service nearly doubled its users base in November, and currently has just over 25 million users. (The company has never revealed how many of its users visit the site daily.) Though still much smaller than Threads, Meta seems to have taken inspiration from some of Bluesky’s signature features in recent weeks, including its take on starter packs and custom feeds.This article originally appeared on Engadget at https://www.engadget.com/social-media/metas-threads-has-grown-to-300-million-users-234138108.html?src=rss

Meta’s Threads app has now grown to 300 million users, with more than 100 million people using the service each day. Mark Zuckerberg announced the new milestone in a post on Threads, saying “Threads strong momentum continues.”

Zuckerberg has repeatedly speculated that Threads has a “good chance” of becoming the company’s next billion-user app. Though it’s still pretty far off of that goal, its growth seems to be accelerating. The app hit 100 million users last fall, and reached 275 million in early November. Elsewhere, Apple revealed that Threads was the second-most downloaded app in 2024, behind shopping app Temu, which took the top spot in Apple’s rankings.

The coming weeks could see some major changes for Threads as Meta looks to capitalize on that growth. The company reportedly has plans to begin experimenting with the first ads for threads in early 2025, according to a recent report in The Information.

Threads isn’t the only app trying to reclaim the “public square” as some longtime users depart the platform now known as X. Bluesky has also seen significant growth of late. The decentralized service nearly doubled its users base in November, and currently has just over 25 million users. (The company has never revealed how many of its users visit the site daily.) Though still much smaller than Threads, Meta seems to have taken inspiration from some of Bluesky’s signature features in recent weeks, including its take on starter packs and custom feeds.

This article originally appeared on Engadget at https://www.engadget.com/social-media/metas-threads-has-grown-to-300-million-users-234138108.html?src=rss

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NASA says it was able to use the James Webb telescope to capture images of planet-forming disks around ancient stars that challenge theoretical models of how planets can form. The images support earlier findings from the Hubble telescope that haven’t been able to be confirmed until now.
The new Webb highly detailed images were captured from the “Small Magellanic Cloud,” a neighboring dwarf galaxy to our home, the Milky Way. The Webb telescope was specifically focused on a cluster called NGC 346, which NASA says is a good proxy for “similar conditions in the early, distant universe,” and which lacks the heavier elements that have traditionally been connected to planet formation. Webb was able to capture a spectra of light which suggests protoplanetary disks are still hanging out around those stars, going against previous expectations that they would have blown away in a few million years.
ASA, ESA, CSA, STScI, Olivia C. Jones (UK ATC), Guido De Marchi (ESTEC), Margaret Meixner (USRA)
“Hubble observations of NGC 346 from the mid 2000s revealed many stars about 20 to 30 million years old that seemed to still have planet-forming disks,” NASA writes. Without more detailed evidence, that idea was controversial. The Webb telescope was able to fill in those details, suggesting the disks in our neighboring galaxies have a much longer period of time to collect the dust and gas that forms the basis of a new planet.
As to why those disks are able to persist in the first place, NASA says researchers have two possible theories. One is that the “radiation pressure” expelled from stars in NGC 346 just takes longer to dissipate planet-forming disks. The other is that the larger gas cloud that’s necessary to form a “Sun-like star” in an environment with fewer heavy elements would naturally produce larger disks that take longer to fade away. Whichever theory proves correct, the new images are beautiful evidence that we still don’t have a full grasp of how planets are formed.This article originally appeared on Engadget at https://www.engadget.com/science/space/nasas-new-webb-telescope-images-support-previously-controversial-findings-about-how-planets-form-213312055.html?src=rss

NASA says it was able to use the James Webb telescope to capture images of planet-forming disks around ancient stars that challenge theoretical models of how planets can form. The images support earlier findings from the Hubble telescope that haven’t been able to be confirmed until now.

The new Webb highly detailed images were captured from the “Small Magellanic Cloud,” a neighboring dwarf galaxy to our home, the Milky Way. The Webb telescope was specifically focused on a cluster called NGC 346, which NASA says is a good proxy for “similar conditions in the early, distant universe,” and which lacks the heavier elements that have traditionally been connected to planet formation. Webb was able to capture a spectra of light which suggests protoplanetary disks are still hanging out around those stars, going against previous expectations that they would have blown away in a few million years.

“Hubble observations of NGC 346 from the mid 2000s revealed many stars about 20 to 30 million years old that seemed to still have planet-forming disks,” NASA writes. Without more detailed evidence, that idea was controversial. The Webb telescope was able to fill in those details, suggesting the disks in our neighboring galaxies have a much longer period of time to collect the dust and gas that forms the basis of a new planet.

As to why those disks are able to persist in the first place, NASA says researchers have two possible theories. One is that the “radiation pressure” expelled from stars in NGC 346 just takes longer to dissipate planet-forming disks. The other is that the larger gas cloud that’s necessary to form a “Sun-like star” in an environment with fewer heavy elements would naturally produce larger disks that take longer to fade away. Whichever theory proves correct, the new images are beautiful evidence that we still don’t have a full grasp of how planets are formed.

This article originally appeared on Engadget at https://www.engadget.com/science/space/nasas-new-webb-telescope-images-support-previously-controversial-findings-about-how-planets-form-213312055.html?src=rss

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After a federal court last week denied TikTok’s request to delay a law that could ban the app in the United States, the company is now turning to the Supreme Court in an effort to buy time. The social media company has asked the court to temporarily block the law, currently set to take effect January 19, 2025, it said in a brief statement.
“The Supreme Court has an established record of upholding Americans’ right to free speech,” TikTok wrote in a post on X. “Today, we are asking the Court to do what it has traditionally done in free speech cases: apply the most rigorous scrutiny to speech bans and conclude that it violates the First Amendment.”
The company, which has argued that the law is unconstitutional, lost its initial legal challenge of the law earlier this month. The company then requested a delay of the law’s implementation, saying that President-elect Donal Trump had said he would “save” TikTok. That request was denied on Friday.
In its filing with the Supreme Court, TikTok again referenced Trump’s comments. “It would not be in the interest of anyone—not the parties, the public, or the courts—for the Act’s ban on TikTok to take effect only for the new Administration to halt its enforcement hours, days, or even weeks later,” it wrote. Trump’s inauguration is one day after a ban of the app would take effect. 
TikTok is now hoping the Supreme Court will intervene to suspend the law in order to give the company time to make its final legal appeal. Otherwise, app stores and Internet service providers will be forced to begin blocking TikTok next month, making the app inaccessible to its 170 million US users.
Update December 16, 2024, 1:30 PM PT: Updated with details from TikTok’s court filing. This article originally appeared on Engadget at https://www.engadget.com/social-media/tiktok-asks-the-supreme-court-to-delay-upcoming-ban-211510659.html?src=rss

After a federal court last week denied TikTok’s request to delay a law that could ban the app in the United States, the company is now turning to the Supreme Court in an effort to buy time. The social media company has asked the court to temporarily block the law, currently set to take effect January 19, 2025, it said in a brief statement.

“The Supreme Court has an established record of upholding Americans’ right to free speech,” TikTok wrote in a post on X. “Today, we are asking the Court to do what it has traditionally done in free speech cases: apply the most rigorous scrutiny to speech bans and conclude that it violates the First Amendment.”

The company, which has argued that the law is unconstitutional, lost its initial legal challenge of the law earlier this month. The company then requested a delay of the law’s implementation, saying that President-elect Donal Trump had said he would “save” TikTok. That request was denied on Friday.

In its filing with the Supreme Court, TikTok again referenced Trump’s comments. “It would not be in the interest of anyone—not the parties, the public, or the courts—for the Act’s ban on TikTok to take effect only for the new Administration to halt its enforcement hours, days, or even weeks later,” it wrote. Trump’s inauguration is one day after a ban of the app would take effect. 

TikTok is now hoping the Supreme Court will intervene to suspend the law in order to give the company time to make its final legal appeal. Otherwise, app stores and Internet service providers will be forced to begin blocking TikTok next month, making the app inaccessible to its 170 million US users.

Update December 16, 2024, 1:30 PM PT: Updated with details from TikTok’s court filing. 

This article originally appeared on Engadget at https://www.engadget.com/social-media/tiktok-asks-the-supreme-court-to-delay-upcoming-ban-211510659.html?src=rss

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Google has yet another AI tool to add to the pile. Whisk is a Google Labs image generator that lets you use an existing image as your prompt. But its output only captures your starter image’s “essence” rather than recreating it with new details. So, it’s better for brainstorming and rapid-fire visualizations than edits of the source image.
The company describes Whisk as “a new type of creative tool.” The input screen starts with a bare-bones interface with inputs for style and subject. This simple introductory interface only lets you choose from three predefined styles: sticker, enamel pin and plushie. I suspect Google found those three allowed for the kind of rough-outline outputs the experimental tool is most ideal for in its current form.
As you can see in the image above, it produced a solid image of a Wilford Brimley plushie. (Google’s terms forbid pictures of celebrities, but Wilford slipped through the gates, Quaker Oats in tow, without alerting the guards.)
Whisk also includes a more advanced editor (found by clicking “Start from scratch” from the main screen). In this mode, you can use text or a source image in three categories: subject, scene and style. There’s also an input bar to add more text for finishing touches. However, in its current form, the advanced controls didn’t produce results that looked anything like my queries.
For example, check out my attempt to generate the late Mr. Brimley in a lightbox scene in the style of a walrus plushie image I found online:
Google / Screenshot by Will Shanklin for Engadget
Whisk spit out what looks like a vaguely Wilford Brimley-esque actor eating oatmeal inside a lightbox frame. As far as I can tell, that dude is not a plushie. So, it’s clear why Google recommends using the tool more for “rapid visual exploration” and less for production-ready content.
Google acknowledges that Whisk will only draw from “a few key characteristics” of your source image. “For example, the generated subject might have a different height, weight, hairstyle or skin tone,” the company warns.
To understand why, look no further than Google’s description of how Whisk works under the hood. It uses the Gemini language model to write a detailed caption of the source image you upload. It then feeds that description into the Imagen 3 image generator. So, the result is an image based on Gemini’s words about your image — not the source image itself.
Whisk is only available in the US, at least for now. You can try it at the project’s Google Labs site.This article originally appeared on Engadget at https://www.engadget.com/ai/googles-new-ai-tool-whisk-uses-images-as-prompts-210105371.html?src=rss

Google has yet another AI tool to add to the pile. Whisk is a Google Labs image generator that lets you use an existing image as your prompt. But its output only captures your starter image’s “essence” rather than recreating it with new details. So, it’s better for brainstorming and rapid-fire visualizations than edits of the source image.

The company describes Whisk as “a new type of creative tool.” The input screen starts with a bare-bones interface with inputs for style and subject. This simple introductory interface only lets you choose from three predefined styles: sticker, enamel pin and plushie. I suspect Google found those three allowed for the kind of rough-outline outputs the experimental tool is most ideal for in its current form.

As you can see in the image above, it produced a solid image of a Wilford Brimley plushie. (Google’s terms forbid pictures of celebrities, but Wilford slipped through the gates, Quaker Oats in tow, without alerting the guards.)

Whisk also includes a more advanced editor (found by clicking “Start from scratch” from the main screen). In this mode, you can use text or a source image in three categories: subject, scene and style. There’s also an input bar to add more text for finishing touches. However, in its current form, the advanced controls didn’t produce results that looked anything like my queries.

For example, check out my attempt to generate the late Mr. Brimley in a lightbox scene in the style of a walrus plushie image I found online:

Whisk spit out what looks like a vaguely Wilford Brimley-esque actor eating oatmeal inside a lightbox frame. As far as I can tell, that dude is not a plushie. So, it’s clear why Google recommends using the tool more for “rapid visual exploration” and less for production-ready content.

Google acknowledges that Whisk will only draw from “a few key characteristics” of your source image. “For example, the generated subject might have a different height, weight, hairstyle or skin tone,” the company warns.

To understand why, look no further than Google’s description of how Whisk works under the hood. It uses the Gemini language model to write a detailed caption of the source image you upload. It then feeds that description into the Imagen 3 image generator. So, the result is an image based on Gemini’s words about your image — not the source image itself.

Whisk is only available in the US, at least for now. You can try it at the project’s Google Labs site.

This article originally appeared on Engadget at https://www.engadget.com/ai/googles-new-ai-tool-whisk-uses-images-as-prompts-210105371.html?src=rss

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Instagram is adding an option to schedule DMs. Social media expert Lindsey Gamble unearthed the feature, and Instagram confirmed to TechCrunch that it’s rolling out scheduled DMs to all users.
When you type a message, simply hold down the send button and you can select a date and time. It seems messages can be scheduled up to 29 days in advance. Until all timed-up messages are sent, you’ll see a banner reading something like “x scheduled messages.”
This will be handy for folks who want to schedule birthday messages for a bunch of friends at once or, for instance, to remind someone to pick them up from the airport on a certain day. It’ll also be useful for people who tend to take care of correspondence at night and don’t want everyone to know how late they’re staying awake. That’s definitely not something I ever do with emails.
It’s worth noting that Instagram is rolling out this DM scheduling feature before all users are able to time up posts and Reels in advance. For now, that feature is limited to folks who have set up a professional account.
Meanwhile, Instagram is rolling out several limited-time, end-of-year features to help you celebrate the holidays and your 2024 memories. For one thing, there’s a collage tool for Stories that has an end-of-year theme. Based on images Instagram shared, it appears that you can go with a Happy New Year overlay.
There are multiple Add Yours templates based around New Year’s as well, such as one you can use to prompt friends to share photos in the how 2024 started/how 2024 ended format. If you hit the like button on end-of-year Stories, you’ll see a custom effect. There’s a New Year font and Countdown text effect for Stories, Reels and feed posts as well.
Festive chat themes for the holidays include New Year’s, one called “chill” and, of course, another based on Mariah Carey. Last but not least, if you use certain emoji based around celebrations or phrases like “Happy New Year” or “hello 2025” in DMs or notes before the end of the year, you’ll see a little Easter egg of some kind.This article originally appeared on Engadget at https://www.engadget.com/social-media/instagram-is-adding-a-dm-scheduling-feature-before-everyone-can-schedule-posts-203957229.html?src=rss

Instagram is adding an option to schedule DMs. Social media expert Lindsey Gamble unearthed the feature, and Instagram confirmed to TechCrunch that it’s rolling out scheduled DMs to all users.

When you type a message, simply hold down the send button and you can select a date and time. It seems messages can be scheduled up to 29 days in advance. Until all timed-up messages are sent, you’ll see a banner reading something like “x scheduled messages.”

This will be handy for folks who want to schedule birthday messages for a bunch of friends at once or, for instance, to remind someone to pick them up from the airport on a certain day. It’ll also be useful for people who tend to take care of correspondence at night and don’t want everyone to know how late they’re staying awake. That’s definitely not something I ever do with emails.

It’s worth noting that Instagram is rolling out this DM scheduling feature before all users are able to time up posts and Reels in advance. For now, that feature is limited to folks who have set up a professional account.

Meanwhile, Instagram is rolling out several limited-time, end-of-year features to help you celebrate the holidays and your 2024 memories. For one thing, there’s a collage tool for Stories that has an end-of-year theme. Based on images Instagram shared, it appears that you can go with a Happy New Year overlay.

There are multiple Add Yours templates based around New Year’s as well, such as one you can use to prompt friends to share photos in the how 2024 started/how 2024 ended format. If you hit the like button on end-of-year Stories, you’ll see a custom effect. There’s a New Year font and Countdown text effect for Stories, Reels and feed posts as well.

Festive chat themes for the holidays include New Year’s, one called “chill” and, of course, another based on Mariah Carey. Last but not least, if you use certain emoji based around celebrations or phrases like “Happy New Year” or “hello 2025” in DMs or notes before the end of the year, you’ll see a little Easter egg of some kind.

This article originally appeared on Engadget at https://www.engadget.com/social-media/instagram-is-adding-a-dm-scheduling-feature-before-everyone-can-schedule-posts-203957229.html?src=rss

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Snap is changing up its program that allows creators to make money from shortform videos. The company announced a new monetization program that will allow the app’s influencers to make money from Spotlight videos that are one minute or longer by earning a share of their content’s ad revenue.
The change will streamline Snap’s monetization features across Spotlight, its in-app TikTok competitor, and Stories, where Snap first launched its revenue sharing feature. It also means the company will end its Spotlight Reward Program, the creator fund-like arrangement that paid creators directly. That program will be discontinued January 30, 2025, with the new monetization arrangement taking effect February 1.
Snap announced the update as TikTok moves closer to an outright ban in the United States. The ByteDance-owned service is currently facing a January 19, 2025, deadline to sell or be banned f the Supreme Court doesn’t intervene. In its announcement, Snap notes that Spotlight viewership is “up 25% year-over-year” and that “there is a unique and growing opportunity for creators to monetize this format in the same way they do with Stories.”
Under the new “unified” program, creators are eligible to earn money from Spotlight videos or Stories if they meet the following requirements:
-Have at least 50,000 followers.
-Post at least 25 times per month to Saved Stories or Spotlight.
-Post to either Spotlight or Public Stories on at least 10 of the last 28 days.
-Achieve one of the following in the last 28 days:
    -10 million Snap views
    -1 million Spotlight views
    -12,000 hours of view time
Some of those metrics are a bit higher than Snap’s previous requirements for Stories, which set the bar at only 10 Story posts a month. But, as TechCrunch notes, the new threshold is much higher for Spotlight creators, who could previously earn money from the company’s creator fund with only 1,000 followers and 10,000 unique views. The change also pushes creators to make longer content for Spotlight as they can no longer be paid for videos shorter than one minute. 
If TikTok does end up being banned, Snap will be one of several platforms trying to lure creators to its product. And while the app is known primarily for its private messaging features, the company says that the number of people posting publicly has “more than tripled” in the last year, and that it will be “evolving and expanding the total rewards available to creators” going forward.This article originally appeared on Engadget at https://www.engadget.com/social-media/snap-will-expand-ad-revenue-sharing-to-creators-on-spotlight-193029473.html?src=rss

Snap is changing up its program that allows creators to make money from shortform videos. The company announced a new monetization program that will allow the app’s influencers to make money from Spotlight videos that are one minute or longer by earning a share of their content’s ad revenue.

The change will streamline Snap’s monetization features across Spotlight, its in-app TikTok competitor, and Stories, where Snap first launched its revenue sharing feature. It also means the company will end its Spotlight Reward Program, the creator fund-like arrangement that paid creators directly. That program will be discontinued January 30, 2025, with the new monetization arrangement taking effect February 1.

Snap announced the update as TikTok moves closer to an outright ban in the United States. The ByteDance-owned service is currently facing a January 19, 2025, deadline to sell or be banned f the Supreme Court doesn’t intervene. In its announcement, Snap notes that Spotlight viewership is “up 25% year-over-year” and that “there is a unique and growing opportunity for creators to monetize this format in the same way they do with Stories.”

Under the new “unified” program, creators are eligible to earn money from Spotlight videos or Stories if they meet the following requirements:

-Have at least 50,000 followers.

-Post at least 25 times per month to Saved Stories or Spotlight.

-Post to either Spotlight or Public Stories on at least 10 of the last 28 days.

-Achieve one of the following in the last 28 days:

    -10 million Snap views

    -1 million Spotlight views

    -12,000 hours of view time

Some of those metrics are a bit higher than Snap’s previous requirements for Stories, which set the bar at only 10 Story posts a month. But, as TechCrunch notes, the new threshold is much higher for Spotlight creators, who could previously earn money from the company’s creator fund with only 1,000 followers and 10,000 unique views. The change also pushes creators to make longer content for Spotlight as they can no longer be paid for videos shorter than one minute. 

If TikTok does end up being banned, Snap will be one of several platforms trying to lure creators to its product. And while the app is known primarily for its private messaging features, the company says that the number of people posting publicly has “more than tripled” in the last year, and that it will be “evolving and expanding the total rewards available to creators” going forward.

This article originally appeared on Engadget at https://www.engadget.com/social-media/snap-will-expand-ad-revenue-sharing-to-creators-on-spotlight-193029473.html?src=rss

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