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In a government inquiry about AI adoption in Australia, Meta’s global privacy director Melinda Claybaugh was asked whether her company has been collecting Australians’ data to train its generative AI technology. According to ABC News, Claybaugh initially denied the claim, but upon being pressed, she ultimately admitted that Meta scrapes all the photos and texts in all Facebook and Instagram posts from as far back as 2007, unless the user had set their posts to private. Further, she admitted that the company isn’t offering Australians an opt-out option like it does to users in the European Union. 
Claybaugh said that Meta doesn’t scrape the accounts of users under 18 years old, but she admitted that the company still collects their photos and other information if they’re posted on their parents’ or guardians’ accounts. She couldn’t answer, however, if the company collects data from previous years once a user turns 18. Upon being asked why Meta doesn’t offer Australians the option not to consent to data collection, Claybaugh said that it exists in the EU “in response to a very specific legal frame,” which most likely pertains to the bloc’s General Data Protection Regulation (GDPR).
Meta had notified users in the EU that it will collect their data for AI training unless they opt out. “I will say that the ongoing conversation in Europe is the direct result of the existing regulatory landscape,” Claybaugh explained during the inquiry. But even in the region, Claybaugh said that there’s an “ongoing legal question around what is the interpretation of existing privacy law with respect to AI training.” Meta decided not to offer its multimodal AI model and future versions in the block due to what it says is a lack of clarity from European regulators. Most of its concerns centered around the difficulties of training AI models with data from European users while complying with GDPR rules. 
Despite those legal questions around AI adoption in Europe, bottom line is that Meta is giving users in the bloc the power to block data collection. “Meta made it clear today that if Australia had these same laws Australians’ data would also have been protected,” Australian Senator David Shoebridge told ABC News. “The government’s failure to act on privacy means companies like Meta are continuing to monetise and exploit pictures and videos of children on Facebook.”This article originally appeared on Engadget at https://www.engadget.com/apps/meta-scraped-every-australian-users-account-to-train-its-ai-120026200.html?src=rss

In a government inquiry about AI adoption in Australia, Meta’s global privacy director Melinda Claybaugh was asked whether her company has been collecting Australians’ data to train its generative AI technology. According to ABC News, Claybaugh initially denied the claim, but upon being pressed, she ultimately admitted that Meta scrapes all the photos and texts in all Facebook and Instagram posts from as far back as 2007, unless the user had set their posts to private. Further, she admitted that the company isn’t offering Australians an opt-out option like it does to users in the European Union. 

Claybaugh said that Meta doesn’t scrape the accounts of users under 18 years old, but she admitted that the company still collects their photos and other information if they’re posted on their parents’ or guardians’ accounts. She couldn’t answer, however, if the company collects data from previous years once a user turns 18. Upon being asked why Meta doesn’t offer Australians the option not to consent to data collection, Claybaugh said that it exists in the EU “in response to a very specific legal frame,” which most likely pertains to the bloc’s General Data Protection Regulation (GDPR).

Meta had notified users in the EU that it will collect their data for AI training unless they opt out. “I will say that the ongoing conversation in Europe is the direct result of the existing regulatory landscape,” Claybaugh explained during the inquiry. But even in the region, Claybaugh said that there’s an “ongoing legal question around what is the interpretation of existing privacy law with respect to AI training.” Meta decided not to offer its multimodal AI model and future versions in the block due to what it says is a lack of clarity from European regulators. Most of its concerns centered around the difficulties of training AI models with data from European users while complying with GDPR rules. 

Despite those legal questions around AI adoption in Europe, bottom line is that Meta is giving users in the bloc the power to block data collection. “Meta made it clear today that if Australia had these same laws Australians’ data would also have been protected,” Australian Senator David Shoebridge told ABC News. “The government’s failure to act on privacy means companies like Meta are continuing to monetise and exploit pictures and videos of children on Facebook.”

This article originally appeared on Engadget at https://www.engadget.com/apps/meta-scraped-every-australian-users-account-to-train-its-ai-120026200.html?src=rss

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Oh, this week isn’t just new Apple product announcements. No. Sony has elbowed its way in to officially introduce the long-awaited PS5 Pro, with more power and seemingly less compromise.
Sony wants to narrow the gap between the fidelity and performance modes players are accustomed to choosing between — either high frame rates or high resolution, and you could switch between the two in most AAA games on the PS5.
To do that, the PS5 Pro’s GPU has 67 percent more compute units and 28 percent faster RAM than the standard PS5. According to the console’s lead architect Mark Cerny, the new console will deliver up to 45 percent faster graphic rendering. Ray-tracing performance could be up to three times as faster — often an optional feature toggle on games as it can also hamper frame rates.
Meanwhile, Sony’s AI-upscaling tech (i.e., its take on the likes of NVIDIA’s DLSS) is called PlayStation Spectral Super Resolution, or PSSR, which should sharpen up in-game assets without the need to remake them. The new console includes a game boost tool to improve the performance of more than 8,500 backward-compatible PS4 games.
Sony
The PS5 Pro is the same size as the not-small original launch model, but there’s no disc drive model. That’s another paid extra, on top of that $700 price. The good news is it does have a decent 2TB of storage built in.
Interested? Pre-orders start on September 26, and it will arrive on November 7.
— Mat Smith
We’re having some issues with new subscriptions to the newsletter version of TMA, but our form should be back online soon! Thanks for reading!

The biggest stories you might have missed
Apple needs to remember what the iPhone 16 is for
iPhone 16 hands-on: More Pro than I expected
Why AirPods 4 block sound better — and just sound better

Australia’s prime minister wants to ban social media for children
The government hasn’t determined an age limit yet.

Australian Prime Minister Anthony Albanese has promised to introduce legislation that would prevent children under a certain age from using social media. Reuters reported that Albanese issued his statement in a TV interview on the Australian Broadcasting Corp. The Australian government would start by testing age verification technology sometime this year. He also didn’t state a specific age limit but estimated he’d like the ban to be for children younger than 14 to 16 because “we know that social media is causing social harm.”
Continue reading.

Huawei’s triple-fold smartphone is almost triple the price of a smartphone
$2,800, depending on the exchange rate.
Engadget
Huawei’s flagship foldable, the Mate XT, is the first triple-fold phone to hit the market and will debut in China, starting at 19,999 yuan (approximately $2,800). That’s enough to buy an 11-inch iPad Pro, M3 MacBook Air and an iPhone 16. The device folds up accordion-style, with one hinge bending outward and the other inward, leaving one panel available to use as a 6.4-inch exterior display. Unfolded, it creates a 10.2-inch screen, more like the tablets we use. It’s technically impressive but financially prohibitive.
Continue reading.This article originally appeared on Engadget at https://www.engadget.com/general/the-morning-after-the-700-ps5-pro-111514318.html?src=rss

Oh, this week isn’t just new Apple product announcements. No. Sony has elbowed its way in to officially introduce the long-awaited PS5 Pro, with more power and seemingly less compromise.

Sony wants to narrow the gap between the fidelity and performance modes players are accustomed to choosing between — either high frame rates or high resolution, and you could switch between the two in most AAA games on the PS5.

To do that, the PS5 Pro’s GPU has 67 percent more compute units and 28 percent faster RAM than the standard PS5. According to the console’s lead architect Mark Cerny, the new console will deliver up to 45 percent faster graphic rendering. Ray-tracing performance could be up to three times as faster — often an optional feature toggle on games as it can also hamper frame rates.

Meanwhile, Sony’s AI-upscaling tech (i.e., its take on the likes of NVIDIA’s DLSS) is called PlayStation Spectral Super Resolution, or PSSR, which should sharpen up in-game assets without the need to remake them. The new console includes a game boost tool to improve the performance of more than 8,500 backward-compatible PS4 games.

The PS5 Pro is the same size as the not-small original launch model, but there’s no disc drive model. That’s another paid extra, on top of that $700 price. The good news is it does have a decent 2TB of storage built in.

Interested? Pre-orders start on September 26, and it will arrive on November 7.

— Mat Smith

We’re having some issues with new subscriptions to the newsletter version of TMA, but our form should be back online soon! Thanks for reading!

The biggest stories you might have missed

Apple needs to remember what the iPhone 16 is for

iPhone 16 hands-on: More Pro than I expected

Why AirPods 4 block sound better — and just sound better

Australia’s prime minister wants to ban social media for children

The government hasn’t determined an age limit yet.

Australian Prime Minister Anthony Albanese has promised to introduce legislation that would prevent children under a certain age from using social media. Reuters reported that Albanese issued his statement in a TV interview on the Australian Broadcasting Corp. The Australian government would start by testing age verification technology sometime this year. He also didn’t state a specific age limit but estimated he’d like the ban to be for children younger than 14 to 16 because “we know that social media is causing social harm.”

Continue reading.

Huawei’s triple-fold smartphone is almost triple the price of a smartphone

$2,800, depending on the exchange rate.

Huawei’s flagship foldable, the Mate XT, is the first triple-fold phone to hit the market and will debut in China, starting at 19,999 yuan (approximately $2,800). That’s enough to buy an 11-inch iPad Pro, M3 MacBook Air and an iPhone 16. The device folds up accordion-style, with one hinge bending outward and the other inward, leaving one panel available to use as a 6.4-inch exterior display. Unfolded, it creates a 10.2-inch screen, more like the tablets we use. It’s technically impressive but financially prohibitive.

Continue reading.

This article originally appeared on Engadget at https://www.engadget.com/general/the-morning-after-the-700-ps5-pro-111514318.html?src=rss

Read More 

As the world turns, so do the console generations. The Nintendo Switch is over seven years old, so it’s due for a refresh. Nintendo Switch 2 rumors have been swirling for years, but now they are really heating up. A sequel to Nintendo’s most successful home console ever is coming and it’s likely coming sooner rather than later.
Will it be a straight up sequel to the Switch with updated specs while retaining the same hybrid functionality or will Nintendo get weird with it? Will it even be called the Switch 2, or will the company go with something like the Super Switch or even the New Nintendo Switch? You can never tell with Nintendo. Heck, maybe it’ll call the thing the Switch U.
In any event, recent weeks have brought feverish speculation regarding all aspects of the forthcoming gaming console. It’s important to note, however, that very little information has been confirmed by Nintendo. The company operates on its own timetable. With that said, here are all of the rumors that are most likely to come true, given industry analysis.
When will the Nintendo Switch 2 be announced?
As previously mentioned, Nintendo marches to the beat of its own drum. We don’t exactly know when it’ll hold an event to reveal the console. However, many are predicting that it’ll happen sometime this month. Why is this? The company recently shuffled around its normal Nintendo Direct schedule to make room for something in September, as indicated by Kotaku. September is also an important time in the Japanese video game calendar, as Tokyo Game Show is scheduled for the end of the month.
Many members of the press have also heard “industry whispers” regarding a September reveal event. These include GamesIndustry.biz head Christopher Dring, who teased that something Switch 2-related would be happening this month. Editor-in-chief of VGC, Andy Robinson, concurred that a “bunch of press have heard this” but said that he “wouldn’t bet my house on it.”
No-one seems to have noticed the Nintendo assembler- Hosiden is spending ¥2bn on production equipment and ¥1bn on automation in FY3/25 for its major customer in amusement (Nintendo). I still expect Sept news and March 2025 release for next device. pic.twitter.com/APGEGGSyS8— David Gibson (@gibbogame) September 4, 2024

Even Nintendo has trouble keeping the lid on a major console release. There are parts that have to be sourced and shipments that have to be made. A senior analyst at MST Financial noted a spike in production equipment spending by Nintendo assembler Hosiden, so he also expects a September announcement date. 
When will the Nintendo Switch 2 come out?
Once again, this is more or less a mystery. We aren’t totally in the dark, but it’s mostly rumor and speculation. One thing we know for sure is that Nintendo will announce the Nintendo Switch 2 (or whatever it chooses to call it) by March 2025, as the company confirmed that back in May. Some are saying there will be a March release date, which makes sense given the OG Switch came out on March 17, 2017. However, other reports put the console’s release window later in 2025.
We can infer a lot from the announcement date. If the console gets announced this year, March is likely, given that the original Switch was officially confirmed in October of 2016. If the announcement doesn’t come until next year, the launch probably won’t come until after April.
Will it even be a proper Switch sequel?
Nintendo has a weird track record here. The baffling Wii U followed the massive success of the Wii. The Wii itself followed the more traditional GameCube. In other words, it’s possible it’ll be something out of left field and not exactly a true sequel to the Switch. However, this is unlikely this time around. As much as I would love to see wacky VR glasses or a completely bonkers console concept, all points indicate a more traditional approach.
Nintendo Patent Points to (Another) VR Headset https://t.co/pofTjclgOt #LaboVR #Nintendo pic.twitter.com/A5WEZUG3kL— The Escapist (@EscapistMag) September 10, 2019

Developers have already seen the hardware, though in a much earlier form, and it seems to be a regular old console. While Nintendo hasn’t confirmed hybrid functionality, it’d be a weird omission given the absolute financial firestorm of the Switch. We’ve also heard rumors of a Mini-LED display, which would track for a hybrid console. It’s highly likely this will be a straight-up Switch 2, or something like it, calling to mind the Super Nintendo.
Is the Nintendo Switch 2 backwards compatible?
If it’s a sequel to the Switch, the next question has to be about backwards compatibility. The Switch’s library is absolutely massive, and continues to grow, so gamers would be rightfully peeved if they couldn’t play Tears of the Kingdom on their new next-gen console. There’s good news on this front.
Multiple sources have reported that the console will likely be fully backwards compatible, which is great. This should be true of both digital releases and physical cartridges. Even Nintendo of America president Doug Bowser seemed to indicate this during an interview conducted last year, saying that the company’s goal this time around is to “minimize the dip you typically see in the last year of one cycle and the beginning of another.” Backwards compatibility would certainly get that done. Nintendo president Shuntaro Furukawa has also told investors that the company’s revamped account system will make transitioning from Switch to its successor more smooth than previous generational leaps. 
What about specs?
The rumors regarding specs are all over the place, so it’s tough to pin down. We know one thing for sure: It’ll be more powerful than the ancient Switch hardware, which was already antiquated back in 2017. One analyst allegedly got a hold of a spec sheet from the Korean United Daily News that said the Switch 2 would boast an eight-core Cortex-A78AE processor, 8GB of RAM, and 64GB of internal eMMC storage. This tracks for me, as these specs are about as underpowered in 2024 as the original Switch was in 2017.
Another source suggests that the eight-core CPU will be packaged inside an NVIDIA-produced Tegra239 SoC (system on a chip). Given the current Switch runs on an NVIDIA chip, that makes a lot of sense. The CPU will be more powerful, but it’s the Switch 2’s new GPU that will be a major differentiator. It’s all-but-confirmed that the Switch 2 will support DLSS, NVIDIA’s “deep learning supersampling” upscaling tech, which would allow the console to render games at a low resolution internally while outputting a high-resolution image. (Fun fact: We actually wrote about how perfect DLSS was for the Nintendo Switch 2 when the technology was announced alongside the RTX 20 series back in 2018.)
There are still questions about the Switch 2 and DLSS: Will the system support newer DLSS features like frame generation? Will existing games be automatically tidied up by NVIDIA’s algorithm? Regardless of the exact implementation, DLSS upscaling will be a huge leap over the rudimentary techniques available to Nintendo Switch developers.
As for the display, there are many conflicting rumors. Early reports from solid sources suggested the Switch 2 would have an 8-inch display LCD display, but there have also been rumors about an 7-inch display with a 120Hz refresh rate. Some analysts have suggested this would be an OLED screen, while others have said it would be a Mini-LED display. A Mini-LED display is basically an LCD display that has a backlight made of (surprise!) mini-LEDs rather than edge lighting. This allows for local dimming, making the blacks more black. I’m hedging my bets here. I think it’ll be a standard LCD, to cut costs, with an OLED or Mini-LED model coming later down the line. However, Mini-LED screens are slightly cheaper than OLED displays, so that’s certainly a possibility at launch.
How much will the Nintendo Switch 2 cost?
We don’t have too much information regarding price but we do have plenty of history to work with. The original Nintendo Switch launched at $300, which is pretty much the “magic number” when it comes to Nintendo console releases in recent years. The Wii U also came in at $300. 
However, there are plenty of rumors circulating that Nintendo could be upping the asking price for the Switch 2. Numerous outlets have reported it’ll be $400, or potentially even more expensive. However, the same analysts who say the console will be $400 were also fairly certain it would be out by the end of 2024 and, well, it looks like that ain’t happening. 
Dipping back into history, there is some precedence for a price uptick. The GameCube was $200 and the Wii was $250. The Wii U and Switch increased to $300 and, well, numbers like to go up. A $400 price tag would make it nearly as expensive as a PS5 and Xbox Series X. That would also put it at the same price as the 256GB LCD Steam Deck. 
Do we know about any launch games?
Nope! But it’s certainly been a long time since we’ve gotten a proper 3D Mario adventure, right? That would be one heck of a system seller. Other than that, your guess is as good as mine. Past as prologue, we can expect something from Ubisoft and an off-the-wall title like 1-2-Switch. 

If there’s a gimmick or hook involved with the console, we’ll also get a game that takes advantage of that. A dual release of Metroid Prime 4, just like Breath of the Wild and Twilight Princess before that, is also a possibility.

That’s everything we know about the Nintendo Switch 2 today. We’ll update this article with rumors we trust and with information we gather directly from sources. Any changes made to the article after its initial publishing will be listed below.This article originally appeared on Engadget at https://www.engadget.com/gaming/nintendo/nintendo-switch-2-everything-we-know-about-the-coming-release-110023903.html?src=rss

As the world turns, so do the console generations. The Nintendo Switch is over seven years old, so it’s due for a refresh. Nintendo Switch 2 rumors have been swirling for years, but now they are really heating up. A sequel to Nintendo’s most successful home console ever is coming and it’s likely coming sooner rather than later.

Will it be a straight up sequel to the Switch with updated specs while retaining the same hybrid functionality or will Nintendo get weird with it? Will it even be called the Switch 2, or will the company go with something like the Super Switch or even the New Nintendo Switch? You can never tell with Nintendo. Heck, maybe it’ll call the thing the Switch U.

In any event, recent weeks have brought feverish speculation regarding all aspects of the forthcoming gaming console. It’s important to note, however, that very little information has been confirmed by Nintendo. The company operates on its own timetable. With that said, here are all of the rumors that are most likely to come true, given industry analysis.

When will the Nintendo Switch 2 be announced?

As previously mentioned, Nintendo marches to the beat of its own drum. We don’t exactly know when it’ll hold an event to reveal the console. However, many are predicting that it’ll happen sometime this month. Why is this? The company recently shuffled around its normal Nintendo Direct schedule to make room for something in September, as indicated by Kotaku. September is also an important time in the Japanese video game calendar, as Tokyo Game Show is scheduled for the end of the month.

Many members of the press have also heard “industry whispers” regarding a September reveal event. These include GamesIndustry.biz head Christopher Dring, who teased that something Switch 2-related would be happening this month. Editor-in-chief of VGC, Andy Robinson, concurred that a “bunch of press have heard this” but said that he “wouldn’t bet my house on it.”

Even Nintendo has trouble keeping the lid on a major console release. There are parts that have to be sourced and shipments that have to be made. A senior analyst at MST Financial noted a spike in production equipment spending by Nintendo assembler Hosiden, so he also expects a September announcement date. 

When will the Nintendo Switch 2 come out?

Once again, this is more or less a mystery. We aren’t totally in the dark, but it’s mostly rumor and speculation. One thing we know for sure is that Nintendo will announce the Nintendo Switch 2 (or whatever it chooses to call it) by March 2025, as the company confirmed that back in May. Some are saying there will be a March release date, which makes sense given the OG Switch came out on March 17, 2017. However, other reports put the console’s release window later in 2025.

We can infer a lot from the announcement date. If the console gets announced this year, March is likely, given that the original Switch was officially confirmed in October of 2016. If the announcement doesn’t come until next year, the launch probably won’t come until after April.

Will it even be a proper Switch sequel?

Nintendo has a weird track record here. The baffling Wii U followed the massive success of the Wii. The Wii itself followed the more traditional GameCube. In other words, it’s possible it’ll be something out of left field and not exactly a true sequel to the Switch. However, this is unlikely this time around. As much as I would love to see wacky VR glasses or a completely bonkers console concept, all points indicate a more traditional approach.

Developers have already seen the hardware, though in a much earlier form, and it seems to be a regular old console. While Nintendo hasn’t confirmed hybrid functionality, it’d be a weird omission given the absolute financial firestorm of the Switch. We’ve also heard rumors of a Mini-LED display, which would track for a hybrid console. It’s highly likely this will be a straight-up Switch 2, or something like it, calling to mind the Super Nintendo.

Is the Nintendo Switch 2 backwards compatible?

If it’s a sequel to the Switch, the next question has to be about backwards compatibility. The Switch’s library is absolutely massive, and continues to grow, so gamers would be rightfully peeved if they couldn’t play Tears of the Kingdom on their new next-gen console. There’s good news on this front.

Multiple sources have reported that the console will likely be fully backwards compatible, which is great. This should be true of both digital releases and physical cartridges. Even Nintendo of America president Doug Bowser seemed to indicate this during an interview conducted last year, saying that the company’s goal this time around is to “minimize the dip you typically see in the last year of one cycle and the beginning of another.” Backwards compatibility would certainly get that done. Nintendo president Shuntaro Furukawa has also told investors that the company’s revamped account system will make transitioning from Switch to its successor more smooth than previous generational leaps. 

What about specs?

The rumors regarding specs are all over the place, so it’s tough to pin down. We know one thing for sure: It’ll be more powerful than the ancient Switch hardware, which was already antiquated back in 2017. One analyst allegedly got a hold of a spec sheet from the Korean United Daily News that said the Switch 2 would boast an eight-core Cortex-A78AE processor, 8GB of RAM, and 64GB of internal eMMC storage. This tracks for me, as these specs are about as underpowered in 2024 as the original Switch was in 2017.

Another source suggests that the eight-core CPU will be packaged inside an NVIDIA-produced Tegra239 SoC (system on a chip). Given the current Switch runs on an NVIDIA chip, that makes a lot of sense. The CPU will be more powerful, but it’s the Switch 2’s new GPU that will be a major differentiator. It’s all-but-confirmed that the Switch 2 will support DLSS, NVIDIA’s “deep learning supersampling” upscaling tech, which would allow the console to render games at a low resolution internally while outputting a high-resolution image. (Fun fact: We actually wrote about how perfect DLSS was for the Nintendo Switch 2 when the technology was announced alongside the RTX 20 series back in 2018.)

There are still questions about the Switch 2 and DLSS: Will the system support newer DLSS features like frame generation? Will existing games be automatically tidied up by NVIDIA’s algorithm? Regardless of the exact implementation, DLSS upscaling will be a huge leap over the rudimentary techniques available to Nintendo Switch developers.

As for the display, there are many conflicting rumors. Early reports from solid sources suggested the Switch 2 would have an 8-inch display LCD display, but there have also been rumors about an 7-inch display with a 120Hz refresh rate. Some analysts have suggested this would be an OLED screen, while others have said it would be a Mini-LED display. A Mini-LED display is basically an LCD display that has a backlight made of (surprise!) mini-LEDs rather than edge lighting. This allows for local dimming, making the blacks more black. I’m hedging my bets here. I think it’ll be a standard LCD, to cut costs, with an OLED or Mini-LED model coming later down the line. However, Mini-LED screens are slightly cheaper than OLED displays, so that’s certainly a possibility at launch.

How much will the Nintendo Switch 2 cost?

We don’t have too much information regarding price but we do have plenty of history to work with. The original Nintendo Switch launched at $300, which is pretty much the “magic number” when it comes to Nintendo console releases in recent years. The Wii U also came in at $300. 

However, there are plenty of rumors circulating that Nintendo could be upping the asking price for the Switch 2. Numerous outlets have reported it’ll be $400, or potentially even more expensive. However, the same analysts who say the console will be $400 were also fairly certain it would be out by the end of 2024 and, well, it looks like that ain’t happening. 

Dipping back into history, there is some precedence for a price uptick. The GameCube was $200 and the Wii was $250. The Wii U and Switch increased to $300 and, well, numbers like to go up. A $400 price tag would make it nearly as expensive as a PS5 and Xbox Series X. That would also put it at the same price as the 256GB LCD Steam Deck. 

Do we know about any launch games?

Nope! But it’s certainly been a long time since we’ve gotten a proper 3D Mario adventure, right? That would be one heck of a system seller. Other than that, your guess is as good as mine. Past as prologue, we can expect something from Ubisoft and an off-the-wall title like 1-2-Switch. 

If there’s a gimmick or hook involved with the console, we’ll also get a game that takes advantage of that. A dual release of Metroid Prime 4, just like Breath of the Wild and Twilight Princess before that, is also a possibility.

That’s everything we know about the Nintendo Switch 2 today. We’ll update this article with rumors we trust and with information we gather directly from sources. Any changes made to the article after its initial publishing will be listed below.

This article originally appeared on Engadget at https://www.engadget.com/gaming/nintendo/nintendo-switch-2-everything-we-know-about-the-coming-release-110023903.html?src=rss

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The US government has noticed the potentially negative effects of generative AI on areas like journalism and content creation. Senator Amy Klobuchar, along with seven Democrat colleagues, urged the Federal Trade Commission (FTC) and Justice Department to probe generative AI products like ChatGPT for potential antitrust violations, they wrote in a press release. 
“Recently, multiple dominant online platforms have introduced new generative AI features that answer user queries by summarizing, or, in some cases, merely regurgitating online content from other sources or platforms,” the letter states. “The introduction of these new generative AI features further threatens the ability of journalists and other content creators to earn compensation for their vital work.” 
The lawmakers went on to note that traditional search results lead users to publishers’ websites while AI-generated summaries keep the users on the search platform “where that platform alone can profit from the user’s attention through advertising and data collection.” 
These products also have significant competitive consequences that distort markets for content. When a generative AI feature answers a query directly, it often forces the content creator—whose content has been relegated to a lower position on the user interface—to compete with content generated from their own work.
The fact that AI may be scraping news sites and then not even directing users to the original source could be a form of “exclusionary conduct or an unfair method of competition in violation of antitrust laws,” the lawmakers concluded. (That’s on top being a potential violation of copyright laws, but that’s another legal battle altogether.)
Lawmakers have already proposed a couple of bills designed to protect artists, journalists and other from unauthorized generative AI use. In July, three senators introduced the COPIED Act to combat and monitor the rise of AI content and deepfakes. Later in the month, a group of senators introduced the NO FAKES Act, a law that would make it illegal to make digital recreations of a person’s voice or likeness without their consent.
AI poses a particularly large risk to journalism, both local and global, by removing the sources of revenue that allow for original and investigative reporting. The New York Times, for one, cited instances of ChatGPT providing users with “near-verbatim excerpts” from paywalled articles. OpenAI recently admitted that it’s impossible to train generative AI without copyrighted materials. This article originally appeared on Engadget at https://www.engadget.com/ai/us-senators-urge-regulators-to-probe-potential-ai-antitrust-violations-110012387.html?src=rss

The US government has noticed the potentially negative effects of generative AI on areas like journalism and content creation. Senator Amy Klobuchar, along with seven Democrat colleagues, urged the Federal Trade Commission (FTC) and Justice Department to probe generative AI products like ChatGPT for potential antitrust violations, they wrote in a press release. 

“Recently, multiple dominant online platforms have introduced new generative AI features that answer user queries by summarizing, or, in some cases, merely regurgitating online content from other sources or platforms,” the letter states. “The introduction of these new generative AI features further threatens the ability of journalists and other content creators to earn compensation for their vital work.” 

The lawmakers went on to note that traditional search results lead users to publishers’ websites while AI-generated summaries keep the users on the search platform “where that platform alone can profit from the user’s attention through advertising and data collection.” 

These products also have significant competitive consequences that distort markets for content. When a generative AI feature answers a query directly, it often forces the content creator—whose content has been relegated to a lower position on the user interface—to compete with content generated from their own work.

The fact that AI may be scraping news sites and then not even directing users to the original source could be a form of “exclusionary conduct or an unfair method of competition in violation of antitrust laws,” the lawmakers concluded. (That’s on top being a potential violation of copyright laws, but that’s another legal battle altogether.)

Lawmakers have already proposed a couple of bills designed to protect artists, journalists and other from unauthorized generative AI use. In July, three senators introduced the COPIED Act to combat and monitor the rise of AI content and deepfakes. Later in the month, a group of senators introduced the NO FAKES Act, a law that would make it illegal to make digital recreations of a person’s voice or likeness without their consent.

AI poses a particularly large risk to journalism, both local and global, by removing the sources of revenue that allow for original and investigative reporting. The New York Times, for one, cited instances of ChatGPT providing users with “near-verbatim excerpts” from paywalled articles. OpenAI recently admitted that it’s impossible to train generative AI without copyrighted materials. 

This article originally appeared on Engadget at https://www.engadget.com/ai/us-senators-urge-regulators-to-probe-potential-ai-antitrust-violations-110012387.html?src=rss

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The first-person shooter Doom has so many ports on so many different consoles and computers that modders have had to find new places to port the game like autonomous lawnmowers, digestive bacteria and even in Doom II itself.
One port that’s not nearly as popular or playable as the others is the Sega Saturn port that came out nearly four years after the game’s release. Gamespot’s Jeff Gerstmann called the Sega Saturn Doom port just about everything you can call a bad game without straying over the the boundaries of good taste: “completely worthless,” “drab,” “jerky,” “to be avoided at all costs.”
Bo, a self-described reverse engineer of Sega Saturn games, gave the Sega Saturn port of Doom another chance and he discovered a cheat code in the game that’s been laying dormant for more than a decade. He posted the secret cheat code he found on X.
Here’s a cheat code for the Saturn version of DOOM that I think has gone unnoticed since 1997. Pause the game and press:X, Right, B, Y, X, Right, B, YThe walls will become semi-transparent. See the before/after pictures below! pic.twitter.com/iLRDwEr46M— Bo (Low Context Burning Rangers) (@memory_fallen) September 10, 2024
The button combination X, Right, B, Y, X, Right, B, Y gives you the ability to see through the walls of the Mars substation and even Hell. It’s too bad the game doesn’t have a cheat code that lets you see a better version of Doom.This article originally appeared on Engadget at https://www.engadget.com/gaming/someone-discovered-a-new-cheat-code-for-the-27-year-old-saturn-port-of-doom-230059377.html?src=rss

The first-person shooter Doom has so many ports on so many different consoles and computers that modders have had to find new places to port the game like autonomous lawnmowers, digestive bacteria and even in Doom II itself.

One port that’s not nearly as popular or playable as the others is the Sega Saturn port that came out nearly four years after the game’s release. Gamespot’s Jeff Gerstmann called the Sega Saturn Doom port just about everything you can call a bad game without straying over the the boundaries of good taste: “completely worthless,” “drab,” “jerky,” “to be avoided at all costs.”

Bo, a self-described reverse engineer of Sega Saturn games, gave the Sega Saturn port of Doom another chance and he discovered a cheat code in the game that’s been laying dormant for more than a decade. He posted the secret cheat code he found on X.

The button combination X, Right, B, Y, X, Right, B, Y gives you the ability to see through the walls of the Mars substation and even Hell. It’s too bad the game doesn’t have a cheat code that lets you see a better version of Doom.

This article originally appeared on Engadget at https://www.engadget.com/gaming/someone-discovered-a-new-cheat-code-for-the-27-year-old-saturn-port-of-doom-230059377.html?src=rss

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Google announced that it has entered a partnership with Holocene to support its direct-air capture technology for collecting and removing carbon dioxide emissions from the atmosphere. Under this $10 million deal, Google will purchase carbon removal credits from Holocene at a rate of $100 per metric ton. This is the price the US Department of Energy set as a goal for direct-air capture technology to make it a viable part of efforts to reduce the rate at which we emit carbon dioxide into the atmosphere.
As the name implies, direct-air capture can collect carbon dioxide out of the air, then concentrate the gas to be stored in underground reservoirs. It sounds great in theory, but the technology has proven expensive and difficult to scale. Google said its support should allow Holocene to capture and store 100,000 tons of carbon dioxide from the atmosphere by the early 2030s, in addition to helping the company further refine its DAC technology. Holocene has a more detailed explanation of its DAC approach on its website.
Sustainability has become an important talking point for a lot of big tech. Google has made a big investment in buying carbon offsets, enough that it claims to have eliminated its entire “carbon legacy,” and it aims to be carbon neutral by 2030. But its greenhouse gas emissions have risen almost 50 percent in the past five years thanks to the intensive data center demands of AI usage.This article originally appeared on Engadget at https://www.engadget.com/big-tech/google-announces-deal-with-direct-air-capture-startup-to-remove-carbon-emissions-225627149.html?src=rss

Google announced that it has entered a partnership with Holocene to support its direct-air capture technology for collecting and removing carbon dioxide emissions from the atmosphere. Under this $10 million deal, Google will purchase carbon removal credits from Holocene at a rate of $100 per metric ton. This is the price the US Department of Energy set as a goal for direct-air capture technology to make it a viable part of efforts to reduce the rate at which we emit carbon dioxide into the atmosphere.

As the name implies, direct-air capture can collect carbon dioxide out of the air, then concentrate the gas to be stored in underground reservoirs. It sounds great in theory, but the technology has proven expensive and difficult to scale. Google said its support should allow Holocene to capture and store 100,000 tons of carbon dioxide from the atmosphere by the early 2030s, in addition to helping the company further refine its DAC technology. Holocene has a more detailed explanation of its DAC approach on its website.

Sustainability has become an important talking point for a lot of big tech. Google has made a big investment in buying carbon offsets, enough that it claims to have eliminated its entire “carbon legacy,” and it aims to be carbon neutral by 2030. But its greenhouse gas emissions have risen almost 50 percent in the past five years thanks to the intensive data center demands of AI usage.

This article originally appeared on Engadget at https://www.engadget.com/big-tech/google-announces-deal-with-direct-air-capture-startup-to-remove-carbon-emissions-225627149.html?src=rss

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It’s the day after Apple launched the iPhone 16, and though I published my hands-on with the iPhone 16 Pro right after the event, I didn’t have a lot of time to spare for the base models until today. With that extra time, I’ve been able to learn more about the differences between the standard iPhone 16 and the iPhone 16 Pro, and honestly I’m pleasantly surprised that there aren’t that many.
One of the most obvious ways to tell the iPhone 16 and iPhone 16 Pro apart is in their color selections. The entry-level series has a pleasant, vibrant array of colors this year, with the teal, pink and blue options really catching my eye. These hues are saturated and punchy, compared to the light pastel shades from recent years. I especially like how deep the “ultramarine” blue is — the pictures don’t do any of these finishes justice.
The entire iPhone 16 series has the new camera control, meaning you can use the hardware switch to launch the camera app, and then tweak settings like zoom, depth and tone. Having played with them both, I can confirm that they’re equally clicky and satisfying to use. Unlike last year, where only the Pro models got the Action button, the iPhone 16 has similar controls, so you’re not missing out on a dedicated key by opting for a cheaper model. 
You also gain the ability to record spatial video and audio, thanks to the iPhone 16’s updated cameras. In addition to a new ultrawide camera with autofocus and support for macro shots, the sensors have been realigned and are now vertically stacked atop each other. Most intriguing is that the iPhone 16 will also support the new Audio Mix feature that lets you more finely control the voices and sounds in your footage after capture. 
Cherlynn Low for Engadget
It’d be easy to assume that the “four new studio-quality mics” on the iPhone 16 Pro are what’s behind Audio Mix, but it appears to just be the ability to record spatial audio that enables the new feature. With this you can go into the iPhone 16’s video editing interface, tap the tab for Audio Mix and choose between “In-frame,” “Cinematic” and “Studio” options. The first one isolates the sound from subjects in the scene and cuts out background noise, while Studio mimics the acoustic environment of a recording studio, complete with dampening walls. Cinematic, meanwhile, consolidates all the sounds in the front and center of the space.
I was able to get a demo of the Audio Mix feature, and was really impressed that the iPhone 16 was able to isolate voices of people it recorded speaking in an echoey outdoor deck in Apple’s new Observatory space. Not only did switching between the different mixes effectively change how loud the various sources of sound were, but it was also nice to learn that you can tune the volume of specific streams in each profile. This is something I’m going to want to play with a lot more to better understand it, but for now I’m very intrigued by the possibility of using an iPhone 16 for future Apple event videos.
One disappointing exclusion from the iPhone 16 is the multi-track recording feature coming to iPhone 16 Pro. That Voice Memo update is only going to be available on the Pro models. 
In fact, here are the main upgrades if you spring for a Pro: ProMotion screens with higher refresh rates and Always On Display, as well as superior camera hardware with a 48-megapixel ultrawide lens and a 5x telephoto option. The premium handsets also have support for 4K120p high-quality slo-mo footage and professional formats like ProRaw. The Pros also have the A18 Pro chip, compared to the iPhone 16’s A18, and the differences mostly lie in GPU performance, so you might have a better time gaming on the more premium model. 
Other differences are fairly minimal, like the titanium build and faster USB speeds on the Pros. In general, though, the iPhone 16 and iPhone 16 Plus feel like much less of a trade off for the cost savings, and you’re also getting more fun colors. They also seem like a greater improvement from their predecessors, which is a welcome change after years of incremental changes.
Catch up on all the news from Apple’s iPhone 16 event!This article originally appeared on Engadget at https://www.engadget.com/mobile/smartphones/iphone-16-hands-on-more-pro-than-i-expected-222843896.html?src=rss

It’s the day after Apple launched the iPhone 16, and though I published my hands-on with the iPhone 16 Pro right after the event, I didn’t have a lot of time to spare for the base models until today. With that extra time, I’ve been able to learn more about the differences between the standard iPhone 16 and the iPhone 16 Pro, and honestly I’m pleasantly surprised that there aren’t that many.

One of the most obvious ways to tell the iPhone 16 and iPhone 16 Pro apart is in their color selections. The entry-level series has a pleasant, vibrant array of colors this year, with the teal, pink and blue options really catching my eye. These hues are saturated and punchy, compared to the light pastel shades from recent years. I especially like how deep the “ultramarine” blue is — the pictures don’t do any of these finishes justice.

The entire iPhone 16 series has the new camera control, meaning you can use the hardware switch to launch the camera app, and then tweak settings like zoom, depth and tone. Having played with them both, I can confirm that they’re equally clicky and satisfying to use. Unlike last year, where only the Pro models got the Action button, the iPhone 16 has similar controls, so you’re not missing out on a dedicated key by opting for a cheaper model. 

You also gain the ability to record spatial video and audio, thanks to the iPhone 16’s updated cameras. In addition to a new ultrawide camera with autofocus and support for macro shots, the sensors have been realigned and are now vertically stacked atop each other. Most intriguing is that the iPhone 16 will also support the new Audio Mix feature that lets you more finely control the voices and sounds in your footage after capture. 

It’d be easy to assume that the “four new studio-quality mics” on the iPhone 16 Pro are what’s behind Audio Mix, but it appears to just be the ability to record spatial audio that enables the new feature. With this you can go into the iPhone 16’s video editing interface, tap the tab for Audio Mix and choose between “In-frame,” “Cinematic” and “Studio” options. The first one isolates the sound from subjects in the scene and cuts out background noise, while Studio mimics the acoustic environment of a recording studio, complete with dampening walls. Cinematic, meanwhile, consolidates all the sounds in the front and center of the space.

I was able to get a demo of the Audio Mix feature, and was really impressed that the iPhone 16 was able to isolate voices of people it recorded speaking in an echoey outdoor deck in Apple’s new Observatory space. Not only did switching between the different mixes effectively change how loud the various sources of sound were, but it was also nice to learn that you can tune the volume of specific streams in each profile. This is something I’m going to want to play with a lot more to better understand it, but for now I’m very intrigued by the possibility of using an iPhone 16 for future Apple event videos.

One disappointing exclusion from the iPhone 16 is the multi-track recording feature coming to iPhone 16 Pro. That Voice Memo update is only going to be available on the Pro models. 

In fact, here are the main upgrades if you spring for a Pro: ProMotion screens with higher refresh rates and Always On Display, as well as superior camera hardware with a 48-megapixel ultrawide lens and a 5x telephoto option. The premium handsets also have support for 4K120p high-quality slo-mo footage and professional formats like ProRaw. The Pros also have the A18 Pro chip, compared to the iPhone 16’s A18, and the differences mostly lie in GPU performance, so you might have a better time gaming on the more premium model. 

Other differences are fairly minimal, like the titanium build and faster USB speeds on the Pros. In general, though, the iPhone 16 and iPhone 16 Plus feel like much less of a trade off for the cost savings, and you’re also getting more fun colors. They also seem like a greater improvement from their predecessors, which is a welcome change after years of incremental changes.

Catch up on all the news from Apple’s iPhone 16 event!

This article originally appeared on Engadget at https://www.engadget.com/mobile/smartphones/iphone-16-hands-on-more-pro-than-i-expected-222843896.html?src=rss

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Australian Prime Minister Anthony Albanese has promised to introduce legislation that would prevent children under a certain age from using social media. Reuters reported that Albanese issued his statement in a TV interview on the Australian Broadcasting Corp. (ABC).
Albanese says the Australian government would start its social media initiative by testing age verification technology sometime this year. He also didn’t state a specific age limit but estimated he’d like the ban to be for children younger than 14-16 because “we know that social media is causing social harm.”
Meta issued a statement in response to the PM’s proposal noting that Facebook and Instagram already have a minimum age requirement of 13 years for users. The social media company also noted it wants to empower young people to benefit from social media with parental controls and monitoring “instead of just cutting off access.”
Lawmakers in the US and other countries have suggested and tried to implement a federal age limit on social media access. Last year, US Senator Josh Hawley introduced two bills to Congress that would prohibit teenagers under 16 from using social media. The state of Utah also passed laws in 2023 requiring teens to have parental consent and provide a copy of an ID instead of just inputting their birthday to access their accounts. The following year, Utah repealed the ID requirements.
Social media use has become a greater health issue as experts raise concerns about its effects on younger users’ mental well being. An open letter signed by 42 US attorneys general supported US Surgeon General Vivek Murthy’s proposal to require social media websites to post visible health warnings the way that cigarette makers are required to do so on their products’ packaging.This article originally appeared on Engadget at https://www.engadget.com/social-media/australias-prime-minister-wants-to-ban-social-media-for-children-212139064.html?src=rss

Australian Prime Minister Anthony Albanese has promised to introduce legislation that would prevent children under a certain age from using social media. Reuters reported that Albanese issued his statement in a TV interview on the Australian Broadcasting Corp. (ABC).

Albanese says the Australian government would start its social media initiative by testing age verification technology sometime this year. He also didn’t state a specific age limit but estimated he’d like the ban to be for children younger than 14-16 because “we know that social media is causing social harm.”

Meta issued a statement in response to the PM’s proposal noting that Facebook and Instagram already have a minimum age requirement of 13 years for users. The social media company also noted it wants to empower young people to benefit from social media with parental controls and monitoring “instead of just cutting off access.”

Lawmakers in the US and other countries have suggested and tried to implement a federal age limit on social media access. Last year, US Senator Josh Hawley introduced two bills to Congress that would prohibit teenagers under 16 from using social media. The state of Utah also passed laws in 2023 requiring teens to have parental consent and provide a copy of an ID instead of just inputting their birthday to access their accounts. The following year, Utah repealed the ID requirements.

Social media use has become a greater health issue as experts raise concerns about its effects on younger users’ mental well being. An open letter signed by 42 US attorneys general supported US Surgeon General Vivek Murthy’s proposal to require social media websites to post visible health warnings the way that cigarette makers are required to do so on their products’ packaging.

This article originally appeared on Engadget at https://www.engadget.com/social-media/australias-prime-minister-wants-to-ban-social-media-for-children-212139064.html?src=rss

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The Xbox Game Pass Standard plan is available starting today. Microsoft announced a revamp to its Game Pass subscription plans in July, introducing the Standard option alongside a price increase for the Ultimate tier. The Standard plan costs $15 a month, while Ultimate will run you $20 a month.
The Standard subscription tier will offer the essential features of the Game Pass program: online multiplayer gaming, access to a large library of games, and discounts on select game purchases. The big difference between Standard and Ultimate is that Standard plan members will not be able to play some blockbuster releases, such as Call of Duty: Black Ops 6 and Indiana Jones and the Great Circle, on day one. The wait time on Standard varies by title, but can last up to or longer than 12 months. Ultimate plans also include membership to EA Play and access to Xbox Cloud Gaming.
Xbox has been struggling to compete with PlayStation in this console generation. That’s partially due to hardware differences: Microsoft offered an underwhelming refresh to its console lineup this summer whereas Sony managed to build lots of hype for the announcement of its expensive new PS5 Pro. But the Game Pass plan has also been struggling to generate continued revenue for Microsoft, with just 34 million subscribers reported in February.This article originally appeared on Engadget at https://www.engadget.com/gaming/xbox/game-pass-standard-is-now-available-on-xbox-202451946.html?src=rss

The Xbox Game Pass Standard plan is available starting today. Microsoft announced a revamp to its Game Pass subscription plans in July, introducing the Standard option alongside a price increase for the Ultimate tier. The Standard plan costs $15 a month, while Ultimate will run you $20 a month.

The Standard subscription tier will offer the essential features of the Game Pass program: online multiplayer gaming, access to a large library of games, and discounts on select game purchases. The big difference between Standard and Ultimate is that Standard plan members will not be able to play some blockbuster releases, such as Call of Duty: Black Ops 6 and Indiana Jones and the Great Circle, on day one. The wait time on Standard varies by title, but can last up to or longer than 12 months. Ultimate plans also include membership to EA Play and access to Xbox Cloud Gaming.

Xbox has been struggling to compete with PlayStation in this console generation. That’s partially due to hardware differences: Microsoft offered an underwhelming refresh to its console lineup this summer whereas Sony managed to build lots of hype for the announcement of its expensive new PS5 Pro. But the Game Pass plan has also been struggling to generate continued revenue for Microsoft, with just 34 million subscribers reported in February.

This article originally appeared on Engadget at https://www.engadget.com/gaming/xbox/game-pass-standard-is-now-available-on-xbox-202451946.html?src=rss

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As I write this, I’m listening to tunes on my 2020-vintage AirPods Max. Yes, that makes me a bit of an Apple fanboy, and we currently recommend at least six pairs of headphones over them. But for me, they still sound outstanding, have great active noise cancellation and work well with my most-used devices. They also are missing a few features compared to the second-generation AirPods Pro that came out in 2022. That doesn’t bother me, given that they’re almost four years old — but the idea of spending the $550 that Apple is asking for the refreshed version of these headphones announced yesterday is ridiculous, even if it is a relief that they finally have USB-C.
For context, Apple wasn’t even expected to introduce an AirPods Max update at the iPhone 16 event — but the day before, Apple prognosticator Mark Gurman at Bloomberg surprisingly said that the headphones would receive their first significant update. However, the update involved replacing the Lightning charging port with USB-C and some new colors. That’s it. Nothing to inspire an upgrade from Apple nutjobs like me (though I sorely wish my headphones did in fact have USB-C, now that I’ve mostly moved away from Lightning devices). I’m a fan of the new colors and would love to switch to USB-C, but not enough to spend $550 — or even half that to be honest.
On the other hand, Sony has updated its flagship headphones regularly, with the WH-1000XM3 arriving in 2018, the XM4 in 2020, the XM5 in 2022 and the XM6 expected in 2025. Most Sony users aren’t going to upgrade from the XM4 to the XM5, or even a future XM6, as high-end headphones should last for years. But when you’re buying a company’s flagship headphones, you’re getting the best product they could possibly make. Sony has made sure that’s the case by refining the design, offering better battery life or improving ANC.
What’s most frustrating about the AirPods Max update is that they had to do at least a modicum of internal redesign to drop in USB-C, so why not upgrade the chips to the H2 processors? The H1 varient inside the AirPods Max was first released in early 2019, as part of the second-generation AirPods. And now, all AirPods, including the just-announced $129 fourth-generation model, use that H2 processor. It enables useful improvements like adaptive audio, which essentially blurs the lines between traditional transparency and noise-canceling modes depending on the ambient sound around you. It also lets you nod or shake your head to respond to Siri rather than having to speak out loud.
These features would certainly be welcome by potential AirPods Max buyers, but instead the incredibly expensive headphones are stuck with a five-year-old chip for the foreseeable future. I can’t get over how silly that is considering the fact that entry-level AirPods are getting some of the benefits of the H2 processor. Of course, the AirPods Max have speaker quality and tuning that far exceeds what you’ll get from a $129 pair of earbuds. But as Apple’s top-tier headphone (in cost, if not features), they’re a tough sell given they’re missing features you can get on the AirPods 4 with ANC for a third of the price.
Catch up on all the news from Apple’s iPhone 16 event!

This article originally appeared on Engadget at https://www.engadget.com/audio/headphones/why-are-apples-airpods-max-still-saddled-with-2020-hardware-200506426.html?src=rss

As I write this, I’m listening to tunes on my 2020-vintage AirPods Max. Yes, that makes me a bit of an Apple fanboy, and we currently recommend at least six pairs of headphones over them. But for me, they still sound outstanding, have great active noise cancellation and work well with my most-used devices. They also are missing a few features compared to the second-generation AirPods Pro that came out in 2022. That doesn’t bother me, given that they’re almost four years old — but the idea of spending the $550 that Apple is asking for the refreshed version of these headphones announced yesterday is ridiculous, even if it is a relief that they finally have USB-C.

For context, Apple wasn’t even expected to introduce an AirPods Max update at the iPhone 16 event — but the day before, Apple prognosticator Mark Gurman at Bloomberg surprisingly said that the headphones would receive their first significant update. However, the update involved replacing the Lightning charging port with USB-C and some new colors. That’s it. Nothing to inspire an upgrade from Apple nutjobs like me (though I sorely wish my headphones did in fact have USB-C, now that I’ve mostly moved away from Lightning devices). I’m a fan of the new colors and would love to switch to USB-C, but not enough to spend $550 — or even half that to be honest.

On the other hand, Sony has updated its flagship headphones regularly, with the WH-1000XM3 arriving in 2018, the XM4 in 2020, the XM5 in 2022 and the XM6 expected in 2025. Most Sony users aren’t going to upgrade from the XM4 to the XM5, or even a future XM6, as high-end headphones should last for years. But when you’re buying a company’s flagship headphones, you’re getting the best product they could possibly make. Sony has made sure that’s the case by refining the design, offering better battery life or improving ANC.

What’s most frustrating about the AirPods Max update is that they had to do at least a modicum of internal redesign to drop in USB-C, so why not upgrade the chips to the H2 processors? The H1 varient inside the AirPods Max was first released in early 2019, as part of the second-generation AirPods. And now, all AirPods, including the just-announced $129 fourth-generation model, use that H2 processor. It enables useful improvements like adaptive audio, which essentially blurs the lines between traditional transparency and noise-canceling modes depending on the ambient sound around you. It also lets you nod or shake your head to respond to Siri rather than having to speak out loud.

These features would certainly be welcome by potential AirPods Max buyers, but instead the incredibly expensive headphones are stuck with a five-year-old chip for the foreseeable future. I can’t get over how silly that is considering the fact that entry-level AirPods are getting some of the benefits of the H2 processor. Of course, the AirPods Max have speaker quality and tuning that far exceeds what you’ll get from a $129 pair of earbuds. But as Apple’s top-tier headphone (in cost, if not features), they’re a tough sell given they’re missing features you can get on the AirPods 4 with ANC for a third of the price.

Catch up on all the news from Apple’s iPhone 16 event!

This article originally appeared on Engadget at https://www.engadget.com/audio/headphones/why-are-apples-airpods-max-still-saddled-with-2020-hardware-200506426.html?src=rss

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