‘Piece by Piece’ review: Pharrell Williams finds his happy place in Legoland biopic
Pharrell Williams finds his happy place in Morgan Neville’s Legoland biopic, “Piece by Piece.” Review.
2024 is proving a sensational year for the revival of the music biopic. Sure, it started off weak with the bog-standard One Love and the infuriating Back to Black. But summer brought the brazen rebellion of Kneecap, which played like an early Guy Ritchie crime romp. And the Toronto International Film Festival brought the wowing double act of Better Man, which reimagines British pop star Robbie Williams as a literal dancing monkey, and Piece by Piece, in which American rapper/songwriter/producer/fashion designer Pharrell Williams spins his life story into a Lego movie.
Even when the stories hit familiar beats of a rags-to-riches arc, both of these remarkable reinventions make their material stand out through style. But where Better Man embraces a warts-and-all approach, Pharrell Williams — with the collaboration of heralded documentarian Morgan Neville (20 Feet From Stardom, Won’t You Be My Neighbor?) delivers an inspirational animated biopic for all ages.
Glossing over the low points of Williams’ journey earned the film mixed reviews out of its debut at Telluride Film Festival. But the more I mulled over what this movie does offer, the more I was won over by its playful, glossy approach.
Piece By Piece turns America’s biggest hip-hop stars into mini-figs.
Credit: Courtesy of Focus Features
To find the arc of Williams’ story, Neville interviewed the multi-hyphenate star, his wife Helen Lasichanh, and a dazzling array of collaborators and colleagues, including Snoop Dogg, Missy Elliott, Jay-Z, The Neptunes’ Chad Hugo, Gwen Stefani, and many more. In an interview with Mashable, Williams revealed many of these interviewees had no idea their contribution would be filtered through a Lego lens, and only discovered they’d been transformed into mini-figs when the first trailer hit.
Neville’s visual translation of these interviews includes amusing flourishes, like turning Snoop Dog into a Lego Doberman, and making metaphors about bakeries literal, with Lego Pharrell selling sweet treats the way he sold hit beats. In one instance, the idea of blowing one’s mind with a sick bit of music is illustrated by having a smiling mini-fig’s head pop right off its base in amazement. These choices bring a playfulness into the film that not only is sure to delight fans of The Lego Movie and The Lego Batman Movie, but also reflects the tone of Williams’ hits, like “Happy” and “Get Lucky.”
More than this however, by turning himself into a plaything, Piece by Piece gives Williams a creative distance to reflect on his own life as if it is one of his many media projects. Through warm narration, he opens up about his childhood in the Atlantis Apartments in Virginia Beach, Virginia. The colorful blocks not only reconstruct his humble home but also a more fantastical version of Atlantis, where an Afro-wearing baby Pharrell swims about with a giant goldfish as Poseidon looks on. This charming spectacle showcases Pharrell’s imagination manifesting big, surreal scenarios, which becomes a recurring theme — down to dreaming up a Lego music biopic.
Piece by Piece is a Little Engine That Could tale that kids will relish.
Credit: Courtesy of Focus Features
After this whimsical dip into brick-made oceans, Williams admits he was considered an oddball by others, confessing, “It broke my spirit.” But weird kids out there (or the weird adults they became) might find solace as little Pharrell finds his crew, each of whom also revels in making music. From there, Piece by Piece becomes a story of succeeding by staying true to yourself and putting in the work to build your dream, brick by brick. Along the way, Neville laces various hits that Pharrell has contributed to, from “Hot in Herre” and “Shake Ya Ass” to “Hollaback Girl” and “Blurred Lines.” (Parents, don’t fret. Some of the racier lyrics have been delicately plucked out.)
While it’s initially fun to indulge in the nostalgia as Neville recreates iconic music videos with mini-figs, this device begins to get old as the story of his rise makes for a lot of name- and track-dropping. Pardon the pun, but things get a bit one-note. Then when it comes to a low point — a necessity for any biopic or story for that matter — Williams pulls back.
Piece by Piece can’t commit to its big swing.
Credit: Courtesy of Focus Features
Rosy memories of childhood troubles is one thing, but sharing why his career took a dip is a Lego bridge too far. Instead of probing questions, Neville paves a path with platitudes about how his subject’s greatest weakness is he has too many ideas. Colleagues speak vaguely about some business missteps or shameless yes-men who gave Williams bad advice, and these unnamed negative influences are imagined as a trio of gray-skinned ghouls wearing smiles and business suits.
Here the film suffers. Even with the mask of the mini-fig, Williams can’t let his audience into the dark moments. (On the other hand, this is where Better Man positively thrives.) Swiftly, Williams has reconnected with his pure inspiration, and the third act becomes a rousing celebration of song, dance, and Lego bits humorous and heartfelt. But this fumbled beat undercuts the movie’s message. Being true to yourself isn’t a one-time battle; it’s ongoing. But with a community — like the mini-fig friends and family in Piece by Piece — one might get their block knocked off and still rebuild.
Even with help from an on-screen avatar, can Williams not admit the ugly truths of his own story? Or did he and Neville fear self-doubt in anything but the briefest mention might bring down the joy of their movie? To that, I’d point to the other Lego movies, where the Lego universe and Lego Gotham are brought to the brink of utter destruction without us losing faith in their mini-fig heroes. Heck, The Lego Movie 2: The Second Part even made the dark side of its happy hero the mini-fig villain!
This wobble aside, Piece by Piece is a winsome reinvention of the music biopic. Animation is enthusiastically employed to bring the audience into the experience of being Pharrell Williams. The colorful blocks not only allow the construction of musical beats to become a physical act rather than an abstract idea, but also give a Ratatouille-like understanding of how this art form affects its hero. His synesthesia is showcased in waves of color as the beat bounces.
While this colorful concept means Piece by Piece can be a hit with kids, it’s easy to wish the movie dared to delve a bit more into the problems of being a grown-up. But all in all, Piece by Piece is a delight that could well have audiences dancing in the aisles.
Piece by Piece was reviewed out of its International Premiere at the 2024 Toronto International Film Festival. The movie will hit theaters Oct. 11.